Shout at the Devil

1976 "A spectacular adventure you will always remember and a beautiful love story you will never forget."
Shout at the Devil
6.1| 2h27m| PG| en| More Info
Released: 24 November 1976 Released
Producted By: Tonav Productions
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

During World War One an English adventurer, an American elephant poacher and the latter's attractive young daughter, set out to destroy a German battle-cruiser which is awaiting repairs in an inlet just off Zanzibar. The story is based on a novel by Wilbur Smith, which in turn is very loosely based on events involving the light cruiser SMS Königsberg, which was sunk after taking refuge in Rufigi delta in 1915.

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mjscarface On the whole, this is a mostly faithful adaptation of Wilbur Smith's novel and a cracking adventure story.Shortly before the outbreak of World War One, Irish poacher Flynn recruits a clueless, upper-class Englishman named Sebastian to help him steal ivory from German-occupied territory in Africa. For a while, the pair make a great team and succeed at humiliating the local German officer, Fleisher - but the fun comes to a sudden end when war is declared and Fleisher gets a chance for revenge.As others have mentioned, this is definitely a film of two halves, as much as the book was. But the rollicking pace and sweeping storyline offer all manner of scrapes and situations that the film is never less than enjoyable. Lee Marvin is thoroughly amusing as the drunken poacher who flits between immature outbursts at those around him and total inebriation. Roger Moore is also impressive as Flynn's opposite, Sebastian, whose a gentleman at first but quickly learns to toughen up as the story becomes more serious.Supporting characters are also memorable, with Fleisher a mixture of comical and nastiness. Barbara Parkins plays Flynn's daughter and Sebastian's romantic interest with fiestiness and Ian Holm is amusing as Flynn's mute assistant Mohammed.In terms of action, the film has plenty to offer; gunfights, fistfights, shipwrecks and man-eating crocs for a start. This is all edited in the same frantic style that Peter Hunt's 'On Her Majesty's Secret Service' was, giving a lot of energy to the film. I also love Maurice Jarre's score for 'Shout at the Devil'; epic and tense.While 'Shout at the Devil' is a cracking yarn and I have loved it since I was little, the bad news is that no decent version currently exists on DVD. German characters (who spoke English in the film) have now been dubbed into German, which is one thing... but no subtitles(!) mean that entire scenes become useless and impossible to follow for the rest of us.There is of course the issue of running time and to be honest I can't remember if I've actually seen the full version or not (it's been a while). Some TV companies have been known to show the full version and, because of the awful DVD versions, it's a case of pot-luck that anyone sees the film as it should be (I personally have held onto a VHS recording from 1988 which is wearing very thin now).
lastliberal The first thing you notice about this film is the racist MPAA. Despite it being rated PG for war violence, there was nudity. Breasts were exposed, but they weren't those of Barbara Parkins ("Peyton Place", Valley of the Dolls, and her skintastic moment in Breakfast in Paris), but of African natives. Seems that black breasts are not taboo for children to see.But, to the film itself. It is actually two films. The first half in 1912, has Lee Marvin (Cat Ballou, Paint Your Wagon) as a drunken ivory poacher who manages to get Roger Moore (The Spy Who Loved Me, "The Saint") to partner up with him. After Moore and Parkins (Marvin's daughter) plan to marry, there is a great fight scene reminiscent of many John Wayne pictures.Then the film changes. World War I is declared and the Germans are on the march led by Reinhard Kolldehoff (Moon Over Parador, "The Winds of War"), a big fat German pig whose men slaughter Moore and Parkins baby, and set them on a search for revenge.The film has plenty of action, including what I would call a paper mache bi-plane which almost takes Moore's life, and culminates in the blowing up of a German battleship that had run over Moore and Marvin earlier.Marvin was extremely funny and Moore looked just great painted black to get on the ship. Parkins was radiant throughout, even when consumed with revenge for the murder of her baby.Sir Ian Holm (Chariots of Fire) was also fantastic as Marvin's mute servant.
screenman It seems incredible that the same decade which brought Star Wars to the silvery screen disgorged such unutterable tripe as this and many other 'adventure' movies. I am reminded of the similarly lavish, but equally wretched 'Ashanti' outlined elsewhere.Whatever motivated A-list actors to sign-on for such wastes of celluloid is frankly beyond this writer. They must have been very, very desperate. To be perfectly candid, Roger Moore's appearance in any movie is the kiss of death. Although extremely handsome in his youth, his entire acting career has been predicated upon an ability to raise one eyebrow. Every emotion from A to B is conveyed by this simple stratagem. His were the dog-days of James Bond. Lee Marvin on the other hand has featured in some very worthy outings, perhaps most memorably 'Paint Your Wagon' and 'The Dirty Dozen'. He has a comic streak, but he is much better when he plays it straight.The excellent Ian Holm is a throwaway, hardly recognisable blacked-up as a mute African. Everyone else just turned up for their pay-cheques.The only plausible and watchable element is the German cruiser. It looks like a very large model. But it is believably massive and appears authentic - as do its crew. The rest isn't even hokum. The childish comedy jars with the brutality and violence in a story that meanders clumsily about, as if the script itself had had too many whiffs of Lee Marvin's gin. Here is a director who simply doesn't know where he's going. There are hints of 'The African Queen', a snatch from 'The Pride & The Passion', 'Gold', and one or two other rip-offs from movies who's titles don't come readily to mind.Strangely, I have seen it 3 times, each occasion it has been shown on television when I have been laid low with a cold or the flu. Perhaps that is influencing my judgement - but not much.Compare it with any Indiana Jones movie and you will see what I mean.I have given it two stars; one for the battleship and the other because it finally comes to an end, though heaven knows it takes long enough to do that.Time for another Lemsip, I think.
k-thomas I first saw this movie, when it was first released in 1976 and must say, it hasn't lost its momentum. Fine performances from all the actors and the only actress in the film Barbra Parkins.When i was a child, i read a story in the victor comic of the destruction of a battleship in the first world war like the Blucher and if i remember correctly, it was never discovered who actually blew the ship up. As stated in another comment, it is a pity that you cannot get an original full version of this film. The version i have is from the BBC. Also in a couple of comments, it has been stated that it was a pity a baby was murdered. I would like to make a point, that it was in the book by Wilbur Smith, Rosa and Smiths child being thrown into a fire and this is the beginning of the story of their fight with the character Fleischer, brilliantly portrayed by Reinhard Kolldehoff. It is a pity films like 'Shout At The Devil' are not being made today, as there are still books of adventure stories in the shops there for the taking. A must for people who still like a good old fashioned yarn with a beginning a middle and an end.