lazarillo During the 1940 invasion of France by Germany, a bourgeois housewife (Lisa Gastoni) becomes involved with an employee (Franco Nero) of the pharmacy the family runs, after the latter sexually gropes her in the dark, mistaking her for her maid with whom he is also sexually involved. As the Nazis approach, the sexual relationship between the two becomes increasingly dark, perverse, and sadomasochistic. He makes her stand naked outside on the street until a passerby sees her, and he tries to force her into a three-way with the maid. Eventually he pressures her to "deliver" her virginal teenage daughter to him.As another reviewer remarked, it's no coincidence that this movie takes place during France's eventual capitulation to Germany. The metaphor shouldn't be lost on anyone. This movie somewhat resembles the director Salvatore Samperi's most well-known work "Malizia" (with Laura Antonelli). The end especially with the lights flickering off and on as the German mortar fire approaches very much resembles the violent thunderstorm finale of "Malizia". But this movie is even darker and more apocalyptic (or perhaps nihilistic). The relationship between the couple is much more perverse than that of the maid and the teenage boy in "Malizia", even approaching the existential emptiness of Calveani's "The Night Porter" or the bleak tragedy of Bertolucci's "Last Tango in Paris". The subplot with the daughter, on the other hand, actually resembles an earlier Lisa Gastoni vehicle, Fernidand DiLeo's "The Seduction". But that movie was much more exploitative with the adolescent girl being much more of a willing Lolita (and played by sexy older actress). This is a more an art film, and the girl here is a true innocent caught up in the couple's obsessive relationship and the collapse of the whole social order in the wake of the German invasion.The greatest strength of this movie though lies in the performance of the two leads. Gastoni gives a performance that's even more powerful and daring than the one she gave in "The Seduction". Nero meanwhile plays against type as the sexually corrupt villain--only in Pasquale Campanile Festa's "Hitch-hike" did the charismatic and likable Nero play such a thoroughly unlikeable character. Clearly, this movie deserves a better DVD release as others have said (one that both looks good AND has decent English subtitles), but it is worth seeing regardless.

stolenalice This was a film I had been keen to see for a while, having read some interesting articles and reviews about it. It is now available on DVD, if you know where to look, in an Italian-audio only version.There is a genuine sense of things seeming beyond the characters' control in Scandalo - the conflict of WW2 coming closer to the French town where the film is set, the now-chilly relationship between Lisa Gastoni's Eliane and her husband and ultimately, the charged emotional and sexual bondage that she finds herself embroiled in with Franco Nero's Armand, several moments of genuine and heated sensuality finally culminating in the shocking denouement involving Eliane's daughter.Gastoni is impressively tight-laced, then emotionally wild. Nero is darkly seductive, then chillingly shameless - a further example of his talent, and willingness to play morally ambiguous roles to the hilt.Scandalo's intent is beyond the realms of erotica, into psychological drama. Definitely not a film for the faint-of-heart, or easily offended.

simpsonsfan62 Yes, this movie is very sexy, but unlike 9 1/2 Weeks to which it has been compared, this one has real depth. The sexually charged submission is meant not merely for titillation, but also to underscore the connection between violence and submission. The fact that the movie is set in France during the opening years of WWII is not coincidental. Yes, it's fair game to an extent to refer to the French as "cheese-eating surrender monkeys" but as this movie shows, there are two sides to submitting to another's will.The movie examines how the French and so many others could so easily give away their freedom and perhaps even come to enjoy it on a certain level. Look around you today: Polls show that a staggering majority of Americans are still willing and eager to give up certain rights in freedom and privacy in exchange for the promise of security and protection. This movie, and when I saw it was under the title "Submission" takes that frightening concept to its logical, or perhaps illogical, extreme. Would any of us walk naked down a street if an employee ordered us to? Yes, we would, provided we were getting something in return.In the movie, the shopowner is outwardly forceful, even intimidating, to most people. Beneath that lies a deep sense of wanting to be taken care of. Watch this movie at first for the truly erotic qualities, but then watch it again with an eye toward its deeper levels of meaning. That it can be enjoyed as a particularly perverse soft-core sex flick and also as one of the most subversive political statements made on film during the 70s is a testament to its power.

larossa-immortal I remember seeing this one as a beat up Prism VHS tape back in the 80's and I also remembered how good I thought the film was. I wouldn't say that it was the sexiest film ever made though it comes pretty darn close. The film would pre-date Adrian Lynne's 9 1/2 WEEKS by 12-13(?) years, interestingly enough. Both films deal with very similar subject matter: the sexual submission and domination of someone else. The difference here is that this film is way more perverse. One questions the likeability of these two characters but the one which garners the most sympathy has to be the woman whom just as France is destroyed by the invading Nazi forces, so is the woman's family and marriage. Although softcore, if explicit sexuality offends you, I wouldn't recommend seeing this. But if sexual cat and mouse games are your cup of Espresso, then I say go for it!It really is a pity this hasn't found it's way to DVD, especially import DVD. Any flick with Franco Nero is a must-see.