The_Limey
Very poor effort that offers pretty much nothing to anyone but a hardcore fan of Stanley Tucci, who tries, but can not save the poor structure, dialogue, direction, or talent of our leading man.Pretty much the only trick this plodding tale of a naive new salesman for an alarm company has, is its quirky side characters. But without a realistic backdrop, such characters are pointless.Nothing to see here, keep moving...
Ed Uthman
Although the ending is likely to disappoint, this weakness should not dissuade one from watching THE ALARMIST. All the characters are appealing, the script witty, and the pacing tight. The interactions between Howard and Tommy and the family dinner scene are especially good. Stanley Tucci attacks his part with both barrels.A word about Kate Capshaw: Wow! A forty-something grand multipara in real life, Kate is as attractive as a woman can be. While much credit is due the cinematographer for knowing how to shoot her in soft, warm light, her native charms give him a lot to work with. She endows her character with the sweetness of youth and the cynicism of maturity. I see from her filmography that she has been working pretty steadily since INDIANA JONES days, but I must have missed most of her films. Maybe the financial security Mrs Spielberg enjoys allows her to limit her work to small, low-key pictures with little marketing, but I sure would like to see her hit the big-time.
Kiosky
Aside from David Arquette's irritating performance, this is solid and fairly competent work. Although the characters may be dead-hollow, the events that ensue during the 90 minute run of the film are both amusing and inspired. Genuinely good.
stewartflamingo
I was at this film's premiere at the Toronto Film Festival in 1997. After the screening, when the writer/director and some cast members offered to answer questions, no one could even be bothered to ask any. Rarely has a film been so poorly directed (why on earth were random frames snipped out of some scenes?), wretchedly acted (David Arquette, to paraphrase Dorothy Parker, does not run the emotional gamut from A to B. He parks at A and brings a lunch) and utterly pointless. Characters behave completely out of character for no reason except to force the plot to move in certain directions. At long last, the film comes to a completely random and pointless end that's supposed to "really make you think." Unfortunately, what it makes you think is, "Well, there's 90 minutes of my life I'm never getting back."