Spiral

2007
Spiral
6.3| 1h30m| PG-13| en| More Info
Released: 27 January 2007 Released
Producted By: ArieScope Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer's social circle seems to improve greatly when a whimsical co-worker enters his life. Only, as he begins to sketch his new friend's portrait, disturbing "voices" from the phone man's past threaten to lead him into a network of destruction.

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Reviews

thumbworn First, I have to say that I picked this film up based on it's rating and after perusing the reviews here. While I was sitting through this terrible film, I started reading the reviews again, and I have to wonder if every person from the crew posted a review, because I, nor the friend that watched this with me, saw none of the good points in this film that many of the other reviewers did. It is painstakingly slow and boring with no payoff. The camera work is oftentimes very shaky and the colors aren't true. I'm not going to waste any more of my time, or yours, reviewing this. In short: It's not pretty, it's not entertaining, and it reeks of pretentious amateurishness.
Chris Smith (RockPortReview) "Spiral" 12/2/2011After his breakthrough horror splatter hit "Hatchet" Adam Green teams up with friend Joel David Moore to write and direct the suspense drama "Spiral" which also stars Moore in the lead as "Mason" as an intensely quiet and withdrawn painter who works at an insurance company call center. This movie is quite the departure from the blatant blood and gore of his previous film. "Spiral" is really a hard film to classify. It's not really horror, but more of a character drama that happens to have an overall theme of terror. It's also about the nature of friendship between two friends. Zachary Levi (who now plays "Chuck" on the NBC show) is Mason's long time friend Berkeley who knows Mason has some serious issues. There is also Mason's relationship with women, Diana in the beginning and Amber (Played by Amber Tablyn) for the majority of the movie. The movie continues to tease the audience as to weather Mason is a killer or just and average guy dealing with some pretty heavy emotional issues. Mason appears to be a very meek and neurotic guy. He lives alone in an apartment where he paints portraits of women who pose for him. Is Mason as benign as he looks or is there something else brewing inside his tall, lanky body? Joel David Moore's portrayal of Mason is pretty dead on and definitely makes this movie what it is. Zachery Levi is also very strong as the friend who is really in denial that his friend really needs professional help. Amber Tamblyn's character of who else Amber is probably the weakest of the three but in a movie as well acted as this one, she still does give a decent performance. What does she see in Mason anyway?Spiral builds to a suspenseful and sort of obvious climax, but when Mason goes to Berkley for help after an "incident". The rug is pulled out from you in a brilliant "oh my god" twist, but is it the truth or is it just what Berkley wants to believe. He then comes to the realization that Mason isn't quite what he appears to be.
heyanerd The best thing about this movie is that despite how much you THINK you've seen this story before, no elements of the tale overstay their welcome.It's like when a band you really like comes out with an EP. You enjoy it for what happens within the boundaries it's length.What works best is the acting, particularly that of Joel David Moore, who simply seems to be enjoying himself while finding depth in this character him & Adam Green more than likely collaborated on. Amber Tamblyn was also not annoying to me in this. Sounds back-handed, I know, she's talented, but just ain't my style most of the time.Also, the choices of music in the film add to it's uniqueness.Please, do enjoy "Spiral."
ponchocrazydaze *Spoilers*! If you like Indie films and psychological thrillers, without over the top blood, guts and violence, you may like this movie a lot! Co-written, co-directed and starring Joel David Moore, the film builds slowly but compellingly towards a twisted psychotic finale. Fans of the TV show "BONES" will recognize Moore as the tall, geeky, depressingly emo forensic assistant on the rotating guest list. Moore plays Mason, a painfully shy telemarketer with an obvious talent for and obsession with sketching and painting. He is also obsessed with jazz. (The original sound track is tasty, at times intense and bizarre, but always appropriate to the movie. Written and performed by Todd Caldwell, the music is reminiscent of the late 60's early 70's jazz of Miles Davis and Ornette Coleman.) Mason has this recurring problem with psychotic episodes. The movie does not detail exactly what happened, but it appears young Mason witnessed something horrible being done to his mother by his father. Apparently this tragic event happened around Christmas sometime in the 70's while jazz played in the background. Mason also has an extreme fear of elves and there are the running themes of rain and Christmas. (Santa hats in paintings and a surprise date at a local classic film theater showing "It's A Wonderful Life".) TV's "Chuck", Zachary Levi, in an impressive non-comedic role, plays Berkeley, Mason's long time buddy and only friend. He is Mason's lifeline to reality after experiencing a psychotic episode. He tells Mason to just take his medicine, relax and go back to bed. After one particularly bizarre episode, Berkeley gives Mason a new sketchpad upon noticing the previous pad has been used up to the last page, which is ripped out. Mason is later befriended by Amber who works in the same building as he but on a different floor. Played charmingly by Amber Tamblyn she becomes his new sketch model. He paints a series of poses based on sketches in his new sketchpad building up to the "final pose". One day at Mason's apartment Amber stumbles onto a stash of similar looking sketch pads with different names on each, and the last page ripped out. After a confrontation Amber decides she needs to spend time away from Mason to put things into perspective. At Christmas dinner that night it is implied by Berkeley that Mason does not actually meet the women he sketches and paints, they are figments in his mind. That is why they never show up for dinner. I'll stop my review here, we never do see that final pose, or get the exact details of what happened that tragic last Christmas between Mason's mom and dad. But the end is creepy and twisty and the whole movie is a delight. It'll stay with you awhile. And you'll want to watch it again, perhaps with an imaginary friend. (^o-)