TheLittleSongbird Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes, Hanna Barbera, Studio Ghibli and Tom and Jerry, and still love it whether it's film, television or cartoons. With significantly broader knowledge of different directors, animation styles and studios, actually appreciate and love it even more now.As has been said a few times already, 'Shuffle Off to Buffalo' is fairly typical of Rudolf Ising (not an enormous favourite of mine but understand his importance in animation history), leaning towards the cute kind of cartoon with a lot of sentiment in alternative to the laugh a minute and hilarious kind, the latter being the one that a lot seem to prefer (understandably, though am hardly biased against the former). This approach has varied with Ising. In some instances it has been very sweet and charming, in others it can be cloying and too cutesy. Generally 'Shuffle Off to Buffalo' belongs in the former category, despite the danger of falling into the latter with the premise. 'Shuffle Off to Buffalo' has a lot to like although not a great cartoon, not one to completely overlook if not a cartoon to watch repeatedly. It is not much new but it is done well still, it's fun to watch and it's charming.Yes it gets a bit too saccharine to begin with, before the edge kicks in, and it is best perhaps to not talk about the story because there really isn't much of one. The stereotypes may be questionable for some.What 'Shuffle Off to Buffalo' does so well however eclipses these problems. The animation is rich in detail for design and backgrounds, vibrant and crisp. There is a lush and atmospheric music score, with lots of clever orchestration and a truly infectious title song. The vocals are melodious and well-balanced and the antics/choreography are nostalgic.It is hard not to fall in love with the characters, even if they are not especially distinctive other than the lead, and it has enough likeability and personality to not be dull. 'Shuffle off to Buffalo' is rich in natural sweet charm and some very imaginative ideas and visuals in its recreation of the authentic setting. There is nothing hilarious and the cartoon's hardly laugh a minute, but a good deal of it does charm, touch and constantly amuse. There are many fun moments and some inventive ones too. The pace avoids being too draggy, with it being full of energy throughout when things got going. There is also some surprising edge and also the odd parody that are fun to spot if familiar with them.Overall, pretty good. 7/10 Bethany Cox

Edgar Allan Pooh . . . the animated feature now playing in theaters--STORKS--is essentially a remake of SHUFFLE OFF TO BUFFALO. Baby-carrying birds, complicated assembly lines, random singing--it's all here in SHUFFLE. Coming out in 1933, SHUFFLE was under no obligation to be Politically Correct. Therefore, Warner Bros.' Looney Tuners were able to draw featured babies such as the Nanook of the North, Juniors, and the Gold Dust Twins with anatomical correctness, rather than Party Line Platitude Geometry. Those of us that have witnessed a Real Live Birth will recognize Warner Bros.' alternative process as being more True-to-Life that BRIDGET JONES' BABY, and most Hollywood pap of that ilk. The conveyor belt operation of the baby-care elves in SHUFFLE more closely reflects the workings of a 21st Century American NICU ward than almost anything else that Hollywood has ever trotted out as BIRTH IN OUR NATION. (Hosing the milk down wailing newborns' throats with gasoline pump tubing rings especially True.) Hopefully, the Warner Bros.' cartoon archives include an animated short built around "Shanghai Lil," too.

didi-5 An early Merrie Melodie, this cartoon uses the song 'Shuffle off to Buffalo' (originally heard in '42nd Street') as a backdrop and soundtrack to what goes on at Baby Central before the storks take babies to their new home.Singing and dancing babies (including Jewish and tribal, as this is in the days before PC) and an entertaining ledger writer, and an Eddie Cantor cameo, make this a punchy and fun cartoon, much better than some of the other fare coming from Termite Terrace at the time.These were the cartoons where later top directors cut their teeth as on-the-ground animators, so they are always worth viewing, especially if you have a yen to see what was going on pre-Porky, Daffy and Bugs.

MartyD82-1 Before about 1938, the Warner Brothers series of cartoons was generally split into two camps. There was the Looney Tunes series, generally starring Warner's biggest star at the time. And then there was the Merrie Melodies series, which consisted of largely music-oriented cartoons centered around one at-the-time popular folk song (which was also used as the respective cartoon's title).This particular cartoon, as the title suggests, is based of the song Shuffle Off To Buffalo. Baby Central is the location, and the storks are busily delivering babies to families from all over the world while a crew of dwarfs busily prepares them for delivery. The song is sung throughout about two-thirds of the cartoon, with the children and dwarfs singing it (how a child could learn these song lyrics before even learning baby talk remains a mystery to me). There's also a brief cameo by Eddie Cantor, who keeps the song running throughout the remainder of the cartoon.Since most Merrie Melodies shorts, at the time, had little in the way of plot, the cartoons generally had to rely on both visuals and music to be entertaining. Fortunately, this short succeeds on both accounts. The animation is peppy and surprisingly fast paced, while the music is both fun and lighthearted. There's really little else to say about it (jokes, with the most memorable being the subtle Jewish reference in the beginning, are generally sparse) except that it's certainly a delightful cartoon and worth watching for those curious to see how WB cartoons were before Porky Pig was even conceived.