Dave_douell
I am so disappointed in Rooney Mara for participating in this monumental waste of talent. The only reason I made it to the end is just to watch Rooney Mara, one of the most unique and beautiful actresses today. I know that she is better than this, I've seen incredible acting from her in other films. I know none of this matters to most of you but I said my piece. Don't waste your time on this movie!
M34
The only thing good one can say about Song to song it is it is not the abject failure of Thin Red Line.
It is fairly obvious what Malik is doing with Song to Song, it is, like Knight of Cups, self referential blaming of his failure on externalities. That is pitiful enough. AT least is not as abjectly laughable as Thin Red Line, which managed to hit a trifecta of destroying the lessons and point of view of one of the best novelized portray of combat, ignore Jones point of the brutality AND necessity of that war and combine that all with abject absurd combat scenes.
bandw
Of the thousands of movies I have seen Malick's "The Tree of Life" is
perhaps at the top of my list. It grabbed me and never let up. I have
seen most of Malick's movies and beginning with "The Tree of Life"
he developed a
unique style that he has worked with in his succeeding movies, pushing
it further with each. I liked "To the Wonder" and was still on board
with "Knight of Cups," although neither was nowhere near the masterpiece
that "Tree" was. But with "Song to Song" Malick has pushed the limits of
his style beyond where I can appreciate it--I am hoping that this will
be the last of this experimental film making in this vein.As usual, the images are captivating. It looks like Malick must drive
around and, as soon as he sees something that interests him, he films it
(with his consummate talent and taste) and then tries to merge all of
the images into some narrative that makes some sense, mainly to him
I'm afraid. The trademark closely miked audio, long takes of characters
walking around each other, minimal dialog, beautiful people, and
nature shots are in evidence. Music is essential to any Malick movie I have seen and it is puzzling
why the music in this movie, that is played against the backdrop of the
Austin music scene, did not engage me. Interspersed among the Austin
scene are classical segments--Saint-Seans seems a favorite here.
The supporting score is highly fragmented, which I suppose is in
keeping with the fragmented nature of the story line, but just when
I was appreciating a song there was a cut to an unrelated scene.There are many well known musicians in the cast, playing themselves,
such as Iggy Pop, Lykke Li, Sara Quin, Chad Smith. Patti Smith does
get some time, both as a character in the story and as a singer.If there is a coherent story, I missed it. I got the basic love
triangle bit, but from there all was obscure. How Cate Blanchett figured
into things was a total mystery to me. Was she there simply as a
box office draw? The main character, played by Ryan Gosling, is
given the name "RV" and I got that only from the closing credits. When
I realized that I had entirely missed the boat on the characters was
when I saw in the credits two actors listed as being BV's brother.
Nowhere did I catch that BV had a brother.If I were to have turned off trying to make sense of this thing and just
sat back an enjoyed the images, there would have been enough here to think
this is worthwhile. But, unless you are plugged into Malick's recent
vision, you might give this a miss.
Danny Blankenship
Mostly I try to watch the movies of Terrence Malick and they like this one "Song to Song" are about thought as they are long and drawn out stories of life and choices with interactions as love and interest change with people as much of it is about location and timing.Set in Austin, Texas this picture revolves around the young alternative music scene in which two struggling songwriters BV(Ryan Gosling)and Faye(Rooney Mara)are trying their best to break into the music business with the help from a mogul named Cook(Michael Fassbender). Thru it all the lives of each are turned upside down as to begin with BV and Faye have a relationship that's intimate with sex yet things change when BV returns to an ex flame and Faye starts to explore and try to find out who she is in the bedroom as she runs an experimentation with another woman for some hot passionate sex! Now Cook tries his shake with Rhonda(Natalie Portman) a young waitress yet nothing doesn't really go to float. Thru it all each character makes a discovery about life, love, people, as the experimentation and intersection with one another all leads to a mix of seduction and betrayal as each learn the game of life and see what's in it for them as BV returns to his blue collar roots and leaves the music business.Overall long take and spin on interaction, experimentation, and life choices proving that chance, timing, luck, location and passion all play a part in shaping one as life can be a fun experiment.