mreidoku
WARNING! CONTAINS SPOILERS!!!First, I must confess that I am a big fan of films about lesbians or films with lesbian themes. Though this film also contained incest, because it was between siblings I was not put off and found the incest element to make the film even more captivating. For me, the selling point of the film is the relationship between the two sisters, Christine and Lea. There are many beautiful scenes which show the closeness of the two sisters, and their affection and love for each other.However, I felt the plot had some points which were not developed fully, otherwise I would have given the film 10/10.I think there should have been more scenes which show the Christine's obsession. During the romantic scenes, it would also have made more sense for the older sister (Christine) to be more aggressive instead of the younger sister. The relationship between the sisters and their employer could also have been explored further. Even though the employer is portrayed as unkind and disdainful towards the sisters, I don't think it was enough to incite murder. The daughter in the family also doesn't have much effect on the plot, so I think she should have been given a bigger role, like maybe bullying Lea a bit or treating both sisters badly. Then the ending would have made more sense.Also at the end of the film, after the murders, I think the sisters should make a run for it. I know the movie is based on the actual event, but because the sisters were not shown to be that crazy throughout the beginning and middle of the film, it would not make sense for them to hide in their room at the end. Despite some shortcomings in plot, I still really enjoyed the film. The scenes of the two sisters are just really touching, and that alone is enough to make me recommend this film.
Jay Raskin
This is not nearly as good as "In Cold Blood," or "Psycho," but it is a riveting crime movie. While not as graphic as other movies, it is graphic enough to be somewhat disturbing. I am not sure if I can recommend it to anyone who isn't a deep film noir cineaste.I was surprised in reading the reviews about the lack of mention of Joely Richardson's outstanding performance. Yes, the entire cast was fine, but she really gave the memorable performance. To me, she matches Gene Tierney in "Leave Her to Heaven, Sharon Stone in "Basic Instinct," Jennifer Jason Leigh in "Single White Female" and Simone Signoret in "Diabolique." She's manages to act both convincingly erotic in one scene and psychotic in the next. This movie manages to be both exploitative and not exploitative at the same time. It does play up the more sensational elements of the crime, but it also has some simple and thoughtful images and scenes that make you sympathetic towards the people involved. The scene of the maids picking up hundreds of tiny pearls that have fallen on a carpet is an example. It suggest the animal-like treatment they faced on a daily basis.It is not a very pleasant or fun film, but it will alternatively warm and chill you.
przgzr
Long, long time ago people used to care what was happening to others. Today people just don't bother to think about anybody but themselves. Maybe it's because the populations is growing and communications bring whole world in our homes. We got used to big stuff. If it's an earthquake it must peak at least 8 on Richter scale. If a plane crashes it must be a 747. If a murder happens, only massacres or terrorist attacks reach the audience.But there are still parts of world where people are not so used to big events, still live in their small local community and if something shatters it they still ask themselves - how could it have happened? 'Sister, My Sister' analyzes a crime, a murder that today wouldn't be heard of further than district or maybe a (smaller) state border. But back in 30's, more than for cruelty itself, people were shocked because of circumstances, it was committed where no one could expect it. Two girls raised by nuns, working for a respected family that never have complained, in fact was even proud how good servants they had, suddenly murdered mother and daughter they've been working for. Being a drama and not a crime movie, this film doesn't let us know something so drastically would happen till the very end. In ordinary crime movie we would see a murder scene in opening sequences and than some detective or forensic would investigate till, at the end of the movie, a whole puzzle could be revealed and a long flash-back would show us what preceded the crime. In this movie, however, we see everything grow, develop, boil in a pot with no valve to let any steam out. Four woman with hidden or undeveloped emotions fail to build any human relations. Mother and daughter just live under the same roof, in same room, but don't contact further than aristocratic rules permit. Daughter has nothing to do with servants, though she is a bit attracted to younger sister. Mother won't talk to them unless a special occasion occurs. Even when not pleased with their work she just shows with finger in a glove what has to be done better. In a great scene she talks to her daughter for a few minutes what should be done or corrected, not a single word addressed to servants who were standing next to her. Sisters, suffering from lack of love and emotions till early childhood, rejected first by mother, than by nuns, and having no chances to meet anyone in such environment, turned their emotions to each other crossing a line of sister's love. This relationship leads them to break the last connections with family, and hide in a shell of their room.Three interesting, different characters in a hermetically closed hypocritical house. Nothing should be changed, such a world must stay calm for centuries, or otherwise it loses its position in its hypocritical community. The trouble is that four characters are credited, and one of them, Isabelle, the daughter, is a weak corner of a square. Nothing interesting, just a few scenes and lines, she is there like a piece of furniture. But, then, maybe it's not a failure in a script, but one more strong accusation against such a society. She was the only one born in the house. She had no chance to become different from a stylistic chair or a piece of expensive tea set. She had no chance to become a person. And that is the most terrible thing in forming of a human being. Children raised to be objects of an exhibition, praised by other same-type parents who expect praises for same-type children they have.Lea and Christine had emotions deprived throughout their childhood. In this environment their emotions became free but uncontrolled, in a wrong but only possible way. In forbidden relations and in crime. Their emotions, as Paul Simon wrote, "echoed in the wells of silence". And this echo was too strong, again as all the years before. Mother didn't listen. Nuns turned their back. This echo committed the murder.This is the best all-woman movie I've ever seen. Only one man I can think of is capable of doing this type of movies. If you like Chabrol, don't miss this one: his legacy lives. If you're an action-movie lover suffering from insomnia, buy this one instead of Valium. It's healthier. You won't get addicted.
