GManfred I was hoping for a melodrama instead, but the emphasis here is on the narrative rather than on action. But I am pleased to report that my headline is accurate, because "Souls At Sea" is a very interesting story about a subject barely touched upon in Hollywood's long, colorful history. Reading through other reviewers takes on the film, it qualifies more accurately as a semi-historical drama, although not the first story Hollywood has taken liberties with. The temptation is to call "Souls At Sea" a 'seafaring yarn', but, as I said, it is heavy on talk and light on second unit work.In any case, this offbeat movie has Gary Cooper faced with a moral dilemma as an abolitionist involved in the slave trade in the middle of the 19th century. His sidekick is George Raft, in as sympathetic a role as he ever had and one of his best acting jobs (never one of his strong points). Frances Dee is an ingenue on board the ship in question, and George Zucco plays a good guy for a change. Particularly effective is the background music which won an AA nomination for composer Milan Roder. Henry Wilcoxon is an effective bad guy and Olympe Bradna, whose film appearances were too few, is touching as a maidservant and love interest for George Raft. Very well done, as is the norm with a Henry Hathaway picture. The story is so absorbing that the viewer nearly forgets about the lack of action scenes, and is well worth my rating of seven.

dbdumonteil I've never seen a bad movie by Henry Hathaway.It was the third time Gary Cooper had worked with this director after two classics "Lives of a Bengal lancer" and "Peter Ibbetson" ."Souls at sea' is perhaps not in the same league but it's an absorbing movie from start to finish.A long flashback,during a long trial,it casts George Raft against type as a romantic sailor who finds redemption by sacrificing himself.Cooper ,when he first appears is not as nice as in his other movies:working on a slave ship where the unfortunate prisoners are whipped to keep them from singing.But further acquaintance shows this:Cooper portrays an educated sailor who quotes Shakespeare ("to be or not to be" isn't it the question the slaves ask themselves?)and who remembers Homer ("beware of Greek presents" ).Can such a man be a slave trader? And can he sacrifice the others' life in order to save his own life during a wreck?;yes the movie includes a "Titanic" in miniature in which the violin plays on.Like in "Bengal lancer",Htahaway does not seem interested in the female character who is decorative,no more,no less.

jpdoherty Produced by Paramount Pictures in 1937 SOULS AT SEA is one of the great seafaring stories of Hollywood's Golden Age! A fondly remembered movie by cultists it recently seems to be forgotten somewhat in the DVD age being available only - and for many years on a VHS tape. But it thankfully now has turned up on a region 2 disc in England in a really impressive issue. Splendidly directed by a young Henry Hathaway it was photographed in glorious black & white by Charles Lang Jr.With only one lifeboat left, and too many passengers to be accommodated when a great ship is sinking, it is up to the Captain to decide who is to live and who must surely die. Gary Cooper in one of his most memorable roles plays the part of the man left with this decision. Also in the cast is George Raft in one of the best roles he ever played! As Cooper's friend and buddy - and leaving his tough guy mobster parts behind him - his performance here is quite different and is altogether likable and appealing. His wooing also of the lovely and gentle Olympe Bradna is touching and engaging. Their well written scenes together are heartfelt and sincere! The sinking scenes of the great ship are really well done for its time and immediately brings to mind the spectacle of the sinking of another great ship we all know so well. Others in the well chosen cast are Henry Wilcoxon, Harry Carey, Porter Hall, Paul Fix and watch out for a young Robert Cummings.The female lead is taken by a now wholly forgotten actress Francis Dee. Dee was a popular star in the thirties, appearing in the best version of "Little Women" in 1933 she was also a contender for the plum role of Melanie in "Gone With The Wind". In 1937 (the same year as "Souls At Sea") she starred in the classic western "Wells Fargo" opposite western star Joel McCrea. She had been married to McCrea since 1933 and remained so until his death in 1990. After 57 years of marriage they would remain one of Hollywood's longest unions. Francis Dee died in 2004 at the age of 94! In "Souls At Sea" she plays the sister of slimy villain Henry Wilcoxon who is secretly running a fleet of slave ships and whom Cooper, under secret orders from the British Admiralty, is sworn to put out of business.An excellent film in an excellent DVD transfer that really looks spotless. Evidently they used a brand new print of the picture and it certainly shows. However, it is disappointing that there are no extras not even a trailer. But collectors of vintage classic movies will love it just the same.

ROCKY-19 Here is a film that inexplicably has been given little exposure to modern audiences. Paramount threw in a lot of its top talent to tell a good story with drama, humor and lots of action.Nuggin Taylor (Cooper) has waged a one-man war against slaves ships in the 1840s. His best friend Powdah (Raft) has been a slaver, if a half-hearted one, for years. The two board a packet from Liverpool to America in a plot to undermine the slave shipping lines, but also on board is their main nemesis and his sister. Naturally Taylor has a "thing" for the sister. When a tragic accident befalls the ship, Taylor must take drastic action to save passengers and is ultimately charged with multiple murders.Cooper again plays the aw-shucks persona he perfected but here combines it with the literate, committed character of Nuggin. Note that in the lengthy opening sequence he says nothing, but is the center point of every word. Raft, who was always at his best for Henry Hathaway, gets crimped hair and an earring and the package works for the uneducated, footloose Powdah, who is ironically terrified of water. Raft's trademark unblinking stare is used to great effect and even humor. Copper and Raft, who sing together so pleasantly here, remained good friends after making this film.The picture took three photographers. Estimable Charles Lang split the cinematography duties with Merritt Gerstad. Gordon Jennings was in charge of the special photographic effects in the climactic ship disaster. Their decisions were mostly excellent. Especially effective were the constant tilted angles aboard ship. The black-and-white filming offers up rich tones and texture, instantly setting the stage with the slave cargo sequence. The action scenes are outstandingly photographed and executed.In period pieces, Hollywood tends to go overboard with layers of decorations. In 'Souls at Sea' art directors Hans Dreier and Roland Anderson are magnificently restrained and very accurate. That and A.E. Freudeman's interior decoration make the film seem really in Philadelphia, really in Liverpool and really on board a ship in 1842.This is a great example of Hathaway's work, weaving appropriate humor into the human drama and relationships. There is an amusing montage as Taylor is scouring Liverpool for Powdah, and that relationship's integrity is maintained throughout.This is a classic well worth making the effort to find.