vernon robinson The only reason why I would give this movie a perfect 10 is because, I liked the movie and yet, Zuleikha Robinson is 100 sexy actress material. She is actually the only reason why I got so attracted to the movie. I love the music and as a screenplay writer, I have to watch movies of every genre and personally, all the movies that I have seen. I have no doubts about them, but some could've had a little more work done to them, like mine of course. I've got lots of work to do. Beside all of that, I love the horror/thriller genre and this movie convinced me a whole lot. Especially when they started singing and what not. I will say this once again. I love the music but, the ending theme really got to me. It's bad enough it can't be found anywhere. Not even for the soundtrack, which currently doesn't exist till this day. I'm starting to actually think that the music was only made for the movie. Which means that it was made-for-movie material. That really sucks.

slayrrr666 "Slash" is one of the better scarecrow-slashers around.**SPOILERS**As a young kid, Mac (James O'Shea) watched as his uncle burned in a fire. As an adult, he's the lead singer/guitarist in a band with a bunch of his friends. After a gig one day, the band is approached and told that his aunt has died. The next day, he and the rest of the band, Keith (Craig Kirkwood) Carl, (Brett Goldin) Susie, (Zuleikha Robinson) Rod, (David Dukas) and his girlfriend Candy, (Nina Wassung) travel to the farm where he grew up for the funeral. As he attempts to reconcile with his father, Jeremiah, (Steve Railsback) being back on the farm stirs up memories of his youth. As they settle down for the night, Mac is still upset by the memories of the past, which makes matters worse when a neighbor pops up dead around the farm. They start to leave, but their bus breaks down a little way down the road. Traveling back to the farm, they stay to help out. Being stuck on the farm takes its toll on the rest of the band, and Keith bails on them. When he pops up dead, the rest starts to fall prey to a murderous scarecrow hell-bent on getting them away from the farm.The Good News: The scarecrow-slasher film is a new sub-genre that has really gotten some popularity of late. This could be one of the better ones, mainly because it is one of the first, and better, ones. It was a great idea to strand a bunch of city people on a rural farm, as it allows for some brief comedic moments with some great "fish-out-of-water" gags and a couple really cool smart comments. It also opens great, with a guy and a girl on their way to a concert arguing on the way about their sex life, when they suddenly veer off the road to avoid hitting a cow. When they finally stop in the middle of a giant corn field, the man goes off to go to the bathroom, leaving her in the car. When he returns to scare her with a mask, she freaks out and calls him on it. Then, he is pierced through the stomach with a giant knife from behind. The blood flies into the car before she has a chance to scream, but can't find the killer anywhere. He suddenly appears on the room, prying open the top of the car with his scythe. It's a great, but very bloodless way of opening the film. The whole back-story of the band is very smartly played out, and does seem like a believable thing to happen. The killer scarecrow is also very creepy, and the rotting face and hat make him look very intimidating. He is the creepiest scarecrow I've seen.The Bad News: This is one of the most bloodless horror films I've ever seen. Apart from the cool kill in the opening, this really needed some blood. Seeing a scarecrow slash away at people with a giant scythe demands a lot of blood shed, and this one provided very little. Other than this, I really don't see the harm in this one.The Final Verdict: With some gore, this would've been a sure fire must-see. However, it isn't, but that doesn't mean it isn't a bad movie. I still think it's a good movie, but some blood-flow and some more nudity and this could be a small little cult film. See this only if you hate scarecrows or seeing a fresh twist on a well-worn idea.Rated R: Graphic Language, Violence, Brief Nudity and a mild sex scene

