tomgillespie2002 French New Wave film-maker and photographer Agnes Varda takes a look back at her life, her career, and her loves. She tells her story mostly to camera, now 80 years old - "a little old lady, pleasantly plump" - and is still full of life and wonder. She starts with her time studying art in Ecole du Louvre, the charms of the small town near Paris where she made her first film, her relationship with and love of fellow film- maker Jacques Demy, and the beginning of the French New Wave movement, and moves on to her re-location to and seduction by Hollywood, the hippy movement, her neo-Feminist views that influenced her films, and her move into photography. Most of all though, she reminisces about the eccentrics she encountered, and the photographs that immortalise her memories.Varda seems extremely keen to cement these memories either by recording them on her ever-present video-camera, or by taking pictures. It is important to remember, it seems. She uses a number of different artistic techniques in the film. Her wonder and love of the beaches are evident at the beginning as she lays out a number of old photographs in the sand that blow in the wind, as she reminisces. She also lays out a number of mirrors facing all angles and directions, creating some fascinating images. Varda has a clear love for art, and sees it in everything she does. As she watches a man gaze out to sea, she describes him as being like Ulysses. It is clear that it is Varda herself who is like Ulysses - life has been an epic journey for her, in which she has encountered many friends and characters, and the sea is like her life, vast and beautiful, but fading into the distance.What is so joyous about the film is how wonderfully sentimental it is. It is not patronising or forceful by overplaying sad music or having Varda cry into the camera, but instead the beauty and the melancholy are in her words, and how she describes the first time she met Demy, or how she turned a run down alley full of empty picture frames and overhanging trees into a beautiful gateway. It is so beautifully sad yet ultimately uplifting. Varda is a wonderful and intelligent lady who's love of art and creativity shines through what appears to be a short woman with a strange haircut. Less a documentary, and more of an exploration of art, love and life seen through the eyes of a woman who has lived through the very heart of it. Lyrical, beautiful, and reminds you of the true joys to be found in cinema.www.the-wrath-of-blog.blogspot.com

valadas Agnès Varda presented us in this autobiographical movie with her memories of a life devoted to the cinema and not only. She does that in powerful and beautiful images supported by a brilliant, witty and sensitive commentary. In this movie we can see references to several of some of the best Varda's films such as La Pointe Courte, Cléo de 5 à 7 and Le Bonheur, with images, and to some of the greatest and more important figures of French cinema such as her husband Jacques Demy to begin with and also Godard, Catherine Deneuve, Michel Piccoli, Jane Birkin and others. The cut is very intelligent and effective in visual terms combining the present and the past sometimes in simultaneous images with a special effect here and there. A masterpiece indeed.

writers_reign I normally run a mile away from anything tainted by the New Vave and the narrator/subject of this film certainly fits that description but the reports from all sides of the spectrum were so positive that I decided to give it a whirl and overall I'm glad I did. Okay, she may have been tainted by moving on the periphery of the new vaveleteers but against that she married Jacques Demy the onlie begetter of the magical Umbrellas of Cherbourg and its sequel The Young Girls of Rochefort so she can't be all bad. In fact she's mostly very good, certainly at this time of her life and she has come up with a gently lilting retrospective as melodic and bucolic as anything in her late husband's two musicals. Although she reflects on loss, death and melancholy she herself as well as her movie ultimately celebrate life. A fine film.

jotix100 Agnes Varda, one of the most original women directors, bar none, is at it again. We were quite impressed by this film, which is not a biography, but in which Ms. Varda takes us on a tour of her life. She has always been admired for her films, but this account is almost a confession she makes to us, her audience. Islands have been a close subject for her, and so we are shown parts of her life where she has been closely tied to these places in the sea."Les plages d'Agnes" serves the director to take us along for a magical ride in which reveals some things that one never knew about her, as well as she goes over some parts of her life we already knew. Her life with Jacques Demy and their work is often seen at different moments of their distinguished careers. The revelation of her husband's death from AIDS must have weighed heavily on her. Such a vital man to succumb to that disease is hard to imagine and one can only feel for what Agnes went through in that ordeal.In spite of her age, Agnes Varda shows an amazing amount of energy. She sets most of the narrative on a beach in which she lets her imagination go wild with the possibilities she can create from the elements she uses. She is also seen rowing on the Seine near the Pont Neuf, a bridge that she feels a connection to.Some snippets of her big hits are shown, like the immensely satisfying "Cleo, from 5 to 7", and "Vagabund", just to mention two. She is kind to the artists she has enjoyed working with. She gave the great Phillipe Noiret his start in the French cinema. She is also generous to other people that have done great things in the French industry like, Resnais, Truffaut, Chabrol, Godard, Demy, and Rivette, among others.Funny that Ms. Varda was born not in France, but in Belgium. She made her home in the country which welcomed her. There is a sequence in which we see her and her family doing a kind of a slow dance on a beach that has to be one of the most moving moments for this viewer. This film is highly recommended even for people that have not seen Ms. Varda's previous work. She wins us over just by being herself.