MartinHafer "Starship Invasions" is an incredibly slow and underacted sci-fi film from Canada. While it stars Robert Vaughn and Christopher Lee, the rest of the cast are mostly unknowns. If I didn't know better, I would believe that the film's director gave all the actors downers before they began filming. This is because although the film is supposed to be a life or death tale about the invasion of the Earth, it's all so low energy and the acting is just too subdued....to the point where you start to wonder if it's a sci-fi zombie film!So is there anything I really liked about this film? Well, there isn't much but I did like the makeup job on the huge-domed aliens-- they looked quite good considering the low budget. As for most of the rest of the aliens, however, they were just folks wearing silly black leotards. The robot that saves the day is even more ridiculous. Overall, the film has its moments but just not enough to recommend you watch it.

MARIO GAUCI Apart from his stint among the ensemble of AIRPORT '77, 1977 was truly Annus Horribilis for Christopher Lee: his three genre efforts were easily among the worst exploitation outings of their vintage that I have come across! For the film under review, I sure hope that he did not accept it without even bothering to read the script – in the vain hope of matching the enormous success enjoyed by his frequent colleague Peter Cushing with the same year's STAR WARS (for the record, he would himself eventually join that most auspicious franchise – albeit with a quarter century's delay)! Well, where to begin with this lamentable Canadian attempt at a space opera – which, more than actively ripping off the George Lucas blockbuster, takes a leaf (or two) from yet another 1977 sci-fi landmark, i.e. Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND! In fact, here we have two sets of aliens, one which is evil and intent on destroying our planet (shades of Lee's own END OF THE WORLD, one of his afore-mentioned contemporaneous duds) and the other benign and seeking to thwart their plan (though, yet again, they still need to kidnap humans in order to have THEIR computer system fixed – WTF?!). To be fair to this one, it is not as deadly dull as the others – in fact, I ended up laughing out loud a number of times throughout! Indeed, its unintentionally hilarious moments are perhaps too many to catalogue or remember even at a mere day's juncture, but I will try regardless: a dim-witted, middle-aged farmer is abducted and conditioned to engage in sexual intercourse with a voluptuous alien (which he cannot quite believe is happening to him!); the costume of the invaders looks like a full-body black condom (which Christopher Lee looks understandably miserable inhabiting – what is more, all the actors playing extraterrestrials have had to loop their lines in post-production, since the writer-producer-director apparently thought it cool to allow them to only voice their thoughts!); equally incomprehensible is the redundant presence of what can only be described as space escorts forever waiting in the wings – maybe they should have called the film STAR WHORES?!; a couple of inept intergalactic goons realize too late that their protective force-field was not switched on, so that they are blown to bits by the typically impulsive and paranoid U.S. military; hero Robert Vaughn (displaying a fixed baffled countenance throughout) is supposed to be an expert on UFOs, yet when one flies over his car he does not immediately notice it and has to be alerted to its presence by his kid daughter and, on realizing that he missed the all-important sighting, he just shrugs and keeps on driving; to recruit his computer whiz pal to the aliens' cause, he visits him one evening at home, yet this guy is still wearing his coat and tie as if they were his casual attire; the world's end comes by way of a suicide epidemic (not in itself a bad idea, but would it not just take too long to achieve?) triggered by a laser beam fired from way out in space; Vaughn's wife, depressed over his absence from home (she had already voiced her concern about how he was being unfaithful to her with UFOs!), goes from peeling onions for dinner to slashing her wrists in a split second; though supposedly emanating from outside our atmosphere, the spaceships are inexplicably seen emerging from the sea several times; Lee does very little here except press random buttons off a keyboard and aimlessly fiddle with knobs to feign his authority, check his wristwatch every now and again to God knows what ostensibly vital purpose, and operate the occasional flimsy ray gun (also worn on his wrist), etc. Apparently, Lee himself though of STARSHIP INVASIONS as the nadir of his career…but, while I beg to differ (relatively speaking), it was certainly not a fluke of a low point! In ant case, it was shown under various titles to no effect: ALIEN ENCOUNTERS, ALIEN WARS and PROJECT GENOCIDE!

jmlaird I saw this film once on afternoon television in the late 70's . I've never seen it screened, rented or sold since. It seems to have sank into obscurity. I remember being disturbed in parts, so as bad as it may be, it could be provocative for ten year old latch key children, home alone in the late 70's. One interesting thing to note, reading the plot summary offered at IMDb, I've seen some of the same elements in UFO abduction lore & accounts. There are some who believe that there has been an extraterrestrial culture occupying the bowels of the Earth for some time, a federation of races I believe, that use this symbol of the winged serpent as their identifying mark. Some believe that this federation ultimately does want control of the Earth and humanity, and will reveal themselves following some type of cosmic or nuclear calamity on the Earth. Also, the ability to exert remote and irresistible control of the human brain through superior technology is a theme I've read frequently in reports, as well as this film's attention to the commonly reported telepathic ability of the ET's. I mention this because it seems like most cinema avoids some of the more fantastic elements of abduction accounts, and concentrates on other elements to the point of cliché. X-files hit on a lot of themes one can find in the reports, to be sure. I'd like to see this movie again, for nostalgia's sake. Sadly this isn't the UFO lore Epic I want. I'd like to see some talented writer/director do for modern abduction accounts what Spielberg did in Close Encounters with Project Bluebook reports. Some of the stuff they predict/report is genuinely terrifying, like, the apocalypse of mankind. The stakes don't get any higher. Perfect for Hollywood. A rich vein for creative exploration and sadly this little low budget film is about as close as it gets at the moment.

gazzo-2 It was poopoo then, it Has to be poo poo now. Christopher Lee as a RamaTut Alien, bad F/X saucers, stuff right outta those goofy 'The Outer Space Connection/Chariots of the Gods' '70s UFO crap flix, etc. Even has Helen Shaver, a fat guy on a tractor, a cute brunette Alien nude chick and the Man from Uncle w/ his 9 buck Calculator saving the day. Def. one for the ages. Where were Tom Servo and Cro when ya needed them?* maybe. Real bad.