Jonathon Dabell Based on a now forgotten novel entitled The Durian Tree (by Michael Keon), The 7th Dawn emerges an absorbing, involving and fairly interesting political adventure movie. At the time the film wasn't greeted with much enthusiasm by the critics but looking back there are several factors that make their negative outlook of the film seem somewhat inaccurate. For starters, the film takes a surprisingly damning stance against the way the British deal with terrorism and anarchy in far flung corners of the world. One would expect a cosier, more flattering representation but The 7th Dawn has the courage to be critical of the British handling of such situations. Add to that some strong performances, luscious cinematography (by Frederick Young), and a number of memorable scenes and you're looking at a film that has been largely under-rated down the years.At the end of WWII, freedom fighters in the Malayan jungle are finally able to leave their dens and hideouts in the undergrowth and get back to something resembling normality. One fighter, the American Ferris (William Holden), decides to buy a patch of land and turn it into a rubber plantation, taking his old lady guerrilla friend Dhana (Capucine) as his mistress. Meanwhile another guerrilla named Ng (Tetsuro Tamba) heads off to Moscow to learn about communism. Fast-forward several years and Ng returns to Malaya a whole-hearted communist to fight against his former allies, the British, for the country's independence. Ng's men wreak havoc against the rubber plantations in the country but leave Ferris's alone because of their old comradeship. The British approach Ferris and ask for his help in stopping Ng's campaign of terror. Initially reluctant, Ferris nevertheless attempts to make his old friend see reason but to little avail. Matters are complicated further when Candace Trumphey (Susannah York), daughter of the British governor, falls in love with Ferris. When Dhana is accused of sympathising with the communist terrorists and sentenced to execution, Candace foolishly offers herself as a hostage to the communist forces in the hope of saving her…. and the battle weary Ferris faces a race against time and the elements to save them both.The 7th Dawn has its share of faults for sure. Karl Tunberg's script wanders a lot and seems in need of a little tightening-up; York's character isn't always convincing and upsets the solid characterisation found elsewhere in the film; the final scene virtually plagiarises the ending of Casablanca. But there's still a good deal to enjoy in this exotic jungle romp – Holden is fine, Capucine plays a refreshingly strong female character, the action is exciting enough. One particularly powerful sequence features the British burning to the ground a village which has been unsuspectingly harbouring terrorists and their explosives; another shows hundreds of Malayan cyclists carrying out a protest ride against the British governor for ordering for a night-time bicycle curfew. Undeservedly forgotten and almost never screened nowadays, The 7th Dawn is a worthwhile watch if you can find it!

Panamint There is a haunting, lost quality to this film that is really special. The mysterious jungles, ethereal sunrises, lost colonial world are all woven together beautifully. The life-enhancing youth of Susanna York, and exotic Capucine at the peak of her career converge at just the right moment in time to play off of the wasted, weary Holden (though still an effective acting presence). Few viewers at the time realized that the famous globe-trotting Holden was perfectly suited to this role as an aging man who accumulates wealth but realizes that he has thrown away all his opportunities for success in a personal life. Now we know that age and mistakes were catching up with Holden himself, just like the character he portrays here. Expensively made, fine cinematography, beautiful but haunting musical score written at the perfect time.Sincere acting conveys the simplistic ideals believed by everyone in those days (The British, the Communist leader Ng, the naive Americans). Simplistic thought by so many people who did not realize that the world was becoming very complicated. The USA that very year on the brink of massive effort and tragedy in Vietnam. The early 1960's with so many nations on the cusp of independence as colonialism was literally dying as this film was being made. Viewers in 1964 were still expecting movie-star Holden and happy endings. Instead, Holden gave them the truth here and they couldn't handle it. So, this movie was long forgotten, only shown a few times over the years in various chopped-up prints, and achieved obscurity. We are lucky that a full-length version was preserved. This kind of independent-minded, carefully photographed, rare unique movie is seldom encountered and should be treasured, despite how uneven or flawed it may be.

markrobi ..the terrific opening titles by noted artist Maurice Binder. He is most famous, of course, for the BOND film titles. This movie is indeed overlooked, though I remember seeing it on more than a few occasions on TV. Nowadays older movies don't make it on the tube in the U.S.; at least on regular (commercial-laden) channels.I hope to acquire a copy of this movie someday, either tape or DVD. Format doesn't matter to me. The way old movie stars of this era (40's-50's-60's) are dropping like flies it's important to grab up as much of their work as possible. The up-and-coming generation of movie goers probably won't demand this kind of material unless they get a chance to view it.

wglenn As others have noted, The 7th Dawn is a surprisingly good film and deserves more attention. It opens with a stunningly photographed title sequence that evokes the haunting atmosphere and strange tension of Henri Rousseau's jungle paintings. As soon as the titles fade, however, we are suddenly thrust into the middle of a brutal mass execution towards the end of World War II in Malaysia. The entire film plays off of this combination of sudden violence and the mysterious, unearthly beauty of the jungle. In its quest for national independence for Malaysia, a guerilla army threatens British colonial society with acts of terrorism that leave the good civilized folk on edge. They ask an American ex-pat, William Holden, to intercede with the leader of the rebels, played by Tetsuro Tamba, because the two are old friends and served together in a guerilla army on the side of the Allies when they were all fighting the Japanese. Capucine also served with the two men in their guerilla days, and these three form an interesting romantic triangle that goes much deeper than those found in most films, involving loyalty to and betrayal of friends, lovers, family, nation, and ideology.Though we've seen Holden's character, Major Ferris, in other movies (from Rick in Casablanca on down), it's a great role for the actor, who fills it with vigor, intelligence, and the necessary animal sensitivity. It helps that he has good writing behind him, and, in fact, the screenplay is one of the strengths of the movie, with complex characters involved in murky moral situations, a plot that keeps you intrigued and guessing, and some larger themes right out of Joseph Conrad. Susannah York's character may be a weak point of the film, but the acting in general is quite good. The Malaysian setting is quite exotic, and Freddie Young's (Lawrence of Arabia, Doctor Zhivago, etc.) incredible photography adds to the moody, violent and lush atmosphere of the film. It all adds up to action, adventure, mystery, political intrigue, some refreshingly mature romantic relationships, and even a touch of humor. Though it doesn't quite rank up there with The Bridge on the River Kwai or Lawrence of Arabia, people who liked those films should find The 7th Dawn a surprisingly strong film and definitely worth watching.