EitoMan First off, I'm a big fan of Italian genre cinema in general and of the director Antonio Margheriti in particular. This isn't film as art but commerce. The Italians were experts at exploiting the popularity of various American films and selling the imitations worldwide. This particular film is (obviously) derivative of Indiana Jones with a little James Bond thrown in.Margheriti was a very competent director who elevated the cheap films he directed. He almost always assembles a solid cast (as is the case in Ark of the Sun God) and packs his movies full of outlandish special effects. His use of miniatures is especially impressive although this film doesn't reflect his best use of them. Although I have high praise for his work both in this film and others, many people will laugh at what is presented. It is a cheap film and the FX aren't always anywhere near Hollywood standards. But Margheriti still consistently produced entertaining films, on the cheap, with exotic locations (in this case Turkey), and wild FX. It's the cinema equivalent of a comic book from the 50s...cheap, disposable, juvenile, but fun as hell.As to this film in particular, Ark of the Sun God is an entertaining adventure film that takes place mostly in Turkey. David Warbeck is solid (as usual) as the lead, as is John Steiner who takes on a secondary role. Lucinno Pigozzi, who is a regular in Antonio Margheriti's films, returns here as Beetle--he was a very solid character actor little known outside of Italy. Of course the whole movie is dubbed (many Italian genre films of the era were filmed without sound and dubbed in post-production). The plot involves finding and stealing a valuable artifact from an ancient tomb, all the while being chased by various goons. Standard boilerplate nonsense. The whole thing is utterly ridiculous and disposable. If you're looking for innovative cinema, look elsewhere. But the movie is fun in the same way as those old comic books were. They were pretty much considered disposable schlock as well until folks began to appreciate the talent that went into creating them.

Woodyanders Rough'n'tumble professional burglar and safe cracker Rick Spear (the late, great David Warbeck in fine rugged form) is hired by smarmy, crippled British millionaire Lord Dean (a pleasingly smooth portrayal by John Steiner) to retrieve a sacred scepter that belonged to the god Gilgamesh from a temple in Istanbul. The nefarious Prince Abdullah (neatly essayed with sneering aplomb by Aytekin Akkaya) also wants to get his evil hands on the scepter. Capably directed by Antonio Margheriti, with slick cinematography by Sandro Mancori, a steady pace, a lively, rousing score by Aldo Tamborelli, a loose and engaging chemistry between Warbeck and Steiner, a groovy rocking theme song, a likable breezy tone, and several stirring well-staged action sequences (I especially dug the nice use of funky miniatures for the car chase scenes), this film overall delivers the goods in a commendably straightforward and unpretentious manner. Warbeck and Steiner both excel in their roles; they receive solid support from Susie Sudlow as Rick's sweet, fetching girlfriend Carol, Luciano Pigozzi as boozy, amiable old-timer Beetle, Ricardo Palacios as sly criminal Mohammed, and Achille Brugnini as Lord Dean's loyal servant Rupert. A perfectly entertaining little diversion.

Coventry I wholeheartedly agree with the other commenter who referred to "Ark of the Sun God" as a reunion of the dream team that previously made the similarly themed "Hunters of the Golden Cobra". Director Margheriti and cult cinema actors David Warbeck and John Steiner (and, optionally, Luciano Pigozzi as well) really do form a dream team and their exciting and adrenalin-rushing Indiana Jones imitations are truly a must for all fans of the Italian exploitation industry. Personally, I think "Ark of the Sun God" isn't half as action-packed and memorable as the aforementioned "Hunters of the Golden Cobra", but it still is a far above average and amusing adventure-movie with likable characters and some impressively spectacular stunts. David Warbeck portrays the acclaimed safe-cracker Rick Spears, traveling with his sexy girlfriend to Istanbul supposedly for a routing burglary job. It quickly turns out his hirers wanted to test his skills and entice him into accepting a much more adventurous job, namely the search for the lost Temple of the Sun God with its entrance gate of pure gold and the incredibly valuable scepter hidden somewhere in the tomb of the king. The journey to trace down the Temple is full of dangerous traps and the ill-tempered descendant of the Sun God also sends his troops after Rick to recover the treasures. "The Ark of the Sun God" (the "Ark"-part is presumably just to cash-in on "Raiders of the Lost Ark", as there's not an ark in sight) is a simple and straightforward adventure movie without much pretension, but with a lot of heart and spirit. It's simultaneously a buddy-movie with fun dialogs and comical situations and an action flick with delightfully fake car chases and virulent shootouts. Antonio Margheriti's direction is taut & fast as always, since he had an average of 3 films per year to deliver, and the majority of the cast clearly had an awesome time starring in this light-headed cult production. Although the ratings and reviews for this film are better, I would like to encourage fans to track down "The Hunters of the Golden Cobra". It simply has more ingenious action bits, including plane crashes, truck explosions, spiders, snake pits, cockfighting, black magic, spells, poisonous darts and volcano eruptions.

dbborroughs The story of a safe cracker hired to help find a lost scepter thats hidden in a lost tomb is nothing more than an entertaining diversion. No, its no where near the level of say an Indiana Jones film or some of the great Hollywood action films, however it is an entertaining little film, perfect for a rainy weekend afternoon. An Italian/Turkish co-production this film sports sights that are not the sort you've seen a thousand times before, indeed it appears to have been filmed in the much under used cities and county side of Turkey. The story is good and moves along nicely. The actors, many of which are Euro-trash and exploitation regulars handle themselves nicely. You'll forgive the lack of detail, but this is a simply a good mindless movie thats worth seeing, even though it will disappear from your brain not long after.