Michael_Elliott
Thank You Mask Man (1971)* 1/2 (out of 4)Lenny Bruce co-wrote, co-directed and does all the vocal work for this seven minute animation movie that is a spoof of The Lone Ranger. When this was first released it was highly controversial because this is basically a spoof of homosexuality and there are a lot of jokes aimed at them. Well, watching this film today you can't help but think that the only reason this was controversial is because of Bruce. I mean, if you know anything about the comedian then you know about his legal troubles dealing with his act so I'm going to guess that this short was attacked simply because of his name being on it more than anything else. As far as the film goes, I really didn't like it because it simply wasn't funny. I'm not sure what the point of this thing was but without a single laugh the film is pretty much dead in the water. At just seven minutes it moves along pretty quick and the animation is nice but that's about it.
MartinHafer
It seems everyone that has so far reviewed this short film absolutely loved it and so my review is the odd-ball. It isn't that I found THANK YOU MASK MAN offensive that I only gave it a score of 2. Sure, the Lone Ranger in this short is into homosexuality and bestiality--and I am sure this will turn a few heads. My reasons for giving it a 2 are because I just didn't enjoy the cartoon--it wasn't that funny and the animation quality was poor. I think the reason I didn't find the cartoon funny or subversive is that times have changed. What was controversial in 1971 is passé today--or at least well on its way. With "South Park" and "Robot Chicken" on television (and not even pay cable), talking about these topics is a common thing. Since it no longer has shock value, I must look at the humor itself--is there anything about the film that is remotely funny other than shocking and dirty words? Well, in my opinion, no. Lenny Bruce's stream of consciousness rapid rambling just seemed deadly flat and uninteresting.Perhaps some might enjoy this because it's a stroll down memory lane. In other words, it either reminds them of Lenny Bruce or it reminds them of watching this "bad film" with friends. Well, that's fine. But if you simply look at it for what it is today, it just doesn't hold up over time.
MisterWhiplash
Thank You Mask Man is featured as a bonus on the DVD of the Lenny Bruce performance film, and I was very glad I watched it. It reminded me of what I saw once in a Carlin special from the 80s where he put in little animated bits that all visualized his bits. That this comes more than a few years before that is impressive, but more so that it actually works to fit the riff-style comedy that Bruce excelled at. This is basically drawn like, well, basics- the comic-strip characters could've been taken out of any newspaper or other, and it's all crude to the point of not having to focus as much on it. Perhaps most of the strengths, aside from the curious, off-kilter nature of the drawings, do spring out of the material, as a story of a bunch of people having to deal with a 'masked man' on a horse. It happens to be a good Bruce bit on its own, but then the curious thing does happen that towards the end of the film- when the townspeople then all taunt Masked Man to be gay- the comedy and the look of the film do totally gel somehow. That Bruce is also behind a good part of the style of the picture himself probably explains how some of the same inspired dementia in this story in particular (one with an absurdity to it but also some truth sprinkled around) merges with simplistically weird animation. It's probably not one of my favorites ever, to be sure, but I had a lot of fun watching it, as a crazy little anecdote given life and still kicking more than forty years later.
ibuck-2
Easily the best thing about the Lenny Bruce: Performance Film video. While the performance portion is one of Bruce's worst, this short shows him at his satirical best. The riff on homophobia isn't even the best part...the commentary on accepting thank-yous and the resultant egotism and self-aggrandizement are priceless, especially when the Mask Man goes to his mailbox only to discover that the Messiah has returned, and society has no need for him once evil has been eliminated.