trick_morr When I watch a kung-fu movie I'm looking for some simple elements. Good fight scenes, entertaining characters, a hero to cheer for and a villain to hate. Ultimately, a movie that takes me out of reality a little bit.The "hero" of the movie starts off as the mindless unstoppable killing machine who is the secret weapon of the cultist army. But then we get some backstory involving his mother and his tragic past and suddenly he is just a simple boy who is kind of cute and naive in a charming way? It's a strange shift. He is told he needs to learn Chen style kung-fu to realign his energy flow or he will die. His army and master are killed so he is free and so he travels to Chen village.The "villain" in this movie was way too easy to empathize with. The small village we are supposed to be rooting for as they are bullied by the westerners just comes across as elitist and snobby. They treat the "villain" as an outsider because of his family origins even though he lived there his whole life, and even bully him with the kung-fu they refuse to teach to him or any "outsiders" They also refuse to teach our "hero" and actually try to beat him up many times.We could probably easily respect their tradition of not teaching outsiders but no screen time is given to developing or explaining that tradition so it just seems cruel.The movie escalates into a tragedy which will draw the attention of the foreign soldiers and most likely lead to the destruction of the village, and it's all just too GRAY. In kung-fu movies I like things black and white, good and evil, right and wrong... this movie left me unsure of who to even care about or who to root for.The production value is high, so the movie looks good, visually. The fight scenes are mediocre and too few, with too many effects that just don't add to the experience they way they are supposed to. There are even cartoonish freeze frames and game-like text (reminiscent of Scott Pilgrim) which would make this movie seem like pure entertainment, but it keeps bogging itself back down in muddy reality by balancing the good and bad of each character.The ending is a cliffhanger, leaving everything mostly unresolved.In the end, its the story which is too much like the gray of real life, its the lack of clearly defined characters who I can easily love and hate, which kills this movie for me. Maybe real life is like that, but if I wanted to feel the complex tragedy of the human condition I wouldn't be watching a kung-fu movie.I just don't know what this movie wanted to be, and I get the feeling the director didn't either.

chaos-rampant China is changing. Because film is a major force for shaping the national character, among the most interesting things these days, is watching the Chinese scramble to reinvent (post Mao) who they are and how they fit in the modern world.Their newly-emerging documentary school chronicling the industrial rise of China is one aspect of this, and seems to have produced some pretty good pieces.Their tried and tested practice though, meant both for internal consumption and abroad, is manufactured postcards of harmony (moral, spiritual), usually anchored in fabled history, usually in martial arts.We saw that with the faddish promotion of qigong in the 90's, the Wong Fei Hung films and Zhang's Hero. We saw it again a few years ago with Yip Man. This juvenile mishmash is a tai chi showreel for the twitter generation reared on blockbuster steroids. It is another 'origins' story of martial arts, that of Yang-style taijichuan. And because the filmmaker probably felt that to his teenage audience the mid-1800's would seem like forever ago, he goes crazy on myth and movie nonsense, but careful not to upset state officials. This leads to a pretty boneheaded product. Once more, Chinese 'purity' is contrasted with encroaching Western civilization. Westerners standing in for capitalism and technology are portrayed as evil and corrupting, while the actual film is made by copying what is currently trending in the capitalist blockbuster market.The steampunk revisionism of a huge metallic beast threatening the old way of life is from Wild Wild West. The notion of a small community where everyone is a martial arts expert is from Kung Fu Hustle (and of course the story of Chen Jia Gou). The obvious video game humor is from Scott Pilgrim. The wire-fu is Sammo Hung's and a longtime staple of cinematic wushu via HK. The speed-ramps of the opening battle are from 300, with other perspectives borrowed from Scott and recent John Woo.This is all echoed inside the film as the young boxer learning taijichuan by imitating the moves.As someone who practices in the Yang-style, I advise you to steer clear of this. It has no sincerity or soul. What is of some interest, is noting the irony of this film in the current climate of aggressively expansive Chinese capitalism. Or how the Kung Fu Panda franchise is widely celebrated there.Meanwhile, Chinese martial arts have gone from their original mix and match roots of outlaw boxing, to collective standardization in the communist years, to government-promoted sport, to exhibition and health therapy. Having proved inadequate in the modern mixed martial arts world, the current move is away from the forced harmony of (usually fabricated) tradition and towards the practical cross-training system of sanda/sanshou, which in turn emulates several foreign styles.

