Graxxor Anandro Vidhelssen The film struck a chord with me back in 2008, so much so that I reviewed it on my old "Nanchatte" Wordpress Blog back in '08...Since then my Japanese has become fluent and I have spent some years learning Chinese and tonight watched it one more time, wondering if it would bear repeated viewing after all the changes in my life.Although, 10 years ago, this film was marked due to the lesbian theme, this film has nothing to do with lesbianism... at all... It makes exactly Zero (no pun intended) statements regarding sexuality and the main characters are totally at ease with their orientations.No, this is essentially a Cathartic film about trauma and the different ways people deal with it.One of the leads tries her hardest to remember everything, to hold on to every single sweet moment, few and far between though they were, as if they were her last and most precious possessions. She believes that everything is transient and that existence is only as real as the memories of those involved. Be forgotten and you cease to exist. She surrounds herself with all her positive memories and lives almost in a dream.The other is the opposite: Stony and cold, she has cut herself off from the pain of her past by forcing herself to forget everything, and plods lifelessly through the present like a rootless tree. For her, only the present has meaning and as soon as something moves into the past, it is left behind. Contradictorily she fills her days and nights with guilt for something she perceived as her fault and as apparent punishment she denies herself any solace that would heal her.Flashbacks serve to flesh out the pasts and allow us to come to understand why they are the way they are today, one's slow reawakening from a morbid, empty state and another's persistence to never be forgotten.We learn how guilt can arise from one's actions in times of stress and cause one to blame oneself and how emotional starvation can present itself in a multitude of ways.As a father in Japan a country which has had more than its fair share of disasters, some of the scenes I found indescribably painful, the scenes where this film depicts loneliness though brief, were some of the most heart wrenching moments I've seen on screen to date and left me in tears for the second time.As for the acting, the 18 year old Isabella Leong shows remarkable adaptability for this demanding role; She plays a high school pupil, a devoted sister, a substitute mother and a passionate lover with believability and empathy.Every moment she's on the screen, she captivates and convinces the audience, pulling them into her world.Rainy manages to pull entirely different heartstrings throughout the film and bares her damaged soul in an extremely convincing fashion.The one other actress, whom for spoiler reasons I won't mention is really an unsung highlight of the movie... I found myself blubbering like a babe pretty much every single time she was on the screen...The non-linear storyline flits from present to past in a slightly uneven and disconcerting way. Some scenes appear cut short and hurried, while others appear to linger a little longer than is comfortable. Intentional no doubt, but it does make the rhythm of the film a little difficult to follow.Despite this slight incoherence and the loss of focus of the jumbled ending, Spider Lilies is without doubt, an intelligent and thought provoking drama. It makes a valiant attempt at uncovering the wide vista of human emotional survival in the face of hardship and succeeds where a lesser film would fail to involve.p.s. The subtitles on the DVD I rented were OKish but have distinct errors in places.

tsimshotsui When it comes to LGBT films, tragedy and loneliness and death are the main narratives being put out there. But in this particular movie, those three elements aren't because of their sexual orientation. This movie is kind of a gem. It handles sex work and sex workers well, doesn't dehumanize them. There is even a character representing men who consume said content and yet feel like they can 'save' the person. That was all amazingly handled. Another side of the story is death by tragedy, and the permanent trauma it caused on a family member. One of the main characters are tied down by their guilt, their sense of responsibility. I definitely think I would've rated this lower if the heaviness didn't end with some light, so thankfully it did.

Teina Tokyo Overall, not a bad movie at all. Visually, it was quite nice and stylish. Despite of having a description as "a lesbian movie" it is pretty safe to watch and not vulgar. Perhaps as a music video or any kind of short movie, it would definitely perform better. But as a movie it is just not very original. Till the end I kept on finding pieces that I have seen in other places and they still did not bring any other meanings. I am not sure whether I was from the targeted age category to watch it. Storyline suggests there is either a prequel or a book to explain, yet none is actually existing. Could be a better one, if split into several movies. After it finished, I could not find anything remarkable. No, not even the soundtrack. This might be a nice thing to watch if you ever considered getting a tattoo...:)

dbborroughs To be honest I picked this Chinese film up because of the case. Its a weird tie closed case with Tattoos and post cards bound inside of it. I like odd box sets, especially Asian ones, which is why I picked this up. Its been sitting on myself since I got it two years or so ago. Unsure of what to watch while I sorted papers I pulled this off the shelf and gave it a go.The plot centers around a girl who runs a racy web cam site, her grandmother, one of the men watching her (he's cop trying to bust her), a kid who finds power in tattoos, a lovely tattoo artist and her brother. The girl is attracted to the tattoo artist and vice versa but because of complications and plot that is much too complicated to explain simply, things are not as easy as you might think.(nor as complicated as I'm making it out to be) I really liked this film. It has any number of very real characters that worm their way into your heart. This is an odd film at times in that it plays with the notion of why we remember and how we remember and what is real. Why do you remember what you remember? Are you sure that you really remember everything? This film noodles with the ideas at times with memories repeated differently. There are several characters who's memory is failing and we see how that effects those around them.The film also skirts around how we perceive people on line, as the cop falls for the girl and the girl isn't sure who is telling her they love her.There is something about the characters that made it all real. I mean how can you not help but love a film that shows the dangers of being a web-cam girl when you live at home with your grandmother.I need to say I loved how the romance between the characters is handled as something that just sort of was. The fact that its two women isn't really the point, its that its two people. Forgive me I'm tired of films that are same sex romance and they beat you over the head with it to the point that you wonder if its about anything other than being gay or lesbian. This is about the people.My only real complaint with the film is that the layers of memory and stories and reality kind of reach a breaking point about an hour and twenty minutes in. Somewhere about that time the film seems to be juggling way too many balls and I began to lose track of what was happening. Its a minor flaw because by that time the characters have built up enough good will it just carries you to the end.I think its worth a look, and even a repeat viewing.