The 4th Floor

2000 "People are dying to live in this building."
The 4th Floor
5.8| 1h30m| R| en| More Info
Released: 11 July 2000 Released
Producted By: Millennium Media
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Budget: 0
Revenue: 0
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Synopsis

A woman inherits a rent-controlled apartment and is terrorized by a neighbor.

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Lee Eisenberg "The 4th Floor" has a neat premise, but it seems as though the whole thing peters out early on. Maybe it's just that there have been so many movies about mysterious neighbors that this one came across as a rehash. It wants to be an homage to "Rear Window"; instead, it ends up being more of a joke. Juliette Lewis, William Hurt, Austin Pendleton, Shelley Duvall (with bleached hair!) and Tobin Bell (Jigsaw in the "Saw" movies) are wasted. As it turns out, the movie got released theatrically in Germany, but went straight to video in the US. Truth is, either they should have written a better script or not made the movie at all. Really, truly saddening.
Mattias Petersson There are many problems with a movie like this one. First of all, you've seen it all before. A lone woman (or just lone person) moving into a flat in a building filled with psychos is a popular theme. Second of all, the story might work up until the end. Then it usually falls apart more or less completely, the way it does here.Juliette Lewis and William Hurt are both decent actors and they do a decent job here. The supporting actors have bigger problems with Shelley Duvall and Austin Pendleton both coming off as completely unbelievable characters, playing neighbors in the strange house.What i think worked well in this movie is first off the house itself. It's got a nice Gothic New York-feel to it, with seedy run-down interiors and huge staircases. Also like i said above Hurt and Lewis do their parts OK, although i feel Hurt almost always has something a bit unnatural about him. I don't know what it is, but his delivery is slow and contemplated, almost theater-like. It's not always fitting.The negative aspects are mostly the supporting actors, which have a hard time with the script giving them characters that are just too much to believe. The one that stands out especially though is Sabrina Grdevich as Lewis work colleague. She seems to be in a porno-movie or something of the kind, flirting with the camera no matter what she's saying. Also the script has other problems, mostly with plausibility. That is not unexpected though as these kinds of movies usually need a villain capable of extremely intricate measures for a very small potential gain.In the genre, this is not a disaster. I can't say i recommend it though. 5/10.
whpratt1 Enjoyed viewing this film and could not imagine just why Juliette Lewis,(Jane Emelin),"Daltry Calhoun",'05 put up with all the horrible creeps in her apartment dwelling. The landlord, Superintendent, and practically the entire building was a loony bin of all kinds of characters. William Hurt, (Greg Harrison),"Syriana",'05, lived with Jane Emelin and did not like the idea of her going off and getting this apartment; he even told her how much he loved her. As the film progresses, all kinds of strange and mysterious things seem to happen in the apartment and an old lady living on the floor below Jane really started to raise all kinds of hell for her day and night. All the actors gave a great performance and you will probably figure the ending out, but it was not the greatest of William Hurt films.
tone143 If the majority of these reviews were written by people under 28,you're forgiven.If not,well-there's a monstrous gap in your film education.Since every last plot line,lighting concept,and even verbatim dialogue was copped directly from Polanski's "The Tenant"(masterpiece)and Hitchcock's "Rear Window"(another masterwork),a proper homage should have been done here,since the control-maniac weatherman boyfriend went to all the trouble to re-create the paranoid world of the film,"The Tenant",in order to force his independent girlfriend to move back in with him,including the elaborate hieroglyphic hallucinations(courtesy of Ms. Simone Schuul,of "The Tenant").The 2 films should have been featured as "characters" in the movie.Of course,this would require the film to elevate itself to black comedy,which requires talent,none of which was present here,except 2 talented actors selling out to do a parasitic piece of cr_p like this.If you want to see a way better ripoff of "The Tenant",see "Apartment Zero"(1987?),a South American production with Colin firth and Hart Bochner.At least there's an original twist there.