Leofwine_draca THE BABY'S ROOM is another strong contender in the short series of Spanish made-for-TV ghost stories released under the banner of 'Films to Keep You Awake'. Previously I'd watched BLAME, a quite wonderful exploration of abortion, so I was looking forward to seeing this one. It's not quite up there with the standard of that movie, mainly thanks to the rather predictable storyline, but it IS still a good, well-made film, and far better than many American 'haunted house' movies of recent years.The storyline starts off predictably enough: a young couple move into a creepy old house and strange events befall them. There are a combination of two factors here, one of which I liked, the other I didn't care for as much. The element I liked was that the ghostly events are played out from the past, and the only way to see them is through a baby monitor, which acts as some kind of 'gateway' between realities. This leads to plenty of creepy moments as the protagonist witnesses slayings and strangers on the tiny black-and-white monitor although the rooms are empty to his own eyes. It reminded me a lot of the THIRTEEN GHOSTS films, in which the characters could only see spirits through some special glasses; the idea is much the same and handled just as well on a much lower budget (in comparison with the Hollywood remake, at least).The other plot strand involves nobody believing the protagonist. I found this pretty tired. There is one neat change, a role reversal which sees the husband dismissed as neurotic rather than the wife, but otherwise this is typical stuff we've seen done dozens of times before. Still, the film boasts good acting, from both the two lead actors and the amusing character actors who make up the supporting cast. The restrained direction from Alex de la Iglesia – the guy who made the outrageous DAY OF THE BEAST, of all things – also wins points and it's one of those films where the low budget works in its favour, adding to the mystery and atmosphere. Not a classic, by any means, but this has the same kind of style you'll find in bigger and better films like THE ORPHANAGE.

Claudio Carvalho In Spain, the journalist of sports Juan (Javier Gutiérrez) has a perfect life with his wife Sonia (Leonor Watling): they have just had a baby and moved to an old house that needs to be repaired in a fancy neighborhood. When Juan's sister and her husband visit the couple, they give an electronic nanny to monitor the baby's room. During the night, Juan and Sonia hear voices in the room but they do not find anybody. On the next day, Juan hires an alarm system for the house and a monitor to observe the baby's room. When Juan sees a man in the room, he gets a knife to protect his son; however, Sonia believes her husband is insane and moves to the house of her mother. Juan investigates the happening with the former journalist Domingo (Sancho Gracia), who explains him the paradoxical experiment Schrodinger's Cat and the existence of parallel worlds. Further, he advises the obsessed Juan to leave the house otherwise could be trapped in another world."La Habitación del Niño" is a great supernatural movie, with an original ghost story explained through the complex Schrödinger's thought experiment. The first half of the story is magnificent, with Juan and Sonia showing a deep love for each other; however, Sonia not believing on her husband contradicts their love and friendship and the madness and obsession of Juan recalls Jack Nicholson in "The Shining". Anyway it is a totally different tale of haunted house, with great acting, frightening atmosphere and beautiful cinematography. My vote is eight.Title (Brazil): "Presença do Mal" ("Presence of the Evil")

Daniel Arco This movie is the first one of a series of movies made for television which are supposed to revive the spirit of the TV - show "Historias Para No Dormir". The show was very successful at the time, each episode would be a scary or disturbing story with a twist at the end. I've watched very few of these episodes as well... i am young, i wasn't even born when the show was on. The few episodes i watched had in common that there was a basic story-line which was respected all way through, except the ending, which was twisted in some way and effectively left you sleepless (As the title would say). This movie brings back the spirit and man... it feels good.The story is very simple. Couple moves in to this house with their new born baby. At night time they hear voices through the baby-speaker, and realize that there is someone else in the baby's room. Alex De La Iglesia is an amazing director (La Comunidad, Ferpect Crime or The Day Of The Beast have confirmed this) and in here we see how with all his experience he is capable of making a typical and simple story into an entertaining and almost scary story. The final scene is very effective thanks to, Leonor Watling. I am in love with this actress not only is she beautiful but in every role she is in, she just owns it and the film, I would watch anything just for her. She delivers an interesting performance and manages to add credibility to a very intense role. Javer Guiterrez also delivers a coherent performance and manages to convey the idea of madness and confusion. Those of you are thinking that the ending made no sense, or that there is lots of things which remain unexplained... well that is the point, this is a horror flick, its only pretension is to make you tense and make you nervous all way through. As in "Historias Para No Dormir" De La Iglesia manages this , with a great story and ending, and with the great Leonor Watling.Best Bit: L. Watling and kick - ass ending. Worst Bit: The whole thing with that old lady seemed a little too cliché and unnecessary for the story.

me-lasierra Alex de la Iglesia's contribution for the "Peliculas para no dormir" TV series is disturbing and, for a movie that dwells in the supernatural, well-explained and structured. The rhythm goes in crescendo and the end is really worth it. You're gonna discharge certain doses of adrenaline here, a lovable exercise for us, lovers of terror, in cinema, of course. The two main actors are not at their best, although the masculine one does nicely when in panic. Sancho Gracia, as usual, makes a very good performance, but old lady in the home is not convincing either. In spite of this regretful actors direction, I absolutely recommend its view, because, in addition to the entertainment, like good terror movies, reminds you of your own deep old fears. Good for you, Àlex!!