GL84 After a series of strange murders, the workers at a high-end fashion magazine find themselves at the center of the reign of terror by the savage killer and must find out the motives and identity of the masked madman before they all fall to his blood-lust.This here is one of the best and sleaziest of the giallos ever made. That comes out here almost from the very beginning as the main source of the film being undertaken at a fashion magazine makes for a wholly appropriate base for the film's ongoing and nearly relentless sleaze to come through. Not only does this allow for the expected nudity showing the girls getting dressed for the shoots as well as the nudity found there in those shoots, but the ever-present backstabbing and politicking expected to be a part of such a business gets featured here with the women pressured into sleeping with the prospective new clients, the general snubbing of women in order to break the next big face and the general air of sleaze and temptation featured here makes this fit in so well with the genre as a whole while getting the most out of it's premise. Getting the chance to see these kinds of women naked as often as they are there would've been enough, but to do so with the addition of the other nude scenes or just simple inserts of them getting topless for no reason makes this one quite a bit of fun and wholly enjoyable with the film really feeling like a continual onslaught of naked female flesh almost from the start which is greatly appreciated here not only because of the quality of such scenes but also for their ability to distract from what else is happening. Once it gets away from the sleaze, there's a lot more to like here. The opening ambush and attack by the killer on the victim at his house works nicely with the surprise stalking getting some nice suspense along the way, a later stalking scene at a victim's house while under the impression of a social visit is pretty suspenseful while the highlight murder sequence of a nude woman in her apartment makes for a wholly enjoyable and suspenseful sequence as the large darkened apartment and amorous activities beforehand set the stage for a wholly enjoyable highlight sequence even without the ever-present nudity. As well, the park- side encounter works out a thrilling suspenseful attack as the blackmail payoff is handled well and the follow-up hit-and-run makes for a rather strong conclusion. Other great scenes include the hair-raising car ride abduction through the city, the thrilling encounter in the photo-lab after the killer cuts the lights for a great sequence and the big chase scene at the finale is a wholly entertaining variant which all give this some rather enjoyable times. That said, there's still a few issues here that aren't so enjoyable. Like most of the films in this style, the main storyline motivation for the killer here is quite lame and seems incredibly perfunctory motive for the rampage, letting it play out in rather perfunctory manners and getting the rather confusing angle that's expected here. As well, the fact that this one is so sleazy and violent might make it hard to get through on same cases, and it can be somewhat difficult for some to really get through here. These here are where the film somewhat gets held down.Rated Unrated/NC-17: Continuous Full Nudity, Graphic Violence, sexual scenes including strong hints of sadism with S&M undertones, Language, drug use and explicit themes of domestic abuse.

jadavix "Strip Nude for Your Killer" is a classic example of an over-sexed giallo, boasting not one but two of the sexiest screen sirens of all time: the mesmerising Edwige Fenech, and the beautiful Femi Benussi. The movie wastes no time in getting both naked - Femi strips in the first few minutes, has a lesbian scene, and even gets offed in the nude!The sense of mystery is not all that prominent, but the movie gets quite suspenseful toward the end as we watch our girl Edwige attempt to outsmart the killer. This is why I rate SNFYK higher than "Case of the Bloody Iris", another entertaining giallo that didn't manage much suspense.The movie is not particularly graphic in the killings themselves, but in the aftermath no detail is spared, and it's almost sickening. Worth it, though, for this wonderfully sleazy and entertaining film, with so much beautiful naked flesh to gawk at. Edwige and Femi aren't even the only ones who get their clothes off.It did leave me wondering, though: why do so many gialli feature outrageously camp gay men who always end up getting killed? It's like the Italian version of "black guy who dies first" in American slashers.

lastliberal There is nothing like Italian Giallo to get your heart pumping, and Giallo with the lovely Edwige Fenech is something to see.One of the fun features of Giallo, and this film, is that naked women don't bother to cover up with a robe while they are creeping around the house looking for someone who breaks in. The rich red blood on the creamy white skin makes an interesting contrast. Of course, it does get a little gory at times.Franco Diogene was absolutely hilarious as the lecherous husband of the model agency owner (Amanda). Seeing him in his tighty whiteys with a blowup doll in one hand and a knife in the other as he hunts for the killer was priceless.The motive was clear throughout, but you still had to guess the killer. At least Fenech survived.

Scarecrow-88 The Milan fashion world is rocked by a serial killer, wearing leather gear and motorcycle helmet, stab-killing those involved with Albatross studio..it coincides with the unfortunate accidental death of a model receiving an illegal abortion. Carlo Bianchi(Nino Castelnuovo)is a very successful photographer enjoying the sexual kicks you receive from being a big-shot in the industry. He literally beds one gal he suckers into a sauna not but shortly after meeting her, promising of a healthy career as a model(..naked nearly the entire film, Femi Benussi shows she's unafraid to bare it all for the audience for almost her total screen time), but she'll, like others, gets stabbed multiple times after discovering the water faucets running in her employer-to-be Gisella Montani's(Amanda)abode. The constant with all these killings revolve around Gisella..her heavy impotent husband(Franco Diogene), her homo-sexual photographer Mario(Claudio Pellegrini), and eventually herself are targets for the mysterious homicidal maniac. Gisella is also being black-mailed by someone in her inner circle(..of the remaining still alive). Others will follow as Magda Cortis(Edwige Fenech, whose character is an apprentice to Carlo)and Carlo become civilian detectives with their own lives endangered in the process.As mentioned in practically every user comment, "Strip Nude for Your Killer" lives up to it's lurid title. Ample nudity from uninhibited actresses, the lives of those associated with the fashion world(..particularly those who will do anything to gain success and fame)are skewered and every character in the film embellishes in sex and hedonism. Fenech delivers the usual tasty nudity and looks fantastic even with a short hair cut. Her lover Carlo is the complete anti-hero, he treats Magda like a sex toy, even choking her not once but twice. He was one of those who left the dead model's body left in a tub with running water(..the image of this dead model is displayed quickly before every murder scene takes place with the director letting the viewer know that this is the motivation behind the stabbings). The stabbings themselves are often gushing wounds, but the final attacks show the aftermath of a castration and breast removal, pretty potent, shocking stuff. There's even some sad humor portraying Gisele's portly husband(..who is quite a danger driving on the roads of Milan with director Bianchi's camera following with a POV shot of the car passing through endless traffic, red lights, and even threatening civilians walking on the streets)as a clown in heat who can not deliver in the clutch. Nice job by Blue Underground bringing giallo fans a print of true quality and the film looks great..with good use of color and sound photography, Bianchi really provides the film with style. Yet, this isn't particularly any different than the endless chain of gialli circling the market, so to combat this Bianchi put naked flesh across the screen almost through the film's entirety. This giallo does have your typical wacky twist revealing why this killer is so viciously killing his/her victims, but this time, the revelation might be underwhelming considering it's a person who isn't as significantly drawn as other characters in the plot. This is indeed a true treat for those with an appreciation for smut. Film suffers for not having a likable character to root for, but Fenech once again portrays the endangered character in pursuit(..and being pursued)of the killer.