Edgar Allan Pooh . . . Wile E. Coyote's sign reads during SUPERIOR DUCK as he begins to chow down on Daffy. The Tazmanian Devil gets some licks in, too (which prompt him to become vegetarian). After being disintegrated by Marvin Martian, there's only enough Salt Water Daffy left to reconstitute him housefly size. Foghorn Leghorn had told Daffy that he'd be taken down to bullet stature, which apparently is tinier than the smallest speeding pullet. Speaking of wee, Tweety Bird calls Daffy the P-word here, which is pretty daring to place in front of the noun "duck," the latter term--of course--rhyming with the F-word. (Thick-headed viewers should try to repeat Tweety's sobriquet for Daffy out loud 10 times as fast as they can, and they'll hear the problem.) With Porky Pig, the Roadrunner, and even Superman himself making cameo appearances here, one half expects to hear from the Kitchen Sink. But that would be entering BEAUTY AND THE BEAST territory, and we all know that BEAUTY is strictly a Disney product.

TheLittleSongbird It is sad really, speaking as a huge Looney Tunes fan and seeing as the idea seemed good. To me, a good number of the later 80s-and-after Looney Tunes cartoons have been enjoyable, if not a patch on the classics, but Superior Duck is down there among the weakest.What it does have that is noteworthy is the superman cameo at the end, which was a lot of fun and makes one wish that the rest of the cartoon was as inspired (a couple of the verbal mistakes were reasonably amusing). Apart from some character designs lacking in smoothness, the animation is bright and colourful with the colours being pleasantly vibrant and the backgrounds lively, detailed and fluid if not exactly imaginative. The voice acting is also decent, with Eric Goldberg having the lion's share and doing very well, Thurl Ravenscroft has a very distinguished narration voice and Jim Cummings is spot on as Taz.There is one exception however and that is Frank Gorshin as Foghorn (he is pretty good as Daffy though), who sounds far too abrasive and harsh that the sharp wit of the character is completely lost. The dialogue here is not much to write home about, with serious need of more sharpness and wit. As aforementioned, a couple of the verbal mistakes early on were reasonably amusing but got increasingly predictable and rather groan-worthy, while the gags are somewhat pale and less-well-timed retreads of one from previous (and much better, we're talking classics like Duck Amuck) Looney Tunes cartoons. With the timing not as imaginative, the humour not as sharp and the notable (and much-missed) absence of Mel Blanc they just feel limp.Story-wise, Superior Duck is rather messy. The pacing feels rushed, with a constant hasty feel to it as a result of the cartoon being far too short, and it was not very focused, instead feeling pointlessly random and never feeling sure what the real story is supposed to be. The music doesn't really fit, not as annoying or as discordant as a lot of Bill Lava's scores for the 60s Looney Tunes cartoons but it does overbear the cartoon stylistically and lacks energy. Even more disappointing is the treatment of the Looney Tunes characters, here they are saddled with cameos varying in length (most of the time far too brief) and with at least half of them they're pointless (something that few other 80s-and-after Looney Tunes did), the things (like their personalities) that makes them so famous and so great as characters just doesn't come through.In summary, not a complete waste of time, but rather uninspired late effort. 4/10 Bethany Cox

utgard14 Lame later effort from Chuck Jones that doesn't provide a single laugh. The "joke" is that Daffy is a superhero in some futuristic sci-fi city but he can't even get through his introduction without arguing with the narrator. It calls back to classic Daffy cartoons like Stupor Duck, Duck Dodgers in the 24½th Century, and Duck Amuck. You'd be better served going back and watching those shorts instead of this dud. The music is loud and annoying as is often the case with later Looney Tunes cartoons. The animation is colorful but flat and unimpressive. Frank Gorshin does the voice of Daffy and Foghorn Leghorn (one of the many characters thrown in for no purpose other than Jones looking for a cheap nostalgia 'pop'). His Daffy is okay but his Foghorn is terrible. Tony the Tiger himself, Thurl Ravenscroft, is the narrator. It's a complete failure of a cartoon that has only one noteworthy bit: the Superman cameo at the end.

jmak_2002 This cartoon short starring Daffy Duck is rather good. I saw it for the first time yesterday. It's one of the bonus features on the new DVD release of "Daffy Duck's Quackbusters". I liked the cartoon and it's satire on the Superman style, right down to the mangled announcing purposely did for comical intent. By mangled announcing I mean playing with the trademark lines in the Superman opening's of "faster than a speeding bullet..." and at one point "pullet" is said instead of "bullet" which brings out Foghorn Leghorn.I felt the voice acting was good...I've never really been too fond of Frank Gorshin's take on Foghorn Leghorn but his Daffy impression was right on. Bob Bergen on hand as Porky is a plus. The cartoon being a little less than 5 minutes, give or take a minute, though, made for a rushed delivery. It's almost like the people involved wanted to get the cartoon finished and screened and perhaps thought with a short cartoon there's not much time for restlessness with theater goers. After-all, modern-day movie goers aren't familiar with the theatrical cartoon experience and might wonder what's going on when a cartoon pops up on the screen. So, that's my theory why the later cartoons during the 1990's were super short by comparison to the classics from the '40s and '50s.I give it 6 out of 10 stars...if you're not too familiar with these characters like I am, the distinct change in voice in Foghorn Leghorn will not stand-out perhaps. But, given that I'm a big fan of Looney Tunes, it doesn't stand up next to the classics but this doesn't mean this "Superior Duck" isn't any good. It still has Chuck Jones' imprint all over it.