Leofwine_draca 18 Bronze Men is a film of two halves. The first half is, to put it simply, spectacular. The second half is, to be frank, agonisingly dull. If the film had continued in the vein of the first half it would have been a top film. If the first half had been like the second half it would have been appalling. As it is, the two halves cancel each other out to make 18 Bronze Men a pretty much middling movie, worth watching for fans of the concept but not something to really go out of your way to see. Basically the plot involves an orphaned child who is sent to some kind of weird martial arts monastery. The only way people can leave this place is to become so highly skilled in the martial arts that they can pass a series of deadly tests before they can pass through the door. Said tests take up the entire first half of the movie.As the title would suggest, during these tests the boy (now a young man played by Tien Pens, accompanied by pal Carter Wong) must battle with a series of colourful and crazy Bronze Men. Some of the men are just naked guys covered in gold paint, others go the whole hog and have really bizarre, almost robotic-like looking gold plated armour complete with faces that make them look like Buddha. As well as these tough dudes, the passages and chambers of the temple in which the action takes place are full of spikes that fly out of statues, heavy doors that must be lifted, flaming "dragon" pots and more booby traps than Indiana Jones could ever hope to handle. The kung-fu action as the two heroes attempt to pass the Bronze Men makes for a truly unique viewing experience (at least until the sequels and rip-offs followed) which is a lot of fun.Unfortunately, as soon as these guys do manage to escape, the film goes downhill. It turns into a run-of-the-mill revenge drama with a serious lack of decent action, at least until the breathtaking three-on-one fight in an old quarry at the end which comes as too little, too late. A woman appears who disguises herself as a man by hiding her long hair, thus deceiving all and sundry although her voice is still high-pitched and her face is unmistakably female! Those gullible Chinese folk, I don't know. Meanwhile the subtitles on the version I saw were often misspelt or simply wrong, which is kind of amusing but not really.Tien Pens isn't to fault as the hero, creating a quite likable persona and proving himself in the action stakes without being really spectacular like some of his counterparts. Meanwhile the shaven-headed Carter Wong is probably the hardest-looking and toughest guy in the film, although sadly his is but a supporting role. The bad guys (sometimes dressed as ninjas) are a clichéd bunch and not very interesting either. 18 BRONZE MEN proved to be quite a disappointment in my mind, as aside from the fighting with the Bronze Men (for which it gets that extra star alone) it doesn't really offer much apart from a very old, tired plot and some routine action. However, the film proved to be so popular that a sequel was hastily cobbled together and released in the same year!

unbrokenmetal With the help of a good friend, an orphan becomes a Shaolin master after many years of training. He wants to find the murderer of his parents some day and have his revenge. The most interesting bit is the training, though, when he needs to stand against 18 bronze men! The movie is known for making Carter Wong a star, but it was an influential movie beyond that. The villain needs to be mentioned; he has several bodyguards dressing just like him to confuse his enemies.The difference in running time between the German version (77 minutes) and the Hong Kong version (93 minutes) is mostly due to a different beginning of the movie. The rather cruel early years of the boy's training were added to the Hong Kong version, although that footage was shot for "The 8 Masters" by the same director.

