tenshi_ippikiookami "Sweet Bean" is a small, reflective movie that depicts the relationship between a guy working at a dorayaki shop, a sweet filled with 'an' (the reason for its original title), an old lady that appears out of nowhere and tries to convince him to employ her at his shop, and a young high school student who has her own problems with her family. Little by little, they become close to each other, a bond is created and they get a glimpse into their respective pasts.Naomi Kawase normally does slow-burning movies, with a relaxed atmosphere, long takes and centering on the actors and their exchanges. "Sweet Bean" is not an exception and the actors answer with great performances all around (even sometimes histrionic Kirin Kiki, here very tone down and contemplative). The plot may seem simple, but it has different layers, which will grip the viewer, making them not only enjoy, but also think.There are a couple of shaky points, though. First, the pace suffers in some moments, being a little bit brusque, some plot developments a little bit out of the blue. The second is that the last act is a little bit overlong and/or in-your-face."Sweet Bean" will be enjoyed by everyone. And make you hungry.

poe-48833 SWEET BEAN caught me totally by surprise: I rented it because it looked like another interesting drama with perhaps a hint of humor and just a pinch of sadness. It was all of these things and more: the twist was so shocking that it gave me pause. (Although I've written horror stories and even created a black and white comic book character thus afflicted, one seldom sees a disease like this given the Feature Film treatment.) The performances are all sound and the direction is exactly what one would expect from a "foreign" film director (as opposed to American film directors, most of whom seem to be unable to do anything more than slick Big Screen COMMERCIALS).

CountZero313 The manager of a small pancake stall finds his product is suddenly a neighbourhood sensation after an old woman shows up and changes his recipe. But old prejudices rear their head to scupper short-lived happiness.This is a relatively prosaic outing for writer-director Kawase, a film that eschews the lyricism and frustratingly enigmatic self-orientalising tropes of Moe no Suzaku or Mogari no Mori, for a greater concern with narrative cause-and-effect. Masatoshi Nagase is suitably brooding and mysterious as the weary manager of the stall, tolerant if not indulgent of the inane chatter of schoolgirls who occupy his workplace like a clubhouse. Kirin Kiki is her usual charismatic and maverick self, managing to bring humanity and pathos to a role that could easily have been cloying and maudlin. The storyline of the older women bringing hope to a man with a crushing past works well, Tokue proving a catalyst to stop the manager going through the motions and start living again. The film also functions as an educational piece on the discrimination historically meted out to sufferers of Hansen's disease, or leprosy, in Japan. This part is less effective, following the well-worn trope of having a schoolkid come along so the adults can relate the hidden history she knows nothing about. Heavy-handed and flat, it ill-serves the narrative, and slightly trivializes an ugly but fascinating aspect of Japan's social history.Kawase does not totally leave behind her shamanistic/animistic leanings: there are the usual hand-held shots of sunlight glinting through treetops, and some cod-philosophy on the power of the moon. She hones excellent performances from Kirin and especially Nagase, whose edges seem all too brittle and authentic. A small film with a big heart, that makes a quiet but powerful point.

Mike Garcia The last film directed by Naomi Kawase and I think the first in which she didn't use a script of her own , being an adaptation from a novel....Watching the trailer you can feel that the movie is something more that it shows, being this a great success because they didn't spoil the most important part of the plot, letting the audience discover the truth about this characters while watching the movie.The film is a beautiful tale about redemption, friendship and nature, told through a slow and very poetic style but although that it is a slow movie , I didn't even notice the duration of it because I was absorbed into the story...I have read a lot about Naomi Kawase work and I was very interested but I've never had the chance of watch any of her movies until now, I have read that this one is her less personal and more commercial film but I'm looking forward to watch her previous works...I have really enjoyed her intimate way of tell stories and her exquisite style, I instantly became a fan of her...The worst thing about this movie is that it makes you hungry Emoticono tongueVERY GOOD MOVIE