The Alphabet

1969
The Alphabet
6.7| 0h4m| en| More Info
Released: 13 February 1969 Released
Producted By: Pensylvania Academy of Fine Arts
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.

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Pensylvania Academy of Fine Arts

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Reviews

brooke-roberson A gave this a ten out of ten because it's very good at what it is, a surrealist representation of a nightmare. Also this early animation stuff is very cool! There are so few of these early animations to go back and enjoy. I enjoy that it's a movie inspired by his wife's own nightmare. I talk in a sleep and I know I've said some creepy things! It's only four minutes so give it a watch!
peefyn The Alphabet is in many ways what you would expect if you put a Sesame Street-short, a Terry Gilliam animation and a Japanese horror film in a blender. What is interesting is that all of these came after this short. This is a truth with modifications though, as Gilliam was making animations before Monty Python's Flying Circus, and educational shorts existed before Sesame Street - but it's still interesting to see how "timely" this short is.The short itself seems to touch upon themes of indoctrination, how knowledge and world views are forced from one generation to the next. Here, the knowledge is represented by the alphabet - maybe the first thing we (formally) teach our children. It's an OK approach to the subject matter, but not the reason why this short is interesting today. Instead, it's a look on a director developing his talents, exploring sound design and animation.If you ended up looking through this short's reviews, you've either seen it, or you are curious about it. If the latter: Check it out! It's short enough to either way be worth the experience.
jordan mackenzie I'm a Lynch fan. Perhaps more an admirer of his art than his films. And I love most of his films. What I like most about his short films, particularly his early ones, is that the themes or ideas presented - although abstract - are singular. I adore MD for what it is to me... A collection of brilliant short stories which parallels never really added up. I've read some clever thesis on the subject and some even struck a chord. But for me, Lynch hits hardest when he's not tied to a specific plot or timescale. Alphabet and rabbits are a prime example. I never bothered reading theories on their meanings because they made sense to me right away.The one thing I'll say about Lynch is that he does not give any credit to his influences.
Anthony Mora Now, I can see where a big majority of humans who see this movie will think this movie was pointless, random. I hope this majority shares these thoughts with me, for the better of course. This is everything an actual nightmare (or at least every one in my sick mind) is: creepy and distorted noises, quick flashes of haunting faces, and of course the voices of children skipping on Satan's front yard as they recite the innocent Alphabet song, a song that was one a sweet and timeless song that we all learned in kindergarten, now turned into what sounds like a damning, ritualistic chant that will summon the beasts of the blackness out of of your screen and onto your lap. Yeah, this movie did that amount of damage in the less than 5 minute run-time.Props to David Lynch, who really created a disturbing experience. So simple at how it's done and what it is, but strong in how it's presented. This is the first short film I've seen, and I'm looking forward to more, especially knowing Mr. Lynch has more short films out there.I highly recommend for a quick scare.