Tim Kidner Well, not really, but when we see the primary school class scenes, near the start, that is what immediately struck me and I'm sure anyone who's also seen and enjoyed the phenomenally popular and successful charting of a year of a French primary school and their teacher will know what I'm saying. Those who haven't - and enjoyed this, should check it out - directed by Nicolas Philibert, released 2002 and is sometimes known by its less elegant English translation 'To Be and To Have'.Now that I've established that Sleep Furiously isn't just about the primary school (but its importance resonates throughout) I agree with nearly all the comments from reviewers, from the positive to the critical. I can see why the young Welsh couple found it clunky and boring and casting a backwards look on their country-folk yet I can see it for what it is. I too, find it distasteful and mocking for comfortable people to see 'twee folk doing what comes naturally and jolly good luck to them' - as they open another bottle of wine.The reasons why I was attracted to buying, almost blind, except for reviews here and the advert, is because I'm an Englishman who lived and worked in Wales for a good portion of my adult life and for a time, dealt with agricultural policy. Very low down the ladder, I must add. I was also brought up on a farm myself. But mainly, because I'm very familiar with south Wales and re-visit regularly and with images of north Wales so prevalent in the touristy media (and now having taken up my hobby as photographer as part-time job) it's the oft forgotten 'middle-bit' of Wales that I've seen almost nothing of.Yet, of course, it is the main farming area and mention is made of the Royal Welsh Show (which I have been to) which is held near Builth Wells, in Mid Wales - not north or south, where more people could visit and make it more commercial but where the heart of the real country is.Yet, for all the predictability there is around people baking cakes and choosing books at the mobile library (I recall those in my childhood - and I'm mid 40's, so not THAT old!) it is the anticipation of what it is that comes next. Yes, you could fall asleep and no-one would really blame you but it also will bring down your blood pressure and I've always found Welsh used as everyday language, actually rather lovely, if that doesn't sound too patronising and how, with no obvious reason, English will be used instead, despite it being the same speakers and subject!It obviously hasn't found an audience as wide or large as To Be and to Have (which has been shown on BBC4) and it'd be futile to try and work out why and why not. For a moment I wondered if this was a vanity project by the director but I'm sure you'll see why I soon dropped this idea!I enjoyed the few time-lapsed sections probably the most - the curtains gently billowing in the breeze was sublime and the people with the fireworks, complete with a burst of the atmospheric electronic music, wonderful.Whilst not the bravest, nor the most cutting edge of even engaging documentary ever made, it is certainly good and I'm now looking forward to watching it with my 80 year old father and his sister over Christmas. He has always enjoyed nature programmes - and One Man and His Dog - plus attractive country scenery and the pace will suit them both to a tee. And as an old pig farmer, the sights and sounds of the piglets being born will be special, too, I'm sure.

lovekick This film is a joy.Its wider messages of rural decay are evident but its specific scenes are portraits of individuals, relationships, landscapes and history that are worthy of consideration independent of the bigger theme.A yellow mobile library is allowed Big Picture time to cross a whole screensworth of green Welsh mountain. This beautiful scene alone is worth the watch. The library's aesthetic and romantic appeals hold hands with the utilitarian demands of its users who value and use this service.Meeting points are charted and cherished - school, the fair, church, shops, sheepdog trials, tea.Weather and the seasons frame but don't constrain the 'story'.The past is present, maybe the future is not, but this film is about now and, though (I feel) elegiac, not morbid.The unscripted (but deftly edited) humour (non-compliant sheep, frozen posted owls and mobile library health & safety, that would all do Coogan/Brydon/Gervais proud) adds both lightness and gravity to the mix.The darkest picture in the film, a curtain flapping in a deserted farm house near the film's end recalls 'Time Passes' in Virginia Woolf's 'To The Lighthouse'; the message may not be hopeful, but this film finds Lily Briscoe's line.

celiavelarde I completely agree with the above writer. The disjointed nature of the film made it impossible to follow any thread, and anything I was interested in was cut short. For instance, when the calf was born and the mother was licking it - endlessly - did it survive? Why did the dogs fight? I'm afraid I too thought all the longueurs were pretentious, and my neighbour looked at her watch four times! I feel that, although it was made with the best of intentions, there was a strong element of the Emperor's New Clothes about this film. If it was about the demise of a village, it was not made clear why the school closing meant everything else had to go. For me it didn't make a story.

mic_mac I loved this film - I loved the slow pace of it, the meditative quality, the way it reflected the quieter slower rate at which village & agricultural life turns.The space & time devoted to "little happening" was perfect for me - especially when it was showing the beauty of the Welsh landscape.The simplicity & honesty of the tales, allowed to naturally come across was beautiful & reminded me of David Lynch's "Straight Story".The way that the village, community & the surrounding agriculture seemed ancient, only moving with the seasons was deftly shown. Poignantly, simultaneously the film also showed it was worryingly at imminent risk of losing some of its essential aspects.If you can't sit still for 5 minutes & enjoy a setting sun, running river or rolling hillside, if you can't remain quiet & enjoy the silence, then this film's probably not for you. I'm afraid there isn't even a single car chase (only a brief sheep chase).For everyone else, turn down the revs & sink into this low-key masterpiece. ______________ Update after Celia's comments - I don't understand why everything needs to have some perfectly realised & resolved answer - life's not like this, sometimes we never find out what happens, and sometimes our lives are simply enriched by inexplicable yet beautiful things (like this film).This is the sort of film that is a soft target for accusations of "pretension" (or Celia's "Emperor's New Clothes") but there really is no pretence/pretension that this is going to be a normal A->B->C narrative, it's just not what it is. It's broadly filmed as documentary, but not a prescriptive one. What it is to me at least is a beautifully shot vignette, with snapshots, snippets & moments of many lives and stories, none of which does it try to fully provide a resolution. Yes I've got questions I'd like answered (my friend wondered did the librarian ever use the laptop for anything more than a place to stamp the books?) but I don't expect to get the answers from the film itself, and that's OK by me.The closest thing I've seen to it is the Patrick Keiller masterpieces "London" & "Robinson In Space" yet they are scripted, narrated & very thought out mixing esoteric elements of art, history, poetry, economics trivia and wit, all together again with great photography. The simpler more natural (no commentary, no sign of a behind-camera interviewer) version perhaps makes for a less focused film, but also one I just allowed myself to go with its slow, winding, meditative pace.