merklekranz Not much of a boxing movie, so if your interest is in the sport you are sure to be disappointed. Character development is spotty, especially with Michael Caine's children. Caine's two henchmen come across well, and Michael Caine gives an impressive and believable performance. Martin Landau is mostly wasted in the background. What is intriguing is Caine's rapidly escalating paranoia regarding his ill advised decision to risk everything on his son's big fight. When things derail, Caine blames everyone but himself for the disaster. Unpleasant consequences follow for anyone he suspects of sabotaging his dream. Eventually the wheels come off and we learn if Caine's suspicions were imagined or correct. - MERK

Ralvacast First off, this movie leaves you in a limbo mood wise. You don't know what to feel. So much so that you don't feel bad for Caines character when his son gets murdered (which was actually mostly due to bad editing). The script was too bland. None of the situations matter as you watch them. The soundtrack, or lack there of (if there was it wasn't good enough to even remember) does not help it one bit. Only good surprise to this movie was Andy Serkis' performance. It was on par if not better than Caine's. The story would have probably gone better off if Serkis would have killed him. Because quite frankly you don't feel any kind of redemption in the climax. Just a feeling of lack of feeling, if ya feel me. Basically this movie massively lacks draw. Leaving the audience alienated throughout the entire thing.

Howlin Wolf The emergence of Quentin Tarantino and his dubious influence on the likes of Guy Ritchie may have triggered the wave of appalling British gangster flicks we've been bequeathed over the past few years, but one of our most famous acting exports only serves to perpetuate the cycle by lending his considerable name to trash like this. I only wish he'd taken a moment to consider before choosing this project for the same reasons of personal gain he admits he often employs. It's not only stifling HIS talent, but possibly the promise of future originality from British films. Not one of this film's characters are likeable or even remotely realistic, and the dialogue consists of the usual empty threats and colourful language. Caine doesn't give the material any more effort than it deserves, either. If this was meant to be in the style of a tragic fall from grace a la "King Lear", it would've helped immensely had I cared about the ultimate fate of the principals, instead of just wishing that they'd get mired in the quicksand of life and dragged under almost immediately.

Neil Hughes The words starring Michael Caine is enough to strike the fear of God into any movie fan, considering some of the poor films he has made over the past 10 years.In Shiner however he returns to form in one of his best performances of his career.Since Lock Stock there has been many poor british gangster flicks but Shiner is up there with The Long Good Friday and Get Carter.Its so refreshing to see a grim, dark, gritty and powerful movie, especially with all the Hollywood schmaltz and big budget nonesense thats doing the rounds these days.If your favourite movies are Long Good Friday and Get Carter, I strongly urge you to see this film.