Johnny H. Superman burst onto the big screen thanks to this diamond of animation history. Superman became what he is today thanks to this little masterpiece, and he's still my all-time favourite superhero, equal to Batman and Spiderman. Max Fleischer is as important to superhero history as Jack Kirby, Stan Lee, Alan Moore or Will Eisner, except the big difference was that Fleischer's influence on the superhero genre was purely based around the world of cinema.This short is 10-minutes of superhero fun and perfection. No unnecessarily glum Henry Cavill performance, no NuclearMan, no mopey Brandon Routh: just a perfect representation of the perfect hero.

Foreverisacastironmess Wow, when I first ever saw a couple of these vintage animated Superman shorts on late night public domain TV years ago I was so struck by the rich visual design and structure of them, and I can see why this first one in particular seems to have struck a chord with a lot of people over the years. The story is a little basic, but it's a fun little scenario that serves its purpose as a kind of pilot for this seventeen episode series. There's something simple yet profoundly appealing and beautiful about the way the animation looks and moves, it's so dynamic and bright and vivid, the shadows, angles and images are so sharp and well thought out, it's like the old comics of the 40s come to life, and is a marvellous little work of art and animation. You can almost feel the love and sweat that must have been painstakingly put into it, and it was all by hand back in 1941, no computers for a long time to come. The Fleischer Studios must have had a lot depending on them making a strong impression with this first episode of a specially commissioned series and I think they put the vastly increased budget that they had to develop these shorts to excellent use, as it's some of the most fluid and clean animation I've ever seen, and not just by the standards of the time. For what it is, it's pretty flawless. It's a world apart from the trademark bizarre surrealism of a lot of the earlier Betty Boop toon shorts. I'm fascinated by all the small details that are put into every frame of it, like all the dials and lenses that are on the mad scientist's giant laser cannon. My favourite part is when Superman pushes back the laser beam and wrecks the weapon, it really spectacularly demonstrates his strength and determination. How noble of Mr Superman to also save the bad guy along with Lois at the last second as his observatory lair is exploding. Too bad about the scientist's pet crow though, after the blast it doesn't show him again, I think he may have crowed his last kaw! Some of the short is a little silly, like when the headstrong Lois Lane knocks right on the villain's front door and is promptly swept up and taken hostage, and it made me laugh how daintily Clarke Kent sneaks into the closet with the window on the door to change into Superman right in front of everybody, and sneaks back out and politely closes the door behind him! The music is nice and charming to hear in an old fashioned saving-the-day kind of way, I had no idea that the reason Superman flies is due to an idea by Max Fleischer who felt that it would be more practical and easier to animate a flying Superman instead of him leaping around like a flea everywhere, and thus a new iconic superpower was born! Nice going Max, but when you look at how natural it looks when Superman is flying, it makes you wonder why they didn't have him doing it from the very beginning.. Still pretty dang great stuff, there remains something quite special about these classics, they have a timeless sort of quality, and this short is positively a must-see for fans of the early days of animation or admirers of the Superman character, and 1941 or not, he never looked better.

tavm Several months after Captain Marvel was the first comic book superhero depicted on the silver screen, Superman became the second but the first to be animated as opposed to the live action of the previous one. The voices of the leading character and female co-star Lois Lane were the same from the radio series that had already started beforehand: Bud Collyer and Joan Alexander. Collyer, especially, established how different the personalities of Clark and Supes could be by simply changing his voice when he changed to his costume. The story, about a mad scientist bent on destroying the world, is a bit cliché for today but the Max and Dave Fleischer animation is still impressive even now with the way the thing can build excitement especially when The Man of Steel tries to punch that disintegrating ray back to its source. So on that note, this first epi of the Superman cartoon series was off to a good start. P.S. You know this was an early version of Jerome Siegel & Joe Shuster's creation when Supes' origin tale says he was raised in an orphanage instead of the farm of Jonathan and Martha Kent!

Big Movie Fan Sixty one years have elapsed since this first Superman cartoon was shown and it still remains as timeless as ever.I had first seen this decades back (not in 1941 because it would be a good several years until I was born) and recently I picked up a copy from a car boot sale. I watched it and enjoyed it throughly.The story is perfectly simple. A mad scientist has some kind of ray aimed at Metropolis and he also kidnaps Lois Lane. Superman of course comes to the rescue. There is no complex plot, just plenty of action.Lois and Clark are not quite equals in this adventure. Nowadays in the Superman comics I think Lois and Clark are married but Lois sort of looked down on Clark in these adventures-she doesn't even let him come out on assignment with her.Another thing I liked was the way Clark changed into Superman. He would always say, "This is a job for Superman," before heading into a storeroom and changing. Magic!For fans of Superman (particularly younger fans), I recommend they check this out if they can get a copy.