kidboots "So Big" did a lot to salvage Barbara Stanwyck's career. Apart from "Ladies of Leisure" which had prestige, many of Stanwyck's early films were potboilers and, often, her's was the only performance worth watching. This story of mother love and self sacrifice was dear to people's hearts at the time (struggling through the Great Depression) and Stanwyck's honesty and earthiness made her a natural for Selina Peake. Warners surrounded her with the best talent they had - William Wellman directing, George Brent as the male lead (although his part lasted barely 10 minutes) and the studio's new ingenue, Bette Davis, in an interesting role as a young artist who tries to guide Dirk back to his roots. There were also two of the better child stars of the day - Dawn O'Day was Selina as a child (five years later, as Anne Shirley, she would play Stanwyck's daughter in the acclaimed "Stella Dallas") and the very cute Dickie Moore as "So Big" as a child.In many of Edna Ferber's books the male characters didn't hang around, they either abandoned their family or were killed off (Ferber never married and many critics felt she didn't really understand men) and "So Big" was no exception. Selina's beloved father (Robert Warwick) is shot (he has a gambling house, a fact that all through her childhood has been kept secret). The only friend who hasn't deserted her secures her a job as a teacher in High Prairie, but her first impressions of the town are not favourable. She finds the Pooles, her host family, ignorant and crude, the mother (another thankless role for Dorothy Peterson) is worn out and old at 31. The one ray of hope is Roelf, who is eager to learn and, when Selina arrives, is half way through reading the dictionary. He also departs, after a time, to make his way in the world.Selina marries Pervus DeJong (Earle Fox), a decent farmer, but someone who is mired in the past and won't learn new ways or experiment with different crops - asparagus for example. Life is going to be a long, hard struggle but his death gives Selina the opportunity to try new methods. All she has left is Dirk (Hardie Albright) but he is a bitter disappointment to her. Not only is he materialistic and worships money, he is also going about with a married woman, who convinces him to give up architecture for the lucrative field of advertising. With his new executive postion he is slipping further from Selina's values, but he then meets Dallas, a young artist, who convinces him to find truer ideals. Roelf has just returned from Europe, where his renown as a sculptor has made him a celebrity, and he is eager to see Selina, who he regards as his inspiration. Together, they all return to the farm and the film ends with Dirk's realisation that he had been misguided and Selina has known all along the answer to true happiness."So Big" is just "So Wonderful". One of the nicest scenes (I think) is when Selina, newly widowed, takes "So Big" to market. There, they meet two "ladies of the night", one of them, Mabel, strikes up a friendship with "So Big". Another small role for Noel Francis, she always played shady ladies but she had the bearing of a Duchess.Highly, Highly Recommended.

whpratt1 There is no doubt in my mind after viewing this picture from way back in the early 30's, that this is a great Classic with great actors. Most of these actors, Barbara Stanwyck,"Dynasty" '85 TV series, were just starting their careers along with Bette Davis, (Miss Dallas O'Mara),"The Old Maid",'33 and George Brent, (Roelf Pool),"The Spiral Staircase",'46. In this picture Stanwyck plays a woman who was very close to her dad, who was a gambler and once he died, she had no choice but to take on a teaching position in Kansas and wound up married to a farmer. This is a wonderful story of a woman who raises her children against all the set backs that life has to offer and how she deals with each problem that seems to face her, which she calls Velvet. Barbara Stanwyck and Bette Davis never got a long together when making a film and they both made very few. Stanwyck was always outgoing with the stage hands and crew and Bette Davis just did her acting job and no socializing with the regular people. I must say that Bette Davis looked fantastic in this picture and of course she was a great actress.

edwagreen Barbara Stanwyck pulls out all the emotional stops and is effective as a widow who strives to work the land and make a success for both her and her son. Trouble is that the boy grows up and desires fast wealth. He gives up his architectural work to go into bond trading and wealth. The problem with the film is the end of it. The flick ends abruptly. You really don't know if he returns to architecture or returns to the land.Life on the prairie is very rugged. It takes its toll and people just up and die.In her scenes as a younger woman, Stanwyck acts like a dignified Stella Dallas.The phenomenal Bette Davis is seen in a supporting role as the son's love interest. She was not her devilish-self to be, rather, she would prefer that he return to a more simple life.George Brent has a brief role as a sculptor who succeeded in Europe and returns to the prairie for a visit. Trouble is that his girlfriend is Davis when Stanwyck's son has designs on her as well. This is not resolved at the end of the film.The problems of urban living are depicted with the latter being depicted as a place of vice and crime. Robert Warwick has a brief but memorable role as Stanwyck's gambler father. He tells her about his philosophy of life right before he is killed. I remember Warwick quite well as the magnate named Irving in 1947's "Gentleman's Agreement." He was against the idea of articles about anti-semitism. "Don't stir things up, let us handle it" was his motto.

Jim Tritten Showcase for Barbara Stanwyck who gracefully ages from a young woman to a mother in her late 40s. Barbara stands for hard work (on the farm) and the recognition of beauty in life (even cabbages are beautiful). Her understated portrayal shines as one of her best works. Story of her son, (who Barbara said was "So Big" with hands spread wide apart) is that of a privileged offspring who ignores his mother's advice and takes the easy way to money, ignoring the beauty in creativity, and hides his mother's career from society ladies. When he finally meets a good woman (a good Bette Davis) who appreciates someone with "bumps," he reveals his past but it is not bumpy enough to impress her. Instead Bette goes off to Paris and meets with celebrated sculptor George Brent who as a boy had lived with and loved the older Barbara. Interesting portrayal of two contemporary actresses with one playing the part of a woman old enough to be the other's mother and neither obviously updating the other. Good messages, good role models, with Barbara staying down on the farm as a success without having taken the easy road. A quiet gem to inspire depression-era audiences.