caseymoviemania Touted as one of the most anticipated Chinese movie blockbusters of the year, actor-director Stephen Fung's TAI CHI ZERO is a revisionist take of a classic martial-art movie with a steampunk twist. On paper, the concept sounds interesting enough. Even the trailer itself makes me believe it's a go-for-broke, martial arts comedy in the vein of KUNG FU HUSTLE (2004). But for all the colorful effort that Fung tries hard to be different than your regular martial-art movie, TAI CHI ZERO is strangely uninvolving and poorly executed in many ways.The story centers on a martial-art prodigy named Yang Luchan (Jayden Yuan) who is born with a fleshy abnormality where he has a "horn" sprouting from his forehead. Whenever someone punches his "horn", he turns himself into a mystical warrior that able to take down a score of enemies in a short period of time.One day, when his master, Zhao Kanping (Fung Hak On), who is a leader of the Divine Truth forces, ends up being killed by Qing army. The Divine Truth army physician Dr. Dong (Leung Siu-Lung), who also badly injured by the attack, urges Luchan to head on to Chen Village to study Master Chen's (Tony Leung Ka-Fai) unique martial arts technique that promotes internal energy. Apparently Luchan's "horn" has already turned red and he will die soon enough if it turns black.But upon arrival, Luchan finds his presence is unwelcome by the villagers of the Chen Village. He finds out that nobody will teaches an outsider of their Chen-style martial arts. Worse, Master Chen is nowhere to be found. He only manages to locate Chen's daughter, Yuniang (Angelababy), who runs a local medicine shop. She also makes it clear that she will not teaches Luchan at any circumstances, and urges him to give up instead. But the hard-headed Luchan keeps trying to find way to learn Chen-style martial arts at all cost.Yuniang's boyfriend, Fang Zijing (Eddie Peng), who recently returns studying from Europe, tries to convince the villagers to allow a railroad through their land and to install electricity. Unfortunately his visual presentation goes terribly wrong and ends up being an object of ridicule by the villagers. Zijing is upset about this, and subsequently joins forces with East India Company representative Claire Heathrow (Mandy Lieu) to persuade the villagers by force.Meanwhile, Luchan befriends with an old laborer (also Tony Leung Ka-Fai) and secretly copying Chen-style martial arts from the villagers he's encounter from.Then one day, Zijing and Claire returns to Chen Village with foreign soldiers, along with a giant destruction machine called "Troy No. 1", to teach the villagers a hard lesson.On the surface, the movie is exceptionally busy with lots of fancy visuals. From arcade game-like screen graphics that has exclamation marks of "K.O.!", "Round 1!" to video game pop-ups (labels on people and location), as well as manga-like animated section, the movie should have been a fun-filled entertainment. Unfortunately, Fung's direction is terribly haphazard and he doesn't have sense of pacing. Despite clocking at a compact 97 minutes, the movie feels unusually overlong (as if watching a 2-hour movie) because of numerous expository-heavy scenarios that could have been trimmed short.Another huge problem here is Chen Kuo-Fu's overcrowded screenplay that tries too hard to be everything. For a movie that supposes to concentrate on Yang Luchan's quest to learn Chen-style martial arts, his story here is more like an afterthought.All the actors here are mixed bag. As the main star of the movie, real-life martial arts champion Jayden Yuan is terribly dull and wooden as a performer. Eddie Peng is unconvincing to portray the kind of character who is vengeful and filled with lots of hatred. Angelababy, who is best known for acting in romantic comedies, does quite an okay job as a strong-willed martial artist. American-Malaysian Chinese model Mandy Lieu, is all porcelain beauty but her acting skill is plain terrible, as well as her wooden English dialogues. Of all, only Tony Leung Ka-Fai is credible as the old laborer and Master Chen.Technical credits are overall adequate at best, while Sammo Hung's action choreography is surprisingly average. The martial arts scene, which combined wirework and slow-motion, are all empty style but little substance. It's especially a shame that Jayden Yuan is given little chance to strut his stuff here.Overall, TAI CHI ZERO is a huge disappointment for a movie that tries to expand into a planned trilogy. What's more, the sequel, TAI CHI HERO will be released in a few weeks' time on Oct 25. Hopefully we can see some significant improvement by then.

anthony81212 Saw this at the Toronto International Film Festival. Actually I didn't really known what to expect when coming to this film. My friend was the one who invited me and didn't tell me much.I have to say I was rather surprised by this movie, even though I went into the movie expecting to have a good time -- I had an AWESOME time.Industrial revolution in China, mixed with kung fu and comic book elements, what more can you ask for!? One part of the story reminded me a lot of Scott Pilgrim vs. the World, others of Kung Fu Hustle with hints of Wild Wild West - good movies (well, the first two :D) in my opinion that actually blend together really well! Comic book style, great art direction, funny, clever pop culture references, fast-paced (subtitles were a blur), and just overall fantastic.I am already really excited for the second and third movies in this series. Can't wait till those arrive in Canada!