dbborroughs Accountant tries to locate a gun in one of the less picturesque parts of London. He meets up with a drug addict who offers to help him out. Unfortunately for all concerned the gun he wants to sell is actually the property of a well tattooed and very crazed drug dealer. From that point things rapidly spiral out of control for all concerned and nothing goes right. Unremarkable drama feels at times as if it would be better suited for the stage where the rawness would over whelm the staginess of it all. Helping things along is the rapid discovery that nothing is as it seems and a good performance by Andy Serkis. (I really like Serkis but I'm rapidly coming to the opinion that he is either a one note actor, or he has to do something to get himself better roles since almost every one he's taken is a psycho.)

jfcthejock Sugarhouse is something that has been done in the past quite a lot in British cinema with the likes of Bullet Boy and Kidulthood, a film centred around the raw realities of life and of course crime. There isn't really anything new with Sugarhouse, but what it does do is revitalise classics like those above and give you a more up to date adaption.This adaption in question includes the talents of Steven Mackintosh and Andy Serkis, both well known British actors along with new British talent Ashley D. Sugarhouse is dark, compromising and of course brings up questions about morality and human nature. Violent at times but of course this is what makes this specific genre so appealing and riveting! I'd recommend this film to fans of either Rollin' With The Nines or Kidulthood.

dilbertsuperman There are no scenes in this movie- just mainly ONE SET of a warehouse area. That right away tells you this movie has no budget, and a variety of other moments show you this is a shoe-string budget affair and the storytelling suffers as a result.This is the story of a man who meets up with a Jamaican crackhead to try and buy something. Unfortunately several other people want to have that something as well and then the conflict begins. The man's unbelievable continual participation in these follies is supposed to be a sign that he is a man on the edge but it is more of a sign that this plot is unrealistic and idiotic to boot. Anyone else would just turn heel and go home- take their business elsewhere.At various moments during the movie you will be wondering why the man doesn't just go home and cut his losses- this is the failure of the plot. If it was any good we wouldn't be continually groaning - oh god.. just GO HOME! The movie seems like it has some sort of retarded message about how revenge just injures yourself and they are willing to bend the plot in unrealistic directions to try and get that point across.Extremely unsatisfying and not on par with Snatch, Lock stock and two Smoking barrels or trainspotting- don't let anyone fool you into thinking this play on film is worth seeing- it's a piece of boring one-set crap.

Black Narcissus I got an invite to see a Preview screening of Sugarhouse Lane last Wednesday & it was a well attended affair in a Hotel screening Room.The film is set in London, but not the tourist type London you'll have seen in most British Films. Thankfully there's no shot of 'The Gherkin' building which seems to have plagued all films set in London since around 2000.Most of the action (if thats the right word) takes place in around a derelict warehouse in/or around a Council estate. D takes Tom to this place in order to do some business but has other plans. Unfortunately this is were the films Stage origins let it down because, the film becomes wordy & rather confined to this single location. The film is beautiful to look at, the DoP should be very proud of themselves. I saw the film in the company of a Film Director and that was a comment he agreed with. Look out for the final Crane shot at the end of the film which is just great..As to the performances, there's a really great performance from Ashley Walters as D a Crack Addict/Hustler. IMHO it much more than the clichéd "Blackman Druggie" part British Black actors are asked to play. It's a really convincing turn as an addict up there with Willie Ross's Drunk Father in 'Rita, Sue and Bob Too' and Samuel L. Jackson's performance in 'Jungle Fever'. There's also a good performance from Andy Serkis as Hoodwink a Northern Irish hard man. Oh, look out for the girl who plays Hoodwinks girlfriend I think in the titles she's called 'Pregnant Girl'. She's in the film for no more than 5 - 6 minutes tops but there's something really striking about her. I must admit I was expecting something different but that said, I was pleasantly surprised. The film is much better than say other films set in London with Urban theme's like 'Breaking and Entering'. A film well worth having a look at when or if it gets a UK Theatrical release.