Tweekums Set during the Ming dynasty this film opens with the theft of the 'Sunflower Manual' from the Imperial Palace. This, it turns out, is a martial arts manual giving details of a powerful secret technique. Now just about everybody appears to want the scroll. The scroll is hidden under a waterwheel and two students of the Mount Hua Sect, Linghu Chong and Yue 'Skinny Boy' Lingshan, are asked to inform the son of the man who took it. They will encounter many dangers including from some of the people they thought they could trust most.I would usually describe the plot in a bit more detail but to be honest I was a bit confused a fair amount of the time… strangely this wasn't much of a problem as this film is all about the action and the action rarely stops. There is a lot of wire-assisted martial arts, fights involving mystical powers, poisoning and even a fighter who produces snakes from her sleeves! In in brief lulls between the action scenes there are some amusing moments, many involving the existence of a second scroll which merely contains the lyrics to a song the protagonists learn along the way. There is also the running gag that nobody apart from Linghu realises that 'Skinny Boy' is actually an attractive young woman! While this is mostly light hearted there is some spilt blood and, in the film's most disturbing moment, the sight or a recently removed eyeball! The cast do a solid job, most notably Samuel Hui and Cecilia Yip as our two protagonists; the rest are pretty impressive too and appeared to be having a good time. Overall I'd certainly recommend this to fans of Wuxia films; it may be a little confusing at times but is still a lot of fun.These comments are based on watching the film in Cantonese with English subtitles.

DICK STEEL Which brings us to Swordsman, or as the novel titled, The Smiling, Proud Wanderer, whom Chow Yun-Fat took on the title Linghu Chong role in a TVB serial of old. Swordsman is part of a loose trilogy of sorts, the sequels being Swordsman II starring an almost different cast in leading roles, and Swordsman: The East is Red, made solely to capitalize on the popularity of actress Lin Ching-Hsia who made her memorable comeback role as The Invincible Dawn from the second movie. Amongst the three, Swordsman is still my favourite, even though Swordsman II had more fantastical fighting sequences, no doubt made more exciting by the charismatic presence of pugilist Jet Li. Swordsman: The East is Red, was largely wasted, and save for Lin, none of the other cast members returned, and had a totally unrelated story from the original medium.Not that Swordsman stuck closely to the intended Louis Cha version. As mentioned, plot lines were compressed, and characters sometimes appear and disappear with hardly a fight. What worked, was how the movie managed to sample the spirit of the novel, and translate it for the screen. The script and plot was kept tight, and revolved around the intense search for a missing martial arts manual, called Kui Hua Bao Dian, which is known to give the practitioner extreme prowess, as demonstrated in the sequel Swordsman II, but with a price.Double crossings, hidden intentions, quest for power - these are familiar themes which are played to perfection by the characters, save for one pair, our heroes Linghu Chong and Kiddo, who are caught in the web of intrigue. In short, the movie pretty much summarized the battles and craftiness of the characters in their thirst for the book, and ultimately, we see the disillusionment of Linghu Chong in matters of "jiang hu", as sung in the song Xiao Ao Jiang Hu.And oh, the song! If there's a song that maketh the movie, Swordsman will immediately spring to mind. It's an infectious earworm, but what elevated its status rather than being just another song played during the credits or relegated to background music, was its involvement as a plot element, in the bonding of friendship, the expression of disillusionment, and also, being so integral to the development of the story, in the form of revelation of true intentions.Naturally, since the song is important, the God of Songs of the time, Sam Hui, was casted as Linghu Chong. There were reported protests against the casting of Sam, because of his lack of martial arts background, but I would like to beg to differ. Yes he's not a natural pugilist, but don't forget, the characterization is key upon deciding who gets casted. His interpretation and portrayal of Linghu Chong, in my opinion, is spot on (miles better than Jet Li), bringing a dash of suave and impish slyness, together with strong vocals and that devil may care attitude. Stuntmen were probably roped in to handle the complex fighting stances, especially when Linghu Chong executes his Du Gu Jiu Jian (Du Gu's Nine Swords), a reputable and formidable swordsplay technique able to counter any attacks, but hey, more than half the martial arts movie out there, have stunt folk fighting in the place of actors.The rest of the cast were also top notch, like Yueh Wah, Cecilia Yip, Cheung Mun and even Jacky Cheung in a rare villainous role, although it was a pity that for the sequel, almost all of them were replaced, yet by another strong lineup like Rosamund Kwan, Michelle Reis, Jet Li, and of course, Lin Ching-hsia.With a rich, strong story containing the essence, adequate interesting fighting sequences, awesome cast and memorable song, it's hard to find what's not to like about Swordsman. Never mind the rumoured reports that director King Hu actually walked out of the project halfway, and had folks like Ann Hui, Ching Tsui-Tong, and even Tsui Hark himself amongst others take over in a collaborative effort, this movie delivers, and will forever remain one of my favourites of the martial arts genre.

Andrea Vidusso The first part of the Swordsman trilogy can be compared to a wuxiapian version of "Star Wars": it boasts paladins of the sword and virtue, leaders of sects being deranged by thirst of power and ambition, plus a musical score no less epic than the Lucas movie soundtrack. The story centers on the theft of the "Sacred Book of Power", a scroll which can bestow invincibility on the bearer and which everyone wants to attain for themselves. The only one unaffected by the hypocrisy and egotism that such search generate seems protagonist Lin "of the Wah Mountain", who regards swordsmanship as an art rather than as a means of dominating the rivals and who would prefer a quiet life of wine and singing, but unwittingly is thrown into the turmoil of the clash between sects. Besides the epic tone, a couple of other factors contribute to the success of the movie:the richness of the people who, friends or foes, surround Lin. Much attention is put to their characterization: as they have different age, background, culture and social status, every one has his/her own distinct way of speaking, of acting and harbors different desires, in accordance to their position. In particular, the character "Blue Phoenix" is full of surprises! while Sharla Cheung donates charisma, regalia and beauty to her role.the awkwardness of the "hero": he and his pupil don't exactly "aid" their ally in the beginning of the movie and in general are quite fun to watch! 8/10

Zabadoh ...the plot needs to be tightened up a bit.The first in Tsui Hark's Swordsman trilogy of movies adapted from a book or series of books (I'm not sure which) suffers from a wandering plotlines that seem to go nowhere. Interesting characters appear briefly to show off, then suddenly drop out of the plotline. In other movie adaptations, this happens in an effort to stay true to the book, but I, being chinese illiterate, can't tell you whether that's true for this series.Despite the scattered presentation, the thrust of the plot seems to have a strong overall direction, perhaps thanks to the novel(s). The bad guys are well established as both evil and deadly. A few stereotypes are thrown into the mix. Not many people in the American audience "got" the female voiceover for the eunuch. A theme of betrayal is used effectively.The martial arts work is good! Characters magically fly through the air and attack each other with kinetic ferocity. They destroy various objects wit h invisible forces from their palms or flicks(!) with ease thanks to slick editing and some simple effects. The effects fly at you so fast that it all seems believable. Yet Swordsman I is only a preview of a more masterful use of this stable of effects in Swordsman II.Main complaint is that Song. Anyone who sees the movie will know the Song I'm talking about! Maybe because of casting Sam Hui, a by-then-aging HK pop star, the Song, gets repeated as a musical number no less than 3 times, including once as a flashback! Perhaps that's why he was replaced in the role by Jet Li in the sequel.I found the English subtitling to be of the usual poor accuracy.