SimonJack This Public Broadcast System film of an American Playhouse production just wasn't very interesting or entertaining to me. "Sunday in the Park with George" is billed as a comedy, drama and romance. Perhaps there was some insight in the promoters who didn't list it as a musical. It is a musical, but one that is very short on music and talent. The script for this play and film is very slow. The comedy is very little. And the music is sparse. The method used, of the painter set a little off-stage with the players on stage is so theater-bound as to be a distraction for film. It's one thing to go to a theater to see a live play, and another to see a story on film that should eliminate all the periphery. In live stage, it is part of the setting. In film, it's a distraction The story itself isn't that good or interesting. The talent is so-so. I enjoy Bernadette Peters as an actress. As a singer, she is mediocre. But musicals should have excellent singers. Alas, this production was an early indication that the days of truly great singers for films (and stage) had passed. Musicals since the last couple decades of the 20th century have had scores with jazzy numbers that tend to play over the vocals of the singers. So, better singers aren't as necessary. But this seems to create a type of artificial musical. No longer do we have films with glorious voices and songs that made up many of the grand musicals of the past. Are there no singers to replace Julie Andrews, Barbra Streisand and their likes? Are there no new singing actresses to replace Judy Garland, Deanna Durbin, Doris Day, Mitzi Gaynor or Shirley Jones?There seem to be no male singers either to replace Gordon MacRea, Howard Keel, Nelson Eddy, Bing Crosby, Danny Kaye, or Bobby Darin. Nor are their modern song and dance talents the likes of Fred Astaire, Gene Kelly, and Ginger Rogers. This filmed stage production just is not my cup of tea. One suspects it plays to a very narrow audience. Unless one is used to live theater and less than great musical entertainment, this film isn't very likely to be very enjoyable.

TheLittleSongbird Thought-provoking, emotionally soulful and extremely clever, Sunday in the Park With George is another Stephen Sondheim hit. Not his masterpiece(Sweeney Todd, though that is a subjective and very difficult choice to make) or his most accessible(Company), but it is a great show that will make you appreciate Sondheim more perhaps. Like a previous reviewer, some very close friends of mine disliked Sondheim initially but after hearing Sunday in the Park With George they converted and while not fans as such they appreciate him highly now. To get yourself acquainted or to re-visit the magic of this musical it doesn't get better than this production. Lushly produced, very intelligently staged and directed and well-photographed, this production of Sunday in the Park With George is a must see for Sondheim fans and admirers. The songs and score are wonderful, beautifully structured and highlights like Move On, Putting it on and Finishing the Hat are memorable. They are also very clever, because not only do they make an emotional impact but they interweave so well with the story and the characters' motivations and actually enhance them, often telling us what's happening within the music and lyrics. The arrangements are just beautiful and played and conducted just as much. Bernadette Peters and Mandy Patinkin don't just have great voices but they are also great actors, and put real emotion into what they're singing and acting. Patinkin's voice is in slightly better shape, Peters occasionally sounds tired but mostly her singing is fine. And while Patinkin gives one of his best and accomplished performances, Peters is a revelation playing two different characters- sometimes in very quick changes- and is incredibly heartfelt. The supporting cast that include the likes of Dana Ivey and Charles Kimbrough are also on point, Frank Kopyc and Judith Moore are hilarious as ignorant American tourists with the over-exaggerated hand gestures and such. Also look out for Brent Spiner as a German servant, he's a pleasant surprise. In conclusion, beautiful, clever and affecting, couldn't be recommended more highly enough. 10/10 Bethany Cox

alison24601 Sondheim is a musical genius, and Mandy Patinkin and Bernadette Peters are two of the most brilliant performers I have ever seen, so it is no surprise that this is such an excellent film. The music is gorgeous, and has the ability to touch your soul. The emotions conveyed by Patinkin and Peters are very real, and heartfelt. This makes me cry every time I see it. This show really captures the difficulties and detachment that can be applied to the lives of all artists, not just painters. This musical is well-written, well-cast, and well-acted, and I would highly recommend it, especially to anyone involved in the arts. One warning is that people who are not familliar with Sondheim should go into it with an open mind, because if you are expecting a typical Hollywood musical, it's not what you'll find. If you watch this on DVD, don't miss the commentary by Sondheim, Peters, and Patinkin (and possibly James Lapine), because it gives a lot of nice extra information.

rogerandjudy If you or someone in your life is an artist (regardless of the art form), this is a must-see. Sondheim and Lapine have illuminated the nature of art and artists in a way I've never seen surpassed. Yes, the songs are wonderful and Bernadette Peters and Mandy Patinkin, the consummate interpreters of Sondheim, have never been better. But the insight into the often perplexing and frustrating world of the arts goes so much deeper. This is not a mere entertainment (though entertain it does) but a soul-searching treatise on what we do and why we are so compelled to do it. Watch this one and be prepared to see life a little differently after the experience.