Spikeopath
Based on ex-convict Eddie Bunker's novel, No Beast So Fierce, pic pitches Dustin Hoffman as ex-con Max Dembo, who after being released from prison has every intention to go straight. Easier said than done, though...It's hard to believe that Straight Time is often thought of as under seen, a hidden gem of the 1970s, this given that it stars Dustin Hoffman and the advent of the internet years has seen it garner votes and reviews aplenty. Yet it does seem to be a pic that doesn't get its due credit, annoying since it's one of Hoffman's greatest performances.Hoffman loved the material and heavily sought to direct and star in it. Something which proved too hard for him to do. He was humble enough to recognise this fact and brought in friend Ulu Grosbard to direct while he concentrated on the acting side of things - result!There is absolutely no glamour on show here, Max is surrounded by weasels, slime balls, junkies and perpetual thieves, while his own mental fortitude is suspect at best. It's both gripping and disturbing, this world he inhabits, no excuses are put forward, no "woe is me" tales, he ultimately accepts his lot.Hoffman is backed by superb performances from Harry Dean Stanton, M. Emmet Walsh and Gary Busey, and Theresa Russell gives quality turn as the naive woman in Max's life - no token here, she's in the grip of a homme career criminal and not merely here to look pretty and doe eyed.As a character study it positively bristles with brains and foolish brawn, and Grosbard directs with unfussy skill whilst showing a very good eye for a dramatic action scene. Studio interference would hurt the pic upon release, but now this can be seen as a film of great worth. 9/10
Martin Bradley
Ulu Grosbard was one of the great American directors of the seventies and was certainly among the most underrated. He made "Straight Time" in 1978 and it's a terrific movie about crime and criminals though it's not a thriller nor even a heist movie. It's central character, Max Dembo, (a superb Dustin Hoffman), is a career criminal; crime is built into his DNA. When he's released from prison, where he's served 6 years for armed robbery, he at first seems repentant but it isn't long before he has a run-in with his unsympathetic and vindictive parole officer, (M. Emmett Walsh, excellent). From this point on, it's all downhill.Were this film in French you wouldn't think twice in saying it was a Jean-Pierre Melville picture. Like Melville's work this film deals in criminal mindsets; it's about the minutiae of crime. Dembo and his associates are professional criminals but they are messy and arrogant, more likely to die an early death or spend more time in prison than out of it.This is a beautifully acted, highly intelligent picture. Others in the cast include Theresa Russell, Harry Dean Stanton and Gary Busey, brilliant as a young would-be gangster not making much of a job of trying to stay on the straight and narrow. Adapted from the novel "No Beast so Fierce" by Edward Bunker, who also appears as another criminal, and beautifully photographed by Owen Roizman it really deserves to be better known.
Roel1973
Very realistic crime movie, based on No Beast So Fierce, the first book by Eddie Bunker, whom you probably know as Mr Blue in Reservoir Dogs. Bunker was a career criminal with an impressive track record: he was San Quentin's youngest inmate ever and made it all the way to the FBI's most wanted list in the early seventies. During his last stay in prison he wrote No Beast So Fierce, about an ex-convict named Max Dembo, who has a hard time adjusting on the outside. According to Bunker, No Beast So Fierce is supposed to show that most ex-cons who go back to a life of crime don't choose to do so. They're forced by the system and the circumstances. Well, I haven't read the book, but in Straight Time the reason for Max Dembo's inevitable return to crime lies mostly in his character, not in the system. Sure, his parole officer (a superb M. Emmett Walsh) is a complete asshole. But who hasn't had an asshole for a boss? We take the abuse and move on. But not Max Dembo. He just can't. Too proud, too stubborn, too ill adjusted to civilian life. When Dembo attacks his parole officer and there is no way back for him, we see not only panic in his eyes but also relief. His attitude changes as well: while he was clearly uncomfortable trying to adjust to life outside, he is quite resolute and efficient as soon as he is back doing the things he does best, which is robbing banks. It's a great role for Hoffman who had Bunker and another ex-convict called John Carlen advise him throughout the production. That probably added to the realism of this great crime film. In most movies about bank robbers, the criminals are mostly outsiders by choice, with their own set of principles. Straight Time is no different. But unlike The Getaway or Charley Varrick, this one shows us the very tragic consequences of that life.
dfwforeignbuff
Straight Time (1978) Dustin Hoffman plays Max Dembo, a convict, at the mercy of his parole officer to set him free. While on parole for the first time, Jenny Mercer (Theresa Russell) helps him get a job which is a requisite for ending the parole. They both fall in love. When the parole officer makes a search at Max's home he finds evidence of a dope being used. Max lets his friend Jerry use the dope in his room earlier. So, Max is arrested again & a urine test is taken. When found not guilty Max is let out in parole again. Completely irritated by the officer Max runs away from him. Soon, he comes to know that the only thing he could do well is burglary. While robbing a jewelers shop, a mistake leads to the death of his close friend & confidante. However, Max escapes & absconds with his girl friend Jenny. At last, completely disgusted with the world, Max sends his girl friend home to L.A & admits that he knows he will get caught again! Awesome performance from Hoffman. I am unfamiliar with director Ulu Grosbard but it is a powerful lean stage play. Kind of a slice life/realism type thing. Reminds me of the 50s TV & film noir crime (gangster) dramas. This is a strange movie in that the character we fully identify with turns out to not be such a good guy - & stays that way. This film could be the high point in Dustin Hoffman's career, perhaps his greatest performance. The film does not romanticize the violence & makes the viewer feel pity the Dembo & his bad choices. This is one of Dustin Hoffman's greatest roles. It is one of those performances where I forget I was witnessing a great performance by an actor. It felt like a real life documentary. Gary Busey, Harry Dean Stanton, & Theresa Russell were all fantastic as well. Kathy Bates here in an early role. Great direction by Ulu Grosbard The film is not about raising anyone's spirits but just the fascination with the low class criminal crime rat. Dembo is not a smart or attractive criminal. One of the great movies of the 70s. 4 stars