MartinHafer My assumption is that in 1958 Sterling Hayden was either very hard up for cash or there just weren't that many job offers. Otherwise, why would he have agreed to star in such a cheap Mexican production? Apart from being a tad dull and having a silly romance, the film isn't bad...but it's certainly a step down for Hayden.Hayden is a widower and pilot who is working somewhere in South or Central America (it's location is pretty vague). He's approached for job but doesn't realize that it's really to spirit a mobster and his gang out of the country with some stolen gold. To ensure his cooperation, they've kidnapped his son and threaten to kill the boy. The entire film consists of Hayden and the gang trying to make their way to the coast after the plane is shot down--avoiding another gang as well as the police. There really isn't any more to it than this--other than a romance that seems to come from no where and develops way too quickly to believable.While the film is not bad, it clearly isn't all that good and is a bit sluggish. You could do worse, but you could certainly do better. Hayden gives it his usual professional best but there just isn't much life in this film shot in Mexico on a very meager budget.

boblipton This second feature is neither as good nor as awful as other reviewers might have you believe. Sterling Hayden is blackmailed into taking part in a hold up south of the border and then has to go on the run. It has some good photography and decent direction by old hand Henry Hathaway to keep things moving along. But co-star Rudolfo Hoyos steals every scene he is in and the fact that a lot of his and Hayden's conversations take place in alternating takes makes me think that either the two didn't get along or that Hayden really didn't want to be there -- quite probably the latter.It's hard to make a movie when the star wants to be several thousand miles away on his boat, but this one frequently works, despite an awful script with idiotic dialogue, mostly due to some lovely photography by cinematographer Alex Phillips, who started off in the US during the silent era and then spent the next thirty years shooting in Mexico for the local industry. But really, if Hayden really had such contempt for his craft -- and he did -- he should have tried working for a living.

bkoganbing Ten Days To Tulara sounds like a film of convenience for both the Mexican film industry and Sterling Hayden. The industry gets the use of an American name with some box office and a chance for distribution in the north of the border market. Hayden gets a Mexican vacation, and a paycheck for his ever increasing debts to the IRS and his estranged wife.Mexican film star Rudolfo Hoyos co-stars with Hayden in this film about an American pilot and a Mexican gangster on the run from the Mexican civil and military authority. Hoyos has kidnapped Hayden's young son and forces him to participate in a holdup that nets the robbers 8 bars of gold bullion worth a quarter of a million Yankee dollars. But when Hayden's plane is forced to crash, the robbers have flee and have ten days to make it to Tulara on the Mexican Pacific coast in order for Hayden's son to be free.While all this is going on, would you believe Hayden has time for romance with Hoyos's daughter Grace Raynor?The film resembles the Robert Mitchum RKO classic The Big Steal which also involves a chase through Mexico. It's not half as good though, the actors look like everything was done in one take. I'm sure they all wanted to make sure the paychecks cleared, no one more so than Sterling Hayden. He would not be seen on the big screen again until Dr. Strangelove. In the meantime his custody battles and fugitive status outside the USA got a lot of publicity as Hayden took his children to raise wherever his boat docked. The film also has elements of The Asphalt Jungle and The Killing two very stylish caper films that Hayden was part of. But Ten Days To Tulara will never be in that category.

Eventuallyequalsalways If you are a Sterling Hayden fan, you've got to see this movie just to watch the big guy in action. Made in 1958 and obviously targeted at the drive-in movie crowd, this B&W thriller still delivers solid entertainment half a century later. Robust 6'5" Hayden plays the role of a pilot whose son is kidnapped and held hostage. But, it is not your usual kidnapping flick because the son has been grabbed in order to force Hayden to fly some bandits across country (it was filmed in Mexico) to a place called Tulara. The bandits have stolen some gold bars and flying an old WWII Dakota must have been perceived as a nice quick getaway. Their plan goes awry when the Mexican police attack them at the airport and riddle the old plane with bullets and kill the co-pilot. Sterling is able get airborne and has enough fuel for an hour's flight, so the getaway is partially successful. The lack of fuel forces Sterling to dig out the parachutes so everyone can bail out. Even though his role as pilot is finished, Sterling tags along with the bandits to help out in any way he can because, of course, he still has to save his young son. Along the way, Sterling meets the daughter of the leader of the gang and he learns she does not approve of her bandit father's profession, so as the journey progresses, we see them fall in love. The film ends fairly predictably on the coast as Sterling wades through the surf to welcome his son, and his new girlfriend waits submissively in the sand dunes, and the bandits, at least the ones who are still alive, are handcuffed. Okay, it's not a great film, but it is entertaining. There are worse things you could do with your time.