Strange Days

1995 "You Know You Want It"
Strange Days
7.2| 2h25m| R| en| More Info
Released: 13 October 1995 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.strange-days.com
Synopsis

Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.

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bshaef I thought the sci-fi was outstanding but the story that supported it was so weak that I really lost interest and was only paying about half attention by the end of the movie. Not real sure what they could have done to make it better other that develop a completely different story line.
Predrag "Strange Days" is a movie that has a bit of everything and ends up being a terrific cinematic experience. Set in a near future, the story deals with classic themes like virtual reality, thought control or the share of memory, providing and exciting and engaging cyberpunk adventure. Director Kathryn Bigelow creates a futuristic LA that manages to be both sophisticated and believable, avoiding the over-the-top, Utopian and not very realistic depictions of future societies presented in other sci-fi films. Although "Strange Days" is basically a thriller, it is way above many run-of-the-mill movies of its genre, as it succeeds at combining its key elements perfectly. The direction is dynamic, unique and fast-paced, adding style and energy with an excellent sense of rhythm, flow and tension. The acting is also a plus, since Ralph Fiennes is unforgettable as the flawed anti-hero Lenny and Angela Basset shines as his sister-in-arms Mace. This duo makes for an odd, yet original and memorable couple, delivering some enticing and moving scenes. It's also interesting seeing the female character protecting the male for a change, making for a clever reverse of the predictable and typical scenario of most action flicks. Juliette Lewis is also convincing as the dark and feral femme-fatal, especially when she sings a P.J. Harvey song to perfection (one of the many excellent and remarkable moments of this movie).The only problem is the script, which in its determined liberalism (the LAPD isn't really rife with racism, oh no, it's just a couple of loose cannons here and there) is at odds with the basically scary premise. In the end, it relies on the concept of The Good Cop and Real Love Conquering All. I don't suppose it could've been any other way, but...really.Although I am a fan of thrillers and sci-fi, a good story (giving the viewer a range of feelings and emotions) regardless of the genre is what truly sells to a wide audience. I believe that Strange Days is a good story told extremely well by the director, Kate Bigelow, using film.Overall rating: 8 out of 10.
Python Hyena Strange Days (1995): Dir: Kathryn Bigelow / Cast: Ralph Fiennes, Angela Bassett, Juliette Lewis, Tom Sizemore, Michael Wincott: Excellent science fiction thriller unleashing a spectacular futuristic Los Angeles. Set in the finals days of 1999 where society is overrun by chaos and murder. Title refers to a device sold by Ralph Fiennes where subjects can witness another life. He is an ex cop who straps this device to his head and relives the memories of a former lover who is now the property of a sleazy nightclub owner. He learns that one of these devices involves the rape and murder of young women. Tense energy and extremely clever plotting created by director Kathryn Bigelow where armored limousines and street gangs run rampant. Humorous performance by Fiennes full of charisma. He is protected by Angela Bassett through frustration, dedication and love. An interesting back story involving her son indicates how she and Fiennes met and came to a mutual love. Juliette Lewis plays the corrupted nightclub singer who does a riveting number when she first appears. Tome Sizemore appears as a contact of Fiennes but the role is a disappointment because he is too obvious and never comes off as trusting. Michael Wincott plays the sadistic individual whom Lewis is involved with. At any rate, this is a visual masterpiece about the dangers of technology. Score: 9 ½ / 10
SnoopyStyle It's the last days of 1999 in a violent Los Angeles. Lenny Nero (Ralph Fiennes) is an ex-cop who trades in clips of recorded memories. Superconducting Quantum Interference Device (SQUID) records the wearer's brain waves which can be played and experienced. The technology is illegal and he works in the black market. Meanwhile, call girl Iris (Brigitte Bako) barely escapes from policemen Burton Steckler (Vincent D'Onofrio) and Dwayne Engelman (William Fichtner). They discover that she was wearing a SQUID. She finds her friend Lenny's car and slips him a clip. Lenny still misses his ex Faith Justin (Juliette Lewis) who left him for music producer Philo Gant (Michael Wincott). Max Peltier (Tom Sizemore) is Lenny's brash scraggly lowlife friend. Mace (Angela Bassett) is his more put-together friend.Fiennes has great jittery sleaziness. I like the idea of this gritty near-future including its campy touches. James Cameron may have stuffed in too much story. The movie needs to cut out something and I would probably pick Faith. Iris can instead be Lenny's ex. It would elevate the intense need to find her. The rest could be a great revenge film. The movie is so full that it doesn't really need the extra twist. Kathryn Bigelow's direction is good although she may need more substance to throw at the screen. She needs a bit more special effects and a little less of the cheaper looking real world stuff. A desolate street is just as effective as one filled with people. It looks like she tried to stage multiple riots which ends up looking cheesy. The money could be better spent with a trashed abandoned bad side of the town. The story gets a bit too complex and some simplification would be helpful.