Sounds Like

2006
Sounds Like
6.1| 0h58m| en| More Info
Released: 17 November 2006 Released
Producted By: Showtime Networks
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Budget: 0
Revenue: 0
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Synopsis

Deeply affected by a personal tragedy, an office drone comes to realize his sense of hearing has taken on extraordinary capabilities that could drive him insane.

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Bjorn (ODDBear) OK. This is very well done. Fantastic sound effects, a somewhat involving story and a very good central performance from Chris Bauer. Still, I didn't really get into "Sounds Like" despite it's many good qualities.In the end this is a very predictable affair. The end conclusion can be spotted miles away and here it's just a question of waiting for something you know is gonna happen. There were no surprises thrown in and for that simple fact the film has to be deemed as long winded. It would probably have fit better in "Tales From The Crypt" than in "Masters of Horror". But I'd never say this is bad, it's just not that good either.
gavin6942 A man with unbelievably wonderful hearing (Chris Bauer, "8mm") begins to go nuts when he cannot cope with the death of his son Michael. His job, his marriage and his entire world begin to fall apart.Executive producer Andrew Deane approached Brad Anderson, gave him various short stories to choose from, and this was the one picked out.Like "Chocolate" in season one, those who want traditional horror are going to be disappointed. There is no maniac with an axe or ghosts or demons or aliens. Just a man with uncanny hearing who can no longer adjust to the world in which he lives. The story is actually very good if you enter it from the right frame of mind.The episode comes from the relatively unknown director Brad Anderson, who made the infamous "Session 9" as well as one of the better movies I have seen, "The Machinist" (with Christian Bale and Jennifer Jason Leigh, two of Hollywood's best actors). If you have seen one or both of these, you know Anderson's specialty is presenting his audience with mental illness. "Sounds Like" is no exception to this trend.Anderson notes in the commentary that most of his work, with the exception of "The Machinist", has some sort of therapist character, which is a bit unusual given that Anderson himself had never been to a therapist. What does this mean? Probably nothing, but all his films -- even "The Machinist" -- definitely rely on more of a psychological horror than outright violence.The strength of this episode is that on many occasions, we are presented exactly what the main character can hear. And it is awful! Some of the most annoying noises you will ever hear, which is like some of the most gruesome images you will ever see... but different. (If you want images, we do have maggots and baby rats, so that might work for you.)I enjoyed this film, although it seems to have very little replay value. With the low expectations I'm having with season two, this comes out as something enjoyable and I would recommend you give it a shot if you like Anderson's other work. While I would hardly consider "Machinist" or "Session 9" mainstream, his work is becoming known and it will not be much longer before they give him something huge...
dean2900 This has to be the longest 57 minutes ever. The story was right out of the Twilight Zone about a man who could here everything. He could hear the sounds that a fly made, the sounds of earthworms crawling underground, and these sounds slowly drive him to madness.There is ZERO suspense in this episode and it really is a waste of time.The surprise ending is dumb and a morality tale about grief and loss could have been more interesting in a thousand ways.This has to rank as one of the bottom 2 episodes.I have not given up on this series yet but I am afraid that the six episodes aired already this year might be enough to kill off any interest. Showtime would have been better of not airing this episode.
wackassnucca I have faith in MOH again. At first i was a a little disappointed because i thought John Carpenter's Pro-Life was on this week, but i was pleasantly surprised by this gem of an episode. The concept of this episode doesn't really seem scary, but the remarkable use of music and sound effect really brings this episode to life. Also the feeling of hopelessness and despair sets up a a dark little world for protagonist Larry, who has developed and acute sense of hearing after the untimely death of his son. The amazing thing is that nothing happens for a good part of the episode, but the build up and tone used used makes up for it. The ending is pretty satisfying and this is a good episode that uses sound brilliantly. Very nice.