Leofwine_draca Another feather in the cap for director Umberto Lenzi and star Tomas Milian, this ultra-slick crime flick is a fine example of the "polizia" genre at its paciest and most fun: what starts off looking like a silly comedy-action film like THE COP IN BLUE JEANS soon takes a darker turn and becomes more serious, ending up as a tough thriller with a high body count and lots of cheesy stunts. The hero role of Rambo is taken by Tomas Milian this time around (usually playing a crippled or sadistic villain in Lenzi films from the period) and it's a great part: Rambo (no relation to the Sly Stallone character - this one came first) is an unshaven, masked motorbike-riding outlaw who has a thing about justice prevailing and murdering bad guys. As he's not part of the law he instead works around it, taking on the criminal gangs himself and turning them against each other. What's funniest about this film is the almost total lack of police presence! Gangs tear up the city and kill each other and they're nowhere in sight. Rambo's motorbike is gazed at lovingly by Lenzi's camera and he takes every opportunity to show off the sleek chrome bodywork, especially in lots of cheesy bike-jumping stunts that punctuate the action.Rambo also knows his own unique brand of karate, meaning we get lots of demonstrations as he effortlessly beats up thugs in a pool hall and takes on a room of practising karate students! The film begins as Rambo visits the home of an old pal, who has joined a police group and insists that Rambo does the same. Being a good-natured chap he helps to capture a few saboteurs and minor criminals. After the characters have been introduced, Rambo's buddy ends up getting violently murdered when he's close to cracking a kidnapping case - hardly surprising, seeing as he is set up for murder ever since his first appearance. Rambo decides to follow in his pal's footsteps and finds himself involved with two criminal gangs, led by ageing crime boss Paterno and slimy villain Conti. At first he successfully turns the two gangs against each other, causing much bloodshed, but then they wise up and turn against him. A tide of retribution and revenge follows with casualties on all sides.Nearly every technical element of the film is perfect. Cinematography, stunts, pacing, action, chases and dialogue all slot in nicely to the story. The only thing lacking is the music, which is a little sub-par for a Lenzi flick and not snazzy enough. Once again Lenzi has assembled an accomplished team of actors (most of whom were working in films back-to-back for the director) for his cast. Supporting the ever-excellent Milian are the exquisitely slimy Luciano Catenacci as the villain Conti and good old Luciano Pigozzi as a thug. The experienced Ida Galli and Shirley Corrigan play minor female roles whilst the retired Mafia don Paterno is played by American import actor Joseph Cotten. All in all a nice mix who fit their roles perfectly.As well as the many pacy car and bike chases that speed through the film, there are a couple of shoot-outs which deserve note. The first is the attack on Conti's warehouse operation by Paterno's guys dressed as police. Lots of bloody machine-gun shootings and spraying bullet action ensues. For the film's under siege set-piece finale, there's a shoot-out in the grounds of a deserted house played out in the middle of the night to the light of a flare - a clever and original touch. Although not as sadistic as previous or later Lenzi films the film does have a few gruesome asides, like an innocent woman being beaten to death and a guy (regular scumbag Bruno Corazzari) literally overdosing on cocaine! These factors and more combine to make RAMBO'S REVENGE yet another quality genre contribution from Lenzi and a film to track down.

Darkling_Zeist Incestuous bedfellows, Umbeto Lenzi and Tomas Milian team up again for the bellicose Cops an' Robbers mash up ' Sydicate Sadists', while this isn't on par with the legendary sleaze-fest 'Almost Human' it still manages to deliver the requisite amount of gonzoid thrills an' spills that fills chat rooms far an wide with gibbering fan boy praise. Plot adheres rigidly to formula; with Milian playing ex-cop biker, Rambo! whose penchant for revenge is most apropos since he is given ample opportunity for bullet spattered, jaw-cracking retribution after he discovers his brother has been killed; which engenders some relentlessly gritty crime funk grooves by veteran Franco Micalizzi, nutbag bike chases, and all manner of ubiquitous Italian crime overkill. All in all 'Syndicate Sadists' is an entertaining, exploitative riff on, Dashiel Hammet's Red Harvest, and Lenzi/Milian heads are unlikely to be disappointed, although it doesn't quite live up to its blood an' thunder moniker.

The_Void Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

brinner Milian plays a leatherjacket wearing(nice "cuckoos nest" woolen cap too) ex-cop and biker named Rambo(!!!). Rambo returns to Milan? to visit an old cop-friend. The friend is now working at a security company who protects companies from mafia- villains. Rambo gets employed by the company and therefore gets involved over his head in the struggle against the organized crime. An old mafia-family lead by ancient and blind Paterno (played exellent by legend Joseph Cotten) have teamed up with other gangsters lead by less cool but more sleazy Conti(a great Catenacci). The gangsters devote there freetime too car-jacking, kidnapping, dope-dealing and blackmail. Finally some of the gangsters kill Rambos copfriend and you know what that means reveeeenge!... I really like this movie! good characters (especially the crooks), good and realistic plot, great action, good motorcycle and car chases, and the music it´s mindblowing. We also gets an unforgettable fight inside a pool-hall(maybe a bit inspired by Coogans bluff). I want to have this movie-soundtrack now. Got this movie from my father back in 80´s and I recommend for anyone who likes 70´s crime movies...