MartinHafer Yikes! When "Siren of the Tropics" began I felt like I was going through an earthquake! That's because the print from Kino had a very noticeable shake--and continued doing so through the film. Now it is possible that you might not notice it as much as me and won't get motion sick watching it, as I watched it on a 58 inch TV that only exacerbated the problem.The story begins in France. A rather despicable rich guy and his wife are arguing--he wants a divorce and she suspects he wants this so he can marry their goddaughter--who they have been caring for over the years! Yuck! However, the young lady has no idea he's thinking of her this way. Instead, she's in love with nice-guy, André. When the nasty rich guy finds out about this, he pretends to give his approval and sends the future groom to a supposedly wonderful temporary assignment--to oversee his mines in Africa. However, the rich jerk sends word to his evil overseer, Alvarez, to kill André! And, soon enough, Alvarez tries--though I must admit the attempt is really lame! Much of the reason André survives is because his body is discovered by a strange local girl, Papitou (Josephine Baker). Soon, reinforcements arrive--Alvarez is captured and André's fiancée and her godmother arrive. The three of them go back to France and soon after, Papitou manages to take a ship bound for France as well.Papitou is very fortunate, as she first comes upon a job as a governess (scenes of her with the children were very reminiscent of her real life, as Baker had over the years adopted a rainbow of children). Soon, she is discovered by some theater owners who want to feature her and her dancing in their upcoming show (again, not far from real life, as Baker was a huge hit in France due to her exotic dancing).When the evil rich guy learns that she is ALSO in love with André, he sets up André and claims the innocent man is having an affair with the dancer. Ultimately, André demands a duel with the rich jerk because he learned he was behind the attempt on his life AND the supposed affair). Not wanting to see her beloved André die, Papitou arrives at the site of the duel and intervenes--killing the pig. In the end, however, she is a good woman and understands that André does not love her--and she gives his fiancée her blessing.This is a very watchable film and is quite interesting as it gives you a chance to not only see Miss Baker in her first film but to also see her dance. Additionally, while you may or may not want to see it, you also see a lot of the lovely Miss Baker naked--and the film makers seemed to contrive many situations where you can see her topless--and a bit more. The nudity, though exploitational, also seemed rather innocent as well.The most serious problem with the film was Miss Baker's acting. While generally very good, there is one scene where she over-emotes horribly--and I assume the director was really at fault for this. For example, in the scene where the fiancée arrived in Africa, watch Baker's reaction. It is SUPPOSED to be surprise, sadness and perhaps anger. Instead, she just appears to have a bad case of schizophrenia or drug addiction! Too bad, as she was quite good in much of the film--and her craft did improve in subsequent films.

Seltzer The film itself has an interesting plot and is well-acted by most in the cast. Baker is enjoyable to watch, although I don't think this film lets you in on why Baker was considered so talented in her day. She does a sort of athletic Charleston and a couple of shimmies, but I didn't see what the fuss was about. Perhaps she was someone you needed to see live. Also, this is her debut film, so perhaps it is not a great showcase for her dancing talent. Still, the plot is followable, and Baker has some funny bits including pushing her way into a boat ticket line by using her fanny.The musical accompaniment, new for this DVD, is excellent. If it were available on CD, I'd buy it.There's some interesting extra footage in the Extras section on the DVD, but skip the so-called documentary with the dance experts. Instead of showing clips of what the talking heads are nattering on about, the camera focuses on the talking heads as if we care what they look like. Dull, dull, dull. And they're the kind of talking heads that refer to their subject by her first name as if they all knew her intimately.

tavm If you watch Siren of the Tropics with the mindset of the 21st century, try not to pay too much attention to the melodramatic plot about a tycoon trying to keep his daughter from marrying someone he doesn't think worthy of her. This seems to be an excuse to send the daughter's suitor to a faraway jungle to search for jewelry in order to prove the daughter's worth. It is here that we meet Papitou, Josephine Baker's character, who falls for the suitor after saving his life. Papitou follows the suitor back to France and is spotted by some theatrical agents dancing with orphan children. They decide to form a show with her but she won't perform unless she is promised to see the suitor. They call the suitor's potential father-in-law to arrange a meeting. Since the potential father-in-law knows what would happen if his daughter sees Papitou embrace her husband-to-be, he agrees. If you've seen some dramas involving mixed races made before the 1970s, you may be surprised by what happens here. The main reason to see this is to marvel at Ms. Baker's Charleston dance at the end. If you're interested in seeing early African-American film performances, especially Josephine Baker's, this one is definitely worth seeking out!

jdw50 Some spoilersThis is now available more or less in full on a Kino DVD. Baker's first film (though it's silent, making do with occasional intertitles); it doesn't quite know what to do with her. She becomes sort of second banana in her own film, much as the Marx Brothers occasionally were - doing their stuff, but secondary to the conventional love stories. She performs her vigorous, loose-limbed dancing in several scenes, in close up and long-shot, and even in silence she has undeniable star quality. She's seen as a child of nature, passionate, honest, comic (there's a long slapstick chase on a steamer when she's alternately black, from hiding in a coal bin, and white, from hiding in flour) and finally self-denying as she leaves the hero she adores to marry his fiancée, kills his scheming rival (where did she learn to handle a gun like that?) dances once more while smiling through her tears, then leaves for the USA. Still, the movie respects her talents; she appears near-naked a couple of times but it's not leering or exploitative; her colour is never an issue; and she gets to do her dances. She's still great.