cdcrb Flemish. Kenny, a social misfit, is getting out of a four year stint in the slammer. he has left behind his girl friend Sylvie and his younger brother, dave. dave and Sylvie fell in love while Kenny was away and she is pregnant with dave's baby. *SPOILER ALERT* anyone who has ever been to a movie will know that things like this don't usually turn out so well. Kenny has a hard time on the sea of life and before long kills the guy he thinks was hitting on Sylvie. he gets dave to help him get rid of the body and things really get sticky. there are twists and turns galore. the lead, kevin jannsens, is very intense but his brother, jeroen Perceval holds his own. it's a very "b" movie, but once it gets going it doesn't stop to take a breath until the end. so the clichés are easily forgiven, in my book. go along for the ride. I really don't think you'll be disappointed.

The Couchpotatoes As a Belgian we might have different opinions about this movie. I thought it was a well made movie with a good story. But most of it's charm is that is raw, straight out of life, because of the use of the dialect language. It's in Flemish, more specifically in the Antwerp dialect. In Belgium almost every town has it's own dialect and for some it is difficult to understand but the dialect from Antwerp is one of those everybody understands in Belgium. Not like the dialect from East or West Flanders that only people from there understand. So I can get that if you don't speak or understand those dialects that the movie looses a bit of it's value. Even though I thought, seeing the budget that is quite high for a Belgian production, the movie has a good story with good actors and a couple of surprising twists. To me it is with Bull Head one of the better Belgian movies from the last decade.

Reno Rangan The Dutch crime-drama about two brothers, especially the plot revolves as a love triangle, but it is not a romance movie. The movie opened in the middle of some crime scene which is never going to be revealed what actually happened, because it wasn't important as the film's narration is something else. What comes later is the twist in the character's relationship with each other, especially between two brothers and a woman they're in love.The actual story begins a few years later to that opening incident. Looks everything has changed at that point, except one of the brother who just stepped outside the prison. The remaining is all about the condition of the family and the romance relationship that appears to be complicated to explain to one another. When it begins to unfold, the final twist strikes which bring further complexity to the conclusion section.Frankly, I did not like the first two acts. Actually, I expected it to be a crime story. With two tough characters the scenes did not create enough curiosity or the thrilling moments. But the third act is where the movie changed its pace as well as genre to what I was eagerly waiting for. Because of the decent developments in the earlier, this ending was so exciting. But overall product is just above average. That means it is not a bad flick, yet everyone's not going to like it.6/10

Ruben Mooijman 'D'Ardennen' is Robin Pront's first feature film, but I'd have sworn it was made by a very experienced film maker. This is a well-made, exciting, and ambitious movie - a successful accomplishment in every respect.Pront hasn't made it easy for himself. To mention just one thing: the film is spoken entirely in the dialect of the Flemish city Antwerp. That means that even here in Flanders, it is shown with subtitles. Commercially, that's a drawback, but it makes the movie much more authentic.The film is built on a very strong screenplay. Two brothers commit a holdup, but only one of them manages to escape. The other one is caught and convicted, and is released from jail four years later. After the reunion, he slowly pulls his brother down in a spiral of violence and crime. His former girlfriend plays a crucial part in his self-destructive behaviour. The tense relationship between the two brothers is characterized by unspoken reproaches on the one hand and strong family ties on the other. The girl is the reason for the dramatic developments that lead to a bloody climax.Not only is this a very intelligent thriller, it is also a great movie from a cinematographic point of view. Pront and his cinematographer are very good in filming scenes through mirrors or windows, creating surprising and original effects. The crucial reunion between the two brothers is filmed in the rear view mirror of a car, accentuating the emotional distance that has grown between them. When they are having a meal in a restaurant, they are filmed form both sides of the window pane, with raindrops creating a nice visual effect. The locations are very well chosen: Antwerp is shown as an industrial wasteland, and the snowy hills of the Ardennes are filmed as a creepy place with weird inhabitants.The film slowly works its way towards a bloody apotheosis, which was a bit overdone to my taste. The story didn't really need the considerable body count, above all because at the end there is a surprising twist with much dramatic effect. But this is a minor flaw in an otherwise outstanding film.Just like Oscar-nominated Bullhead a few years ago, this is a Flemish film with international appeal. Too bad Belgium has already selected Jaco Van Dormael's last film for the Academy Awards.