lchadbou-326-26592 "Stephanie Daley" is the kind of little indie that is often better than the more heavily publicized Hollywood product it competes for attention with. In this case, director-writer Hilary Brougher has created an interesting tension between pregnant psychologist Tilda Swinton (whose character has previously had a stillborn child) and Amber Tamblyn's 16 year old, charged with killing her own baby. The setting, a conservative,religious small town, is convincingly created from a composite of three different places in upstate New York. Brougher is not afraid to have her cinematographer shoot in a naturalistic way, sometimes leaving figures in darkness. I especially liked the conception in the supporting roles of Satin, a skeptical pudgy schoolmate,played by Caitlin Van Zandt (I hope we will see more of her) but there is also good support from Timothy Hutton as Swinton's husband, and (as expected) Melissa Leo as Tamblyn's mother. I am not surprised that this was a good movie, as usually anything with Tilda Swinton's name on it (she also executive-produced) is worth trying.

rhinocerosfive-1 This is one of those movies that looks like it was developed from the Sundance workshops... and what do you know? Hallmarks of the category include female chauvinist perspectives, emasculated or violent male characters (if there are any men to speak of), long stagnant takes shot on digital video, and an aggressive tendency toward unresolved endings. This has most of them.And I don't care, because Tilda Swinton is plenty of reason to watch any movie. Even THE BEACH. Okay, I won't go that far. But she is pretty exciting. To paraphrase the old line, I'd pay to watch her go to the bathroom... and, in this movie, I get to. Several times. Be careful what you wish for, I guess. Not that I ever wanted that... alright, enough on this subject.Plus Amber Tamblyn, who far from sucks here, and Melissa Leo, who never gets enough to do in movies - though, Jesus, girl, you are racking up the films lately. I think Leo's made as many films in the last four years as she made her entire previous career - though, again, she usually doesn't get too many lines.Actually, Hilary Brougher raises this picture somewhat above its disadvantages through nuance, innuendo, and lack of blatancy, though this very ambiguity does ultimately queer the ending, as in, I don't really get what's going on with the shrink character when credits roll. Not that I need everything spelled out, but I need to know what language we're speaking. Perhaps Sudden Cutaway to Overexposed Window means something in Girrrlish.Maybe I need to bone up on my Independent Woman Filmmaker symbolism. Or maybe I need to shut up before I get slapped with a Thoughtless Human with Penis label and written into another script where men fail to make the world entirely comfortable for women.

TenLineReview I had no idea what to expect from this film, and by the 10 minute mark it won me over.Tilda Swinton and Amber Tamblyn both gave stellar performances.The script was tight, and the back and forth between the Swinton and Tamblyn was spot-on perfect.Tamblyn's big bathroom scene was gripping and intense - a great use of the absence of sound to really hammer a point home.The cinematography left a little to be desired - the HD format still looks like video at times.I can see why Swinton Exec. Produced this: It was a great vehicle for her and I now have a new found respect for her as an artist.I am looking forward to Brougher's next film - hopefully she will get a wider release this time.The editing of the film was eerily effective - I was never once lost or confused, yet I was constantly being moved around time and space.The ending was very satisfying - I don't need to be spoon fed every little thing.Concise, daring script + great performances = "Stephanie Daley"

ignominia-1 Wow, what a movie! As most of the comments before, acting was superb, the story was well laid out, intelligently and without patronizing explanations. What I was really aware of this time- I am not one very sensitive to technique in general- was the way the film was shot and the resulting realistic feel. None of the "look at me I am using a hand held camera so people would think it's a documentary" but I had the constant feeling this was real. The scene where the two Cranes are at the party, the unselective sound made the scene fell like it was a real party, one where you have a hard time sorting out voices and conversation from the general din. The camera was slightly swaying sometimes and the light not perfectly chosen so you felt like you do in real life: not always in the best spot to witness life unraveling, which is a characteristic of most movies, where any viewer is sitting in first row. That gave the performances extra boost, extra credibility and made the viewer absorb the movie's content even more deeply.The scene in the bathroom at the ski trip is devastating, you can almost feel her physical and emotional pain and her conflicting emotions about the abortion, there for you to witness out of that sliver of space between door and doorjamb. Unforgettable. Too bad she is not getting an Oscar for it, but seldom Oscars are given to best actors, just best actors on the main circuit who made the movies at the right time to get the prize etc etc...If this is not worth a 10 what is? But definitely not for anyone, not for those who need special effects or to be blasted from the chair by action or violence... for a mature audience even though the message is about the kids the movie is for their parents, to change how sex is taught in school...