Samuel Cohen Lovely Songs of 1960's ending in Greece where my Father was Born. I was in Greece in 1979 when Greece and the Islands where Inexpensive BackPacker's and Leonard Cohens Write Song Books. In contrast to "Guns of Navarone" which is about ww2. Pre Vietnam Protest Period. At that time the Young People Revolted against and mistrusted anybody Over 40 who took part in WW2. Lovely Color Photography in Colorfull Greece, Some of those period films were Black and White. like to have DVD. Plot from Wikipedia : The story concerns Don (Cliff Richard) and his friends (Hayes, Green and Bulloch) who are bus mechanics at the huge London Transport bus overhaul works in Aldenham, Hertfordshire. During a miserably wet British summer lunch break, Don arrives, having persuaded London Transport to lend him and his friends an AEC Regent "RT" double-decker bus (and not a later Routemaster as often quoted). This they convert into a holiday caravan, which they drive across continental Europe, intending to reach the South of France. However, their eventual destination is Athens. On the way, they are joined by a girl trio (Stubbs, Hart and Daryl) and a runaway singer (Lauri Peters), pursued by her mother (Ryan) and agent (Murton). The movie was a huge box-office hit, thus repeating the success of Cliff Richard's earlier film The Young Ones (1961). There are 16 song and musical numbers in the film: "Seven Days to a Holiday", "Let Us Take You for a Ride", "Stranger in Town", "Swinging Affair", "Really Waltzing", "Yugoslavian Wedding", "All At Once", "Summer Holiday", "Bachelor Boy", "Dancing Shoes", "Foot Tapper", "Big News", "The Next Time", "Les Girls", "Round and Round" and "Orlando's Mime".

bkoganbing Summer Holiday finds British pop sensation Cliff Richard cast as a London bus driver who along with three of his mates take a London double-decker bus to Europe and outfit it as a sleep in. If it's successful they want to get a franchise for a fleet of them. Nice entrepreneurship if nothing else. His mates just happen to be the members of the band who back him up.There are so many numbers in this film that it would qualify as a full blown musical very much along the lines of what Colonel Tom Parker was arranging for Elvis Presley to star in. Personally after seeing two of Richard's films I think he's stylistically more like Ricky Nelson or Frankie Avalon. But the film is an Elvis type musical with a British twist.Richard's a pleasant enough singer, but Presley beats him as an actor by light years. In his second film the very serious Expresso Bongo, Richard had his best role as essentially playing himself.The budding entrepreneurs pick up Lauri Peters who was a performer herself and running away from her domineering mother Madge Ryan. If I had a mother like Ryan I'd run away too. Ryan chews two or three sofa beds in her performance, one of the most outrageously overacted I've ever seen. Second to her is Ron Moody who plays a French mime whom the boys pick up while making their trip from France to Athens. The presence of these two people show that like Presley in the USA, Cliff Richard's managers are making sure he gets good support in his films.

Spikeopath Summer Holiday is directed by Peter Yates who also co-writes the story and screenplay with Ronald Cass. It stars Cliff Richard, Lauri Peters, Melvyn Hayes and Una Stubbs. Story sees Richard and three pals take a red London double decker bus into Europe for their summer holiday. On the way their adventure will see them pick up some girls and an assortment of characters. Fun, frolics and songs follow.Light on plot but big on heart, Summer Holiday is well dated and cheesy but still carries with it enough charm to entertain the undemanding musical fan. Some lively sequences dot themselves throughout, but it's with the foot tapping tunes that the picture remains most memorable. Stand outs include the title track, Batchelor Boy and The Next Time, while the presence of The Shadows is also a bonus. It's unlikely to make big fans of first timers who didn't have it as part of their childhood, but for many the nostalgia factor more than compensates for its 101 formula. And of course for fans of the ever amiable Cliff Richard, film remains essential. 6.5/10

olif I first saw this flick not in a theater, but on TV back in the late 1970s. It was a very pleasant musical (for what it is), and it shows the so-called 'carefree' days when such films would really matter!I understand that a soundtrack album was released in the USA! I have been looking for that record for YEARS! Would anybody part with their copy??