Slumber Party Massacre II

1987 "Sleepless Nights."
4.7| 1h25m| R| en| More Info
Released: 16 October 1987 Released
Producted By: Concorde Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Courtney is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that the murderous monster is reincarnated as an evil rocker.

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MisterWhiplash Slumber Party Massacre II is not the first Slumber Party Massacre - what on God's green Earth could be? - but it cuts its own distinctive style by being so adorably terrible that one can't help but admire it somehow. It has padding in its 75 minute run-time, and can do that since the girl friends around the main character have a band (the sister from the previous film, Courtney, of the main girl from the last movie, though damn if I could remember that even having just seen the first one two weeks ago, different actress by the way of course). It's also a movie where if there even *is* a serial killer is in question since it could all be in the majorly PTSD'd, nightmare-riddled Courtney's mind. If the first movie was liberally borrowing (one might say ripping off but no, heavens no, that's not the Corman way is it?) from Halloween, then this is liberally borrowing from the Nightmare on Elm Street films (a scene of Courtney in a bath-tub seems like it was lifted so hard from the first one its ridiculous, and I almost thought it would oddly enough take from the third one, which came out the same year, but not quite the case), and at the heart of it is the most awesomely silly killer I've ever seen in a slasher. Who is this killer? Try to imagine Quentin Tarantino hit his head on a sink and after he came to was tasked to write an 80's slasher movie - this is what he might come up with: Atanas Ilitch is having the time of his life playing this "Driller Killer", who would appear to be a psychological terror of Courtney's years after the first massacre happened, but is um... actually there? Is that a spoiler? The reasoning for why he finally leaps forward may actually make some sense is going by the usual (strict?) code of conduct for these kinds of movies - if you're a virgin, the moment you have sex is when you get it right through the vitals - and but in the moment it seems like it has only the slimmest rationale, and it fully becomes a "slasher", as in Ilitch's killer going after these innocent/obnoxious teens (some more than others), in the last act. Before this is a lot of gloriously dumb scenes; at one point, the girls have an actual pillow fight and some/most of them take off their clothes to do so, and on that immediate beat two of the guys in the movie look on through a window and say, "they actually DO do this!" Again, the songs take up a good number of minutes (without them this might barely make a feature-length run-time), but they're not the worst ever, just that kind of mediocre 80's rock-pop that Corman was able to buy for 10 cents. The performances are also what you expect, but what makes the movie stand out a bit is that the filmmaker - once again a woman, and Corman was good about hiring women to make his movies, regardless of artistry, Deborah Brock in this case - tries to ape at times another Corman alumni, Jonathan Demme; there are multiple scenes where characters look directly at the camera as if to us and speak (for example when one of the teens finally calls the cops, prematurely really, when Courtney is having one of her hallucination/nightmare freak-outs). What is this supposed to do? I am sure I still don't know.A lot of this is not good, and actually it's pretty terrible. What gives it the rating it gets is that it's a massively entertaining bad movie, one of those that sticks out among the multitudes of 80's slashers (and back then you could randomly throw a rock and hit a piece of s*** slasher movie); what is significant here is that the pace never slackens too much, the actors are mostly likable, the tone is appropriately silly (but not in a way where they're too knowing of it), and the climax is completely bananas as characters run through an unfinished building as the slasher/singer does his Rockabilly thing with his drill. It'd also be a total blast for a party movie night.
SweetOOgaBOOga Wow...just...Wow. This movie is on my list of worst horror movies of all time. I really wish "0" was a rating option for this crap. I know sequels are supposed to be "not so great" but this is a waste of effort. I'm guessing the makers of the this movie were just thinking of the money. The original was a "B" movie at it's best. Slumber Party Massacre 2 has no plot, not even bad acting but worse and it's ripping off of "A Nightmare on Elm Street" which is one of the best horror movies of all time. I don't get people on here saying it's a "10/10"? Do yourself a favor and just watch the first one and pretend the sequels don't exist. Glad I didn't buy the box set of the 3 movies and rented the sequels first. Paying for that would have been really annoying.Brutal.
Boba_Fett1138 Well, you have bad horror movies and you have BAD horror movies. And this one is BAD alright! You also have bad horror movies that actually becomes good and enjoyable to watch because they are so bad but no, this movie unfortunately is not one of those. It's such a silly movie, in which also not an awful lot is ever happening. The movie is like one big boring drag, until the driller-killer finally first shows up, which is really late into the movie. The movie however after that soon also turns from silly to sillier.The Slumber Party Massacre movies are perhaps the only chick-flick horror movies, also not in the least because all of them (expect for part IV, that from I have heard is more porn than horror.) are directed by female directors. So expect lots of jumping around, dancing, crying, yelling, silly laughing and halve naked men. It's sort of a nice touch for a change to see an horror movie made as a chick flick. It puts a whole other light on the slasher genre.The movie only gets its trills from the dream sequences, that are well made and provide the movie at times with a good surreal like atmosphere but real problem with those dream sequences is that they EXACTLY show what will happen all later in the movie. How stupid is that. So nothing in this movie will really come as a surprise anymore, also especially of course when you have seen the first movie you will know what is going to happen all. The movie however is letting you wait for so long until these things are finally happening all that you will have difficulties keeping interest throughout.The driller-killer himself is this time definitely more interesting and entertaining than the one in the first movie. This however in this case also means that a lot of the mystery and suspense of the character is taken away this time. Horror likely wise not a great move of course. But oh well, he still is the highlight of the movie, thanks to the wonderful enjoyable campy over-the-top acting by Atanas Ilitch. Silly, silly, silly. Oh and before I forget, the ending makes this movie even sillier.3/10http://bobafett1138.blogspot.com/
udar55 Courtney, the younger sister of the survivor from the first film, suffers from nightmares about the incident. How does she relieve this stress? She and the other members of her female rock group go to a condo for the weekend to play music and have fun with their boyfriends! But her recurring dreams of a leather clad driller killer sporting a electric guitar drill (!) start to mess up the party, especially when the killer enters the real world and kills everyone. I am damn serious when I say that I think this film is one of the best low budget films to come out in the 80s. This movie has it all. It is funny, gory, bizarre (a raw chicken attack; the zit scene), features good acting, has a unique location and stars Crystal Bernard! There is even a musical murder number! The real scene stealers are Joel Hoffman as TJ (doing Spicolli meets Chrisitan Slater) and Atanas Ilitch as the Driller Killer (looking like a cross between Elvis, Corey Haim and Andrew "Dice" Clay). Keeping with Concorde tradition, this entry is also helmed by a woman, Deborah Brock. Most surprising of all is Playboy playmate Kimberly McArthur keeps her clothes on the entire movie. Definitely one of the top 5 films released by Roger Corman's Concorde label.