Stage Mother

1933 "Her life was all CAREER and no CARESSES"
Stage Mother
6.1| 1h25m| NR| en| More Info
Released: 29 September 1933 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Kitty Lorraine has one purpose in life: turning her daughter Shirley into a star. Kitty controls every aspect of the girl's nascent career -- even blackmailing a stage manager so that Shirley can take a more prestigious gig. But Kitty goes too far when she breaks up her daughter's budding relationship with sweet artist Warren Foster. Heartbroken, Shirley sets off on a series of disastrous but profitable relationships.

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bkoganbing If you find yourself humming the songs from Gypsy after seeing this film you can't help it. What Alice Brady does with the title role in Stage Mother makes what Ethel Merman did on stage and Rosalind Russell on the big screen as Mama Rose would make Mama blush.Left with a baby daughter to raise after her husband is killed during a performance of their high wire act, Brady takes the little girl to her in-laws in Boston where they still frowned on associating with the theatrical profession. She can't provide so for a while she leaves the girl with the in-laws and takes up with fellow performer Ted Healy.But eventually Brady quits the stage for the business end of show business working for a booking agent. And when she discovers that her daughter who grows up to be Maureen O'Sullivan and has talent, watch out world.Watching this film all I thought of was how unfortunate Gypsy wasn't written two generations earlier. What Brady could have done with Mama Rose.Sad to say that the film is spoiled by a really bad ending which I won't reveal. Look for good performances by Franchot Tone and Phillips Holmes as a pair of callow youths O'Sullivan takes up with. Holmes comes with a title as well. Also if you look quick you'll see Larry Fine of the Three Stooges in a small part.Snappy before the Code dialog and a great performance by Brady are wasted in an unreal climax.
st-shot Husband wife high wire act Freddy and Kitty Lorraine split up the team while she tends to having a child. When dad is killed in a fall she and the new baby move in with his staid New England parents. Buzz killers from the outset Kitty decides to take kid Shirley (Maureen O'Sullivan) on the road and push her into a stage career. With mom managing her career gets traction and she's soon headlining. Making a nostalgic visit to her old home in Boston she meets Warren (Franchot Tone) a painter and the two fall in love. When mom gets wind of it though she puts a stop to it as well as shake down his family for ten grand. Shirley is devastated and seeks to get out from under the influence of her mother.Stage Mom is Alice Brady's picture as she cajoles and plays hardball with all comers to advance her daughter's career including pimping her to a prominent politician causing things to get hot enough to blow town and head for Europe. Brady's raspy voice suits her hard bargaining style well as she negotiates with some pretty tough customers along the way. O'Sullivan's Shirley is sharp innocent counterpoint to a point of insipid. She dances poorly and remains naive and childlike most of the picture while her suitors (Franchot Tone and Phillip Holmes) can only wish they had a backbone like Kitty.The dance scenes are flat and uninspired as director Charles Brabin does his best to mask O'Sullivan's abysmal hoofing abilities with close-ups while at the same time offering some pretty racy pre code enforcement shots of the chorus replete in diaphanous costume.There are a handful of well played scenes (particularly with C. Henry Gordon) in Stage Mother as Brady brawls her way to the top with tough talk and a touch of extortion void of sentiment but in the end it depends on sentimental tug to bring the curtain down and the limpid denouement forcing Kitty to go meekly simply reinforces the films mediocrity.
wes-connors Flying trapeze swinger Alice Brady (as Katherine "Kitty" Lorraine) is grounded when she becomes pregnant, then takes the baby girl to go live with her husband's family in Boston, Massachusetts. Eventually, with encouragement from comedian Ted Healy (as Ralph Martin), Ms. Brady returns to the vaudeville stage. When her daughter grows up to be gawky Maureen O'Sullivan (as Shirley), the now older Brady makes pretty Ms. Sullivan over as the leggy star of a successful Busby Berkeley-type chorus girls show."Stage Mother" attempts to convey some seedy theatrical realities, but they are hesitant and humorous instead of dramatic. Writer Bradford Ropes helped adapt his original novel, but obviously had to tone down much the sexual content; what's left is a little silly. Two attractive young men, painter Franchot Tone and cruiser Phillips Holmes, court pretty O'Sullivan. Brady slices through the leading role. A highlight is the production number for "Beautiful Girl", which effectively celebrates the female form.****** Stage Mother (9/20/33) Charles Brabin ~ Alice Brady, Maureen O'Sullivan, Franchot Tone, Phillips Holmes
ksf-2 With the rows and rows of dancing girls all in unison, I would have sworn that Busby Berkley or Ziegfeld had to be involved in this, but no sign of them mentioned on IMDb. Alice Brady is Kitty Lorraine, the pushy mom who makes sure her daughter Shirley (Maureen O Sullivan) gets ahead in show biz. As usual, Brady is loud and a little lower-class, but you know exactly where you stand, and she means well. O'Sullivan made a whole bunch of Tarzan movies, and was in the Thin Man. Franchot Tone is Shirley's boyfriend in one of his earliest film roles. O'Sullivan sings (or pretends to sing) several numbers. Story is soooo similar to Gypsy Rose Lee... she would have been about 20 when this film came out. Novel and screenplay of "Stage Mother" written by Bradford Ropes. Viewers will recognize Alice Brady as the silly giggling aunt from Gay Divorcée; she seems to have died young at 47. The cast list shows Larry Fine (one of the Stooges) as a customer in the music store, but I must have missed him. Fun story. Plot starts a little slow and sad, but gets better as it goes along. Director Charles Brabin had been making films for 20 years, and this was one of the last ones he made. Turner Classic shows this now & then, and has it listed as G rated, but that can't be right....