modius As a young orphan, Shao Lung was raised in a Shaolin Temple after his grandmother abandons him there, fearing that an evil General will kill him after killing Lung's father.Lung spends countless years perfecting his kung fu in order to gain revenge against the cruel General. As he reaches adulthood, Shao Lung decides he must leave the temple to discover the truth about his past and get revenge.But in order to do this he must he must pass the Shaolin monks most sternest test; the 18 Bronzemen.The 18 bronze men is a collection of fighters, some of them wearing super thick armour which make them look like robots, others painted in Bronze/Gold paint and fight in different styles within a multi-chambered labyrinth filled with a mixture of deadly traps and deadly fighters.Once Shao Lung passes the tests (with Carter Wong in exceptional form), the film becomes less entertaining and incredibly boring.Whilst Tin Peng (Shao Lung) is cast as the leading man, it's clear that Carter Wong is the main man and out-acts, outperforms and outfights Tin Peng at every turn. Indeed, Wong is enjoyable as the star pupil of the Shaolin monastery, barking insults and pushing students to their limit and beyond.After Shao Lung and Tai Chung are out in the real world there's no more bronze action – instead we have the discovery that Shao Lung is in fact the son of a Ming general who was slaughtered by Fei-Lung's evil Ching General (realised in a blistering swordplay flashback).There's also a poorly developed love interest in the pretty form of Polly Shang Kwan. Polly gets to do some kung fu, and seems to be blessed with an amazing leaping ability.In addition to this, there is a good sub-plot of a mole within the Shaolin monastery; who feeds the Evil Ching general with information - especially the styles of kung fu that the 18 bronze men use as well a super secret kung fu found by Shao Lung in a book.When the mole is uncovered to be Lung's childhood best friend, he is aghast and demands to know why his best friend betrayed him -- then comes the most convoluted twist of the movie; the best friend explains that he is the child of a high-ranking Ching soldier and gave an oath to his father, and presumably the Ching empire, that he would kill the child who showed the most zeal for destroying the Ching empire (ie: Lung).Adding to the twist, Carter Wong explains that he was raised by a bodyguard who saved Lung's father and Wong, like the mole, gave an oath to protect Lung until he got revenge.This plot twist I found to be confusing, it seemed like Lung's destiny was to remove the General from power; sorta like Luke Skywalker. But it did seem a bit strange that Lung was predestined to do all this, and all the people surrounding him were predestined to help Lung achieve his goal. Maybe the scriptwriters wanted to portray Lung as a Prodigal Son -- it didn't really work out.The end has an excellent, climatic four-way showdown with the Evil Ching General (and, for some reason, his many clones); who has learnt the skills of the Shaolin monks and constantly changes his style until Carter sacrifices himself, leaving the General open to be killed.The 18 Bronzemen has impressive production values and looks pretty expensive in places, and although the outcome is never in much doubt, the climatic four-way showdown is well-staged by Kuo.My issue with this movie is that that 18 bronze men do not offer any real threat to the heroes in this movie. They should have been the personal bodyguards of the Ching General, or at least try to kill the heroes; too many times you hear a voice boom "PASS!" as the Bronzemen stop fighting and let the heroes move to the next room.Although a reasonable fun film, this 70's kung fu movie lacks real danger and wasn't the classic all-out kung fu movie I was lead to believe.Overall: 4/10

Brian Camp THE 18 BRONZEMEN is a celebrated 1976 kung fu film from the prolific hand of producer/director Joseph Kuo who operated in Taiwan in the 1970s. It stars Carter Wong, Tien Peng, and Polly Shang Kwan in a tale of Shaolin training, lifelong friendship, and a mission of revenge during the early days of the Qing Dynasty. The uneven plot structure suffers from the lack of a suitable payoff at the end after the powerful setup of the film's stunning first half. Also, the presence of three strong heroes is not matched by any villain formidable enough to provide a satisfying final battle.The first section follows two dedicated Shaolin students through rigorous training, leading up to a sequence of challenges posed by the Bronze Men of the title whose function is to test the combat skills of the students in order to graduate them from Shaolin. This sequence is a fanciful addition to Shaolin cinematic lore and would be repeated in different variations in Kuo's later Shaolin films. (The Bronze Men include men in head-to-toe robotic outfits, more gold than bronze, and men whose skin is painted gold who fight with swords, sticks and kung fu.)During their travels, the two friends, Carter Wong and Tien Peng, are joined by a female fighter who was betrothed to Tien Peng as a child and is played by Polly Shang Kwan. The scenes which introduce her are clever and funny and feature her dressed as a man who deliberately pesters Tien until the opportune time to reveal her identity. Eventually, after various attempts on Tien's life and the revelation of his family background, the stage is set for a final confrontation with Hei Chu Ying, the traitor who had Tien's father killed.The fight choreography is less robust than it should be and, of the three leads, only Carter comes off as a powerful fighter. Polly is energetic and offers a strong, engaging presence, but her kung fu relies as much on superhuman (trampoline-assisted) leaps as it does on kicks. Tien Peng is a polished male lead and a good actor but he's not the fighter Carter is. The actor who plays the chief villain is never seen in combat until the very end, so is never presented as much of a fighting threat to the heroes.The photography and production design are visually impressive and well above average for this kind of film. There is an original Chinese music score, even in the U.S. English-dubbed version. I watched both the English dub and the Hong Kong import DVD for this review. The HK version is completely reedited and includes footage from EIGHT MASTERS (aka 18 BRONZEMEN 3) and another, unrelated Kuo film, UNBEATEN 28. It also shortens scenes showcasing Polly Shang Kwan and Tien Peng and plays up Carter Wong's role. I actually found the English dub, despite being available only on full-frame VHS, the more effective version.This film was followed by various follow-ups that were not exactly sequels, but more like variations on a theme. These included RETURN OF THE EIGHTEEN BRONZEMEN (aka 18 BRONZEMEN 2), BLAZING TEMPLE, and, arguably the best of the group, EIGHT MASTERS, all of which are also reviewed on this site.