Li-1 Rating: 1/2 out of ****Behold, what we have here is quite likely the worst slasher flick of the new millennium (but not the worst horror film, as we can't forget Legion of the Dead). The unimaginatively titled Slash is a new display in complete and total incompetence, and it's about as poorly made as films get.After dispensing with an obligatory black-and-white prologue, the film makes a quick segue to two teenagers (apparently a couple)driving to a party in the middle of nowhere. Showing off its ineptness from the start, the movie gets into its first stalk-and-slash sequence when the couple in the car swerve off the road to avoid hitting a CGI cow! They crash into a cornfield, with the girl seemingly unconscious and the boyfriend seeing this as an opportune moment to feel her up. Turns out she's faking unconsciousness, and is a lot less angry than one would think she ought to be for her boyfriend showing more concern for her boobs than her well-being.Anyway, the boyfriend is quickly dispatched by a masked killer with a scythe, so the chick quickly runs to the nearest house, this whole chase accompanied by annoying pop rock music. She hides in a nearby barn, and proves to have nothing in the way of peripheral vision as she fails to notice the killer being right in front of her! The whole scene caps off with her begging for her life as he very slowly approaches her. For crying out loud, why not just run? And the sad part of it all is that despite how terrible this opening is, it boasts the only nice thing I can say about the movie; the chick being chased is pretty hot.The rest of the movie focuses on a rock band, whose lead singer is called to the very same farm in the opening scene because his aunt's passed away. He hasn't seen his father (Steve Railsback) in fifteen years, so one can expect their reunion to be a little awkward. The rest of the band (one of whom brings his groupie, who's a tarot card reader, no less!) also tags along, doing little things like playing trivia games over how famous singers passed away to entertain themselves. No points for guessing the band will likely serve as fodder for the scythe-wielding killer.The cast that composes the band is likely the most obnoxious group of protagonists ever assembled in a slasher. Among the lot of them, there's not a single redeemable factor to be found; they're loud, impatient, disrespectful at every turn (especially the token black guy), and they don't even seem to get along as a group, something you'd think would be vital in a rock band.Director Neal Sundstrom is horribly incompetent in staging and filming scares, suspense, or humor. He gives certain scenes a strange color composition, sometimes desaturating the picture for no discernible reason. Any time the stalk-and-slash scenes look like they might just pay off, all the murders take place off-screen and are even sometimes filmed with annoyingly choppy slow motion. Sundstrom's idea of atmosphere is covering the locations with lots of fog, but all that does is give the impression we're watching a stage play.The movie actually attempts to build some sort of mystery in regards to the identity of the killer by delivering obvious red herrings, but when the killer is later revealed, he's not even unmasked. The climax is moronic, with a few of the survivors deciding to hide themselves in a cellar that was revealed earlier to them to be the killer's hideout. The lead character also formulates a plan involving a prop knife, even though he had no way of knowing the weapon was a prop (to add further insult, the killer himself should have known it was a prop).No question about it, Slash is a terrible movie at every turn. It takes a mildly promising slasher concept-which I hear was utilized to much better effect in Scarecrows-and comes up incredibly short in all aspects. I heard this was a South African production, which does help explain some of the cast trying to cover up their accents, but it only proves that filmmakers overseas take too much inspiration from America's own cheap and awful low-budget slashers.

Dr. Gore *SPOILER ALERT* *SPOILER ALERT*What is it about killer scarecrows? They seem to be dominating the straight to video horror scene right now. I recently saw "Scarecrow Gone Wild" and have my eye on "Dark Harvest". Maybe I'm answering my own question. There always seems to be room for one more scarecrow flick. You want to star in a horror flick? Start lining up now. Stuff your body full of straw, sharpen up your favorite scythe, ask the Wizard for a brain and fill out an application. "Slash" has a scarecrow going bonkers over a visiting rock band. Some obnoxious punk comes home with his band to visit the family farm and ends up getting stuck there. They landed there just in time because the scarecrow wants to make mincemeat out of them for his harvest of blood. A Blood Harvest eh? Hmmmm… "Blood Harvest" could be the title of the next killer scarecrow bonanza. I'm sure I'd get around to seeing it sooner or later."Slash" is OK. It's worth a look. Scarecrow, cornfield, blood etc.