Horst in Translation ([email protected])
"Der Baader Meinhof Komplex" is a German 2.5-hour movie from 7 years ago that managed Golden Globe and Oscar nominations, but lost to the Israeli and Japanese entries there. And that is very acceptable as this one here is really not such a convincing movie. It is about the German left-extreme group RAF that was part of several terrorist acts in the 1960s and 1970s. First of all, the film's biggest strength is the cast: Gedeck, Bleibtreu, Wokalek, Ganz, Lara, Schilling, Ferch, Liefers, Thieme and I could go on. All very established names in German movies and you know you get quality when you see them on a cast list. The best performance here probably comes from Johanna Wokalek who plays Gudrun Ensslin brilliantly. Quite a pity she is so rare in films these days. Change that Johanna if you read this.Sadly, this magnificent cast cannot turn a mediocre movie into something great. Uli Edel and Bernd Eichinger are certainly not known for outstanding talent in terms of directing, writing and producing movies and Constantin Film AG is known for producing quantity over quality in general and this is also the case here. First of all, the films would have needed a lot more focus. They could have kept it at 100 instead of 150 minutes and nothing of value would have been lost. There are many scenes who add nothing at all to the film. This especially refers to almost the entire last 30 minutes, in which they apparently decided to basically make almost a completely new movie. Some of the characters from previously were dead (Meinhof), some were in jail, but got almost no screen time (Baader), so they went with completely new characters who never appeared before in the film and where we had no clue who they actually were and why the focus was suddenly on them. A really bad example of lacking focus. Yes it was okay that they took the Schleyer kidnapping in there, but they executed this part in the worst possibly way one could imagine.Other than that, just like with many other Eichinger productions, this film is very much showy and in your face and has pretty much zero subtlety (the last shot, in the truest sense of the word, was a great example) in terms of the script (some of the actors brought it still thanks to their talent). Edel and Eichinger were lucky that the topic (RAF) does not really need too much subtlety and they did not destroy the film with their shortcomings in that area like they did with other movies. And finally, another criticism is that Bruno Ganz who I really love as an actor was really wasted in this movie here with his character adding absolutely nothing the way he was written. Pretty sad. All in all, the movie is okay as a watch for everybody with an interest in German post-WWII history, but it's nowhere near as good as it could have been. The actors really saved it from becoming a disaster and make it worth the watch. Recommended.