St. Louis Blues

1958 "The glitter and glory story of the man whose rhythm and blues beat became all America's heartbeat!"
7.1| 1h45m| en| More Info
Released: 07 April 1958 Released
Producted By: Paramount
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Budget: 0
Revenue: 0
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Synopsis

Will Handy grows up in Memphis with his preacher father and his Aunt Hagar. His father intends for him to use his musical gifts only in church, but he can't stay away from the music of the streets and workers. After he writes a theme song for a local politician, Gogo, a speakeasy singer, convinces Will to be her accompanist. Will is estranged from his father for many years while he writes and publishes many blues songs. At last the family is reunited when Gogo brings them to New York to see Will's music played by a symphony orchestra.

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tavm After several years of only seeing the last hour of this movie, I finally watched the whole thing on Netflix Streaming. Nat King Cole plays the famous composer W.C. Handy and he's not bad. I especially was touched when his character's blindness caused him to bump into things. And non-musicians Juano Hernandez as his father Reverend Charles Handy and Ruby Dee as girlfriend Elizabeth, respectively, certainly hold their own when sharing scenes with singers Pearl Bailey and Eartha Kitt. Cab Calloway also effectively conveys his role as a hustling businessman though unlike the others, he doesn't do any singing which is too bad. The actual story is probably more colorful than what was presented here but it wasn't bad for what it was. And how enjoyable to see not only Ms. Bailey and Kitt do their thing but also Ella Fitzgerald and Mahalia Jackson, too! And of course, Nat King Cole looks cool every time he's at the piano warbling Handy's tunes. It was also interesting to see Billy Preston as a young boy at the beginning as the child Handy and such musicians like Barney Bigard, Teddy Buckner, George "Red" Callender, Lee Young, and George Washington sitting in the band. Really, all I'll say now is St. Louis Blues is worth seeing for the number of musical icons in one film that are presented here.
mrselami I saw a portion of this the other day when TCM aired it. Unfortunately, it was on while I was working out at the local health club, so I only got to see what was on while I was there. What I saw was wonderful and I regret that I could not view it in its entirety. The scenes I did see showcased velvet-voiced Nat King Cole; the following young and lovely actresses/songstresses--Ruby Dee, Pearl Bailey, Eartha Kitt (tiny waist!); the one and only Mahalia Jackson; and the truly incomparable Ella Fitzgerald. Every time I hear Ella Fitzgerald sing, I am struck by what an incredible gift she had; her voice was so sweet, so clear, so melodic and just plain lovely.I was delighted to see this film and the talent showcased there. This is like an Ocean's 11--whether the original Rat Pack or the remake with Clooney et al--in that it's a veritable concentration of celebrity talent all in one film! It's a shame that our history created such divisions between Blacks and Whites that this show had to be produced for Black audiences; it's a fifty year old treasure, period. I'm grateful that TCM aired it.It was interesting to see the struggle within Handy between "church" and "the world." There is a point where he is remembering his father's declaration that, "There are two kinds of music: the Lord's and the Devil's!" and it makes me think how often we decide what God does or does not want us humans to do with our talents and passions. I could see the beauty that Handy gave the church (in the songs he wrote) and the beauty that Handy gave "the world" with his jazz. It was such a burden to put on Handy that if he wasn't in the church, he was therefore not honoring God, vis-a-vis his talent. It didn't give him much of an option to have any concept of grace, but rather, created an either/or, all or nothing scenario, which is unbalanced at best. As for the color/b&w argument, I personally think that B&W films allow the viewer to focus on the story itself. Sometimes color can be distracting to a film b/c it's just visual "noise." Thank God they didn't ruin it with showy musical numbers (choreography and choruses--ugh) but left it to shine with tinkling and stellar jazz. I would encourage you to watch this film; noteworthy storyline aside, the faces and voices alone are worth it.
jotix100 This is a rare movie in which black performers were given the recognition that Hollywood denied them. Alan Reisner directed a film about the fictionalized life of one American original, W.C. Handy, a composer whose legacy in our popular culture was never acknowledged. It would take years before black actors would be seen in mainstream films.Will Handy was a multi talented man whose humble origins we see as the film opens. His father, Rev. Charles Handy, is a preacher in a black church in Memphis. It's clear from the start the boy is destined for greatness, but his father clashes with him when he finds a job working at the local club that is frequented by characters, that in the Reverend's estimation, are loafers and sinners.With the help of a singer, Gogo Germaine, Handy's music becomes popular. His long time girlfriend, the sweet Elizabeth, sees in Gogo a rival who will take him away. It is through the love of his mother and when Elizabeth realizes the talent of Will Handy, that everything seems to come together.Nat "King" Cole plays the title role. Mr. Cole was one of our best interpreters of the standard repertoire of his time. He had such a clear and elegant diction that no one came close to him in delivering a song. His acting is rustic, but that is expected from a singer turned actor. Eartha Kitt is one of the best things in the film. She is Gogo Germaine, full of passion and sex appeal. The sweet and young Ruby Dee appears as Elizabeth, the woman who loved Will Handy. Juano Hernandez, another talent who never got a big break in the movies, is Rev. Handy, the upright minister who wanted his son to follow him in the church. Pearl Bailey, Mahalia Jackson, Cab Calloway, Ella Fitzgerald, Billy Preston, and the rest of the cast are fine in their roles.Some of the great music of W.C. Handy is heard in the soundtrack of the film performed with great style and elegance.
ol_yng_man I really enjoyed this movie. And it was really nice seeing my all-time favorite singer, Mahalia Jackson, use her acting skills. Also, Pearl Bailey was very funny in this film- the protective aunt, as I would call her. Eartha Kitt was great and very believable- she really played the part! Nat "King" Cole, to me, still seemed a little shy on camera, but I was told that he was a shy individual. Young Billy Preston did very well with his acting and he "tore up" that organ- as he is already known for doing. There just aren't any words that I can use to describe my feelings for this video, except for it's awesome, great, and fantastic!I give it an A+++