Michael_Elliott Beatles: First U.S. Visit (1994) *** (out of 4) Very entertaining documentary taking a look at The Beatles as they head to the U.S. for the first time to do three Ed Sullivan shows as well as a concert in Washington, D.C.. I had seen all of the concert/Sullivan stuff in other forms but the documentary still kept me entertained with everything that was happening behind the scenes. It was fun seeing the four men off the stage, although I'm not quite sure what they were going for with all their cigarette humor. It seemed like the boys liked playing with their cigarettes with the scene where Ringo is blowing the smoke into Paul's face. The Washington, D.C. show is one I've seen and listened to before via a bootleg tape i had back in the day. I never really liked this show because it was hard understanding the band due to all the screaming girls but the audio here was a lot better. Even with that said, I can't blame the band for quitting the tours due to this type of stuff. Of the four Sullivan shows I'd say I enjoyed the last one the best as I think their version of Twist and Shout was the best performance from anything here. This documentary certainly can't be compared to The Beatles Anthology but it's still fun.

dboh The Beatles' First U.S. Visit is, behind "The Compleat Beatles" and their self-produced "Anthology", the most entertaining and revealing about this musical group of four doing what they were born to do, on the way to the crest of their musical creativity. The performances on the American "Ed Sullivan Show" are entertaining for fans and interesting as historical documents, but the true gems are the sequences of non-performance documentary footage of all four members of the group, Brian Epstein, and (briefly, hush-hush ;)) Cynthia Lennon. This footage provides a window into The Beatles' emotional state during this life-altering point in their career. They balance organized professionalism (largely achieved by Brian Epstein, often under-appreciated in that he was managing a musical act achieving unprecedented popularity with no precedented business or professional model) with their excitement of their success in America. Then and now, largely the Holy Grail of success in entertainment. It is interesting to compare their reaction to fame with, on one hand, more impressionable, and on the other hand, more stoic celebrities. Paul, as would seem to be his role in their entire career together, acts as a conduit between George, John, Ringo and their handlers, like gently encouraging Ringo to pack his suitcase thoroughly in a "mother hen" voice. Funny. Watching them listen to themselves on the radio in America, seeing footage of car-mobbing people from the INSIDE of their car, seeing John tease instrumental DJ Murray The K (none the wiser) with pervy English slang, and The "Ed Sullivan" performances themselves are priceless. Though by February 1964 they were well versed in Hotel Room culture, their upbeat moods reveal their happiness (and reported surprise) at their reception from the moment they stepped off the trans-Atlantic airplane. Seeing this week of pivotal events in rock n' roll history from is a wonderful peek behind the Beatles' curtain on par with their "Anthology" and not to be missed by any casual or greater fan. Probably, if purchased, one of the Beatles-related home media films you will find yourself repeat watching more than others. Well shot by the Maysles brothers, directed and edited. Highly recommended.

my_man_george I thought the movie was absolutely marvelous (an inside joke to anyone who has seen the movie). This one is definitely a keeper. The footage captures the innocence of the Beatles during the begining of their career. It is full of laughs and great fun. Any beatle fan would enjoy this one and I personally would go to any lengths to get a hold of it.

Miasmo It's as if you're along for the ride as a spectator in the Beatles' entourage. A revealing look at the hoopla from their prospective. The behind the scenes footage has an intimate feel as there is no narrative to distance you from what's happening. The continuity flows seamlessly, though one wonders if the Maysles may have fabricated some of the ambient dialogue in the editing.