Desertman84 Song One is a romantic film written and directed by Kate Barker- Froyland that is set against the backdrop of the modern folk music scene.It stars Anne Hathaway and Johnny Flynn together with Mary Steenburgen.Franny is has musician brother with whom she has been estranged with named Henry.Later,he found out that her brother was hospitalized in coma after he met a car accident.She returns home to be with his brother.She then uses her brother's notebook to find out how his life has been through after she left home.She then seeks musicians and artist that Henry loved and in the process meets Jeremy Forester,his music idol.She was able to convince him to perform at her brother's bedside and later forms a romantic relationship with him.In the end,Henry wakes up from coma.The story was slow that it became boring.Added to that,the screenplay was absolutely formulaic and predictable that there was nothing really surprising in the events that are about to happen.Despite the presence of Hathaway,the film basically provides nothing new except the folk music being sung in it while the story is being told.Overall,it would have qualified more as a television movie.

lexie88 It is most certainly not the best movie I have ever seen, but I still do not understand why so many low votes and disappointed comments. Maybe it has something to do with the ending of the movie, because it's an open one, and it leaves the conclusion(s) to the viewers. We don't know what happens next, we don't know if they end up together, I guess everyone will decide on their own and choose an ending they prefer. I loved the movie precisely because of the ending. It is more real that way, and therefore it is not just another happy end romantic movie. The music is amazing, and the movie itself has a soul, which is, for me, the most important requirement for a good movie. It is the story about a human drama, about life and family, about all the perks of having one. It is about meeting someone accidentally, when you least expect it, and all of the sudden you find yourself in the story of your life, without even being aware. Once it is all over, you learn how to cherish those moments, and you keep them as the precious ones. Because it has been worth it. Those who have been through stories like this will know what I'm talking about, and what this movie talks about. And they will catch a glimpse of themselves in this movie and its characters, and smile or cry in the name of old days and old loves.

Tony Heck "You know when you have a feeling that you don't want to fade away, but you don't really know how to keep it?" Franny (Hathaway) has removed herself from her family and is living her own life. When her brother is in an accident she returns home. She begins to look at his life and what he loves. Attending a concert that he was going to go to changes everything. This movie has very good music, the bad thing about that though is that that is the reason to watch. The movie itself is a little slow and generic. I really wanted to like this and tried, but when the music wasn't going on you could tell what was going to happen from line to line. I'm not saying this isn't worth seeing, but Begin Again mixed story and music together so perfectly that it just shows you need both in order to make a good movie. Overall, good music and an OK movie. I give this a B-.

shawneofthedead A pleasant if not especially memorable indie, Song One would have slipped completely under the radar and off the grid if not for Anne Hathaway, its star and producer. Hathaway's name alone - not to mention her singing chops, as demonstrated to Oscar-winning effect in Les Miserables - would have brought in audiences eager to hear her sing her heart and soul out again about the horrors of life and men. Here's the thing though: she doesn't sing (much), though her character does experience quite a few ups and downs where the men in her life are concerned. Instead, the film uses its frequent musical interludes to sketch out a sweet if rather underwhelming story of family, loss and connection.Franny (Hathaway) is working on her thesis in Morocco when she receives a call from her weeping mother, Karen (Mary Steenburgen) - Henry (Ben Rosenfield), the little brother she barely understands and had stopped speaking to after a fight, is in a coma after a car accident. Returning home to take up a vigil at Henry's bedside, Franny tries to connect with her brother through the music and musicians he loves. As she retraces the path of her brother's life through tiny hole-in-the- wall clubs across New York City, she meets and finds herself drawing closer to James Forrester (Johnny Flynn), Henry's favourite indie musician.You can't fault writer-director Kate Barker-Froyland for ambition. She blends three story lines, each capable of carrying its own film, into Song One - there's the heartwrenching family drama about how people must try to survive when death hovers nearby; a quirky romantic comedy about two unlikely souls finding each other; and a brooding treatise on the vagaries of the indie music industry. She mixes and mashes up the ideas and concepts reasonably well, as Henry's coma prompts his sister to explore a world composed of song and lyric - one in which she previously had no interest.The first half of the film is grittier and grimmer in tone, buoyed by a pair of sad, weary and very truthful performances from Hathaway and Steenburgen - mother and daughter smarting at the thought of losing Henry, while pushing each other away with all the love in their hearts. The unexpected friendship that Franny develops with James also begins in a charmingly bittersweet fashion - he turns up out of the blue to strum his guitar at Henry's bedside, providing the soundtrack to Franny's desperate pleas for her brother to wake up.But Song One unravels a little as it goes on. Gritty gives way to predictable, and it's hard to care as much when the family tragedy takes a backseat to the unfolding romance between Franny and James. This shift in focus isn't helped by the fact that Flynn, who possesses a good singing voice, is a slightly blank presence on screen - he's never outright bad, but it's hard to glean much of James' supposedly sensitive soul from his performance, forcing his words or music to do the job.Speaking of the music: the score and original songs by indie rock duo Jenny & Johnny are amiable enough - they've evocative, in parts, but never so catchy as to be really memorable. The exceptions are Afraid Of Heights, a cute little improvised ditty that nicely sums up the relationship between Franny and James; Silver Song, a heartfelt number that ties itself in quite effective, heartbreaking fashion into the narrative; and Little Yellow Dress, which sports lyrics so strange that the song threatens to jolt viewers right out of the film.Like the deeply earnest clutch of indie songs that form its soundtrack, Song One is a largely pleasant, if not entirely pleasing, experience. The film hints at depth and layers that don't quite bear up under scrutiny. At least Barker-Froyland doesn't descend completely into mawkish predictability in the final frames, instead bringing the film to a close on a sweetly tentative note that could hold as much grief as hope. It's an ending (or, perhaps, a beginning) that makes the entire journey worth it - almost.