Sweeney Todd: The Demon Barber of Fleet Street in Concert

2001
Sweeney Todd: The Demon Barber of Fleet Street in Concert
8.6| 2h12m| NR| en| More Info
Released: 31 October 2001 Released
Producted By: KQED
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.pbs.org/kqed/demonbarber
Synopsis

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

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the_only_warrior I would give this a 10 if it was a fully produced film. Why wasn't this made instead of the Tim Burton one?For those of you who don't know - Sweeney Todd is a man falsely imprisoned (transported to Australia) by a judge who covets Sweeney's wife. When Sweeney finally escapes and returns after many years, he discovers his wife is dead and that the judge is indirectly responsible. Enraged, he plots to cold-bloodedly kill the judge - who, like everyone else, fails to recognize who he is after his long stint in prison. There is a LOT more to the plot, but technically any more would be a spoiler.Wonderful cast of great actors and great singers! George Hearn is a revelation, not only can he bring great subtlety to the music, but he embodied the complicated role so well, made it so believable and understandable, you can't imagine another actor doing it better. Patti Lapone was funny and sexy as Mrs Lovett and brought out a really sweet side to Mrs Lovett as well as the overt nastiness. Timothy Nolan was really creepy as the judge and what a voice! Stanford Olsen was a perfect fit for the role and stole the show with his amazing high notes and Neil Patrick Harris had wonderful energy as Tobias. If I was being picky, Davis Gaines (as a 47 year old playing young Anthony Hope) looked too old on screen, but I guess this is a concert version. Even the small parts are fabulous. Chorus and Orchestra spot on. One reviewer mentioned the camera work being too choppy - but personally, apart from the lack of sets, props, and the fact you can hear the audience when they react, it feels (and sounds) like a film. I think this is a big plus!I didn't know anything about Sweeney Todd and actually caught part of this for the first time at a house party. Ten minutes of watching that made me search for the DVD to buy. It's riveting!Throw away the Tim Burton and trade gloss for substance.
Low Man I just recently saw the Tim Burton version of this, and I added some comments on that too. After watching the film, I came home and watched this version, and it throws the deficiencies of the Burton film into sharp relief. The Burton film looks better, but that's about it. If you really want more on what I thought about it, look under the comments in that film.First off this is a live concert performance. That means sets, costume, props, stage machinery, etc. are minimal. The performance happens around and even among the orchestra on a concert stage. That is the only flaw, for lack of a better term, in this production. If you've got a good imagination, it's insignificant.Second, the San Francisco Symphony is one of the best kept secrets in this country. They are great. I have several recordings of their work, and I have always been extremely happy with them. When you think of great American orchestras, the usual cities are New York, Philadelphia, Boston, Chicago, and Los Angeles. San Francisco belongs in that group. Their playing of this score, which was, of course, originally set up for a pit orchestra less than half the size of the forces used in this production, is as near perfect as anyone can reasonably hope for. It also really emphasizes the operatic feel that I always felt this musical has.George Hearn is the best Sweeney Todd I've ever seen. That comes from an old pit orchestra hand that has been through more than a few performances. Apparently the original choice for this production was Bryn Terfel, a Welsh bass-baritone opera singer. Apparently he got ill and had to be replaced. It would have been very interesting to see that. Maybe he'd have been a new favorite, but Hearn is still great. Patti LuPone is also a fine Mrs. Lovett and is able to keep Hearn's anguished Todd from overwhelming everything. Timothy Nolen makes a disturbingly lustful Judge Turpin, and I was glad to see the scene of his self mortifying struggle with his feelings for Johanna included in this production. It is often cut, but it provides a not exactly sympathetic, but at least clearer, view of Turpin's character. Neil Patrick Harris is also an excellent Tobias Ragg. He even has a good voice. Who woulda' thought it? Pirelli, Anthony Hope, Beadle Bamford, Johanna...all are well cast, well played, and well sung.In short, it's hard to believe how well everything was done. If you've come away from the Burton film with a less than happy feeling, please check this out before you abandon the musical entirely. It represents Sondheim's best work, and is well worth seeing.
Isaac5855 For those who may have missed it on Broadway or the filming with most of the original Broadway cast, this film of the 2001 concert version performed with the San Francisco Symphony Orchestra is equally as exciting. Director Lonny Price has assembled a first-rate cast for this concert version of the 1979 Gothic musical about the relationship between a demented barber hellbent on vengeance and the slightly daffy but lovable owner of a meat pie shop who falls in love with him. This version is almost more riveting because, as a concert version, with limited sets, costumes, and props, the audience is allowed to focus where their focus should be...on Stephen Sondheim's frighteningly beautiful musical score, flawlessly sung by a rock-solid cast backed by a first rate orchestra. Tony winner Patti Lupone puts her own spin on Mrs. Lovett, the pie maker originated on Broadway by Angela Lansbury. Lupone is careful to never mimic Lansbury and because she is technically a better vocalist than Lansbury, gives the musical portion of her performance so much more meat than Lansbury did. George Hearn, who followed original Sweeney Len Cariou on Broadway again proves to be the ultimate interpreter of this role in another powerhouse rendering of this richly complex role, which at times is downright bone-chilling, particularly in his rendering of "Epiphany" one of the most powerful pieces of music ever written. Timothy Nolen's brilliant interpretation of the evil Judge Turpin is a standout, including his rendition of "Johanna"...a song that was cut from the original Broadway production. Davis Gaines makes a strong Anthony and works well with Lisa Vroman, who is the loveliest Johanna I ever seen, offering a flawless rendition of "Green Finch and Linnet Bird". Victoria Clark is outstanding as the Beggar Woman and TV's Neil Patrick Harris makes a surprisingly devastating Toby. A once in a lifetime concert experience that will stay with you.
Garrett Fitzgerald (^Sarek^) This DVD was an absolute delight to watch. George Hearn had almost 20 years to refine this performance, and he used them well. (It's amazing that he wasn't originally cast for this concert.) Patti Lupone may outdo Angela Lansbury, IMHO. The supporting cast all do wonderful jobs, as well. The actor playing Judge Turpin was especially noteworthy.