johnwaynepeel OMG, do I love this classic movie.At long last, the great William Gillette is more than a footnote and a photo, but the man who MADE Sherlock Holmes alive for so many before us! The curved Meerschaum pipe is at last remembered for what it was... A stage relived item so as not to maim the voice of the REAL Sherlock Holmes. And the famous Sherlock robe we have seen in Sidney Paget illustrations in the Canon that was created by Sir Arthur Conan Doyle in his 56 treasures.For over 1400 performances on stage, this Connecticut Yankee brought the British detective as actor William Gillette... not to mention, the radio play he once did, and many actors had wonderful careers bringing Sherlock onto the stage for at least 100 years. It's hard to conceive after watching this recording of historic magnitude, that Gillette got boos from London audiences but Gillette stood through this before speaking to them. This amazing moment was brought to the British public by an English reviewer who said that this same British public owed Gillette an apology, and he said it all n his review. Imagine! A Brit praised this Connecticut Yankee this way. Good for him.The DVD brings to marvelous excellence William Gillette's astounding performance. I had expected the usual almost cartoonish physicality, but I was so wrong. Gillette makes me understand why he was as revered actor and performer. One reviewer brought up that he was almost doing the later performance of Jeremy Brett, and having seen it now, I cannot disagree.The astonishing work of this movie has marveled me into a luxurious gift into the long past that never ages. I feel blessed to having seen this incredible actor's most celebrated performance to know that the true Sherlock Holmes is alive forever!To the guide of Gillette Castle in Connecticut gave me terribly wrong information that THE William Gillette never performed this movie even with an enlarged photo of the man in this performance I now own with all of my Sherlock performances on video, and for that I feel I am blessed forever.Please watch this fabulous film and see for yourselves all that I have said is true. Basil, Arthur Wontner, Eille Norwood and Jeremy Brett owe everything to William Gillette as well as they and the Conan Doyle Canon. It's all here on this gift to all of you Sherlock Holmes fans.

MissSimonetta After being so let down by the 1922 John Barrymore Sherlock Holmes, which boasted a lackluster leading lady and way too many intertitles, I was not expecting too much from the long-lost 1916 version, in spite of the presence of William Gillette. Thankfully, I was wrong: this is a well-paced, atmospheric, and well-acted picture. Thank God it was found.For someone who never acted in front of a camera before, Gillette is phenomenal. Like Sessue Hayakawa and Mary Pickford, here was another actor who understood the camera came with its own rules, a need for a greater subtlety which comes with the intimacy of the projected image. Self-assured, intelligent, and understated, Gillette is a great Holmes; no wonder he was so influential in our modern conceptions of the character.The plot itself (based off the popular 1890s stage play and later used for the bland 1922 film) is a mess, a mish mash of images, characters, and story elements from an assortment of the original Holmes stories. Some of the developments are silly and there are some plot holes, but what keeps the film from sinking are the mysterious atmosphere and the charisma of the performers. The pacing is slow, but never boring. I can only describe the picture as having a hypnotic quality.Many are put off by the addition of a love interest for Holmes, but I don't mind too much. At least he and Alice have some chemistry. It makes me think a lot of the 1970 film The Private Life of Sherlock Holmes, where director Billy Wilder examines the emotions behind the famous detective's rational reserve.Film buffs and Holmes devotees will be interested. Give it a watch.

GManfred The great news was told to us recently on TCM, accompanied by a premiere showing; a copy of "Sherlock Holmes" was found and restored earlier this year year in France. It was originally released as a 4-part feature in 1916 but was released in France as a 7-part serial in 1920. It has been restored to its original 4 parts and that is what we saw here on TV. It is great news since it is the only existing film of Sherlock Holmes' most famous impersonator, William Gillette.As impressive as the restoration was, with its alternate scenes tinted blue and orange (the orange seemed gold, but no matter), the story itself was simplistic in nature and lacked the resourceful cleverness of Doyle's stories. Maybe it was the only way to tell a story on film without the benefit of dialogue, but this one was straightforward and without guile. A young woman is held against her will so her kidnappers could make her tell the location of some letters of hers, which could be used for ransom. Holmes wants to help her, and so he does. The bad guys get their comeuppance and all is right again.Gillette was 60 at the time and was probably heavily made up. Otherwise it would have been a stretch to have him win the heart of the damsel in distress. In no other Holmes story did he 'get the girl'. Nevertheless, it was rewarding to finally view this lost treasure and to realize another lost film could be preserved for posterity.

Michael Dzyban In 2014 it was announced that a negative of this film had been discovered in France and would be restored for the world to see. After being considered lost for nearly 100 years it is miraculous for this to have happened. Once the restoration was complete there were only two planned theatrical screenings; one at the Cinémathèque Française film festival in France in January 2015 and another at the Silent Film Festival in San Francisco in the United States in May of 2015.I had the good fortune to be able to attend the San Francisco screening at the beautiful and historic Castro Theater. Live music accompanied the screening, performed wonderfully by the Donald Sosin Ensemble. The theater itself was filled to capacity for the single screening and a line trailed down the sidewalk outside the building.The film itself, post restoration, looked great. The image quality throughout was very strong and consistent with rich detail. One of the most striking features of the film itself is it's camera work and cinematography. Unusual for the time period there is a lot of camera movement and stylized editing. The visual style employed by the film is both very effective and engaging and may well have been a significant influence on other filmmakers of the time. (This viewer has seen nothing similar to it for that era.) As per the original theatrical release the film is color-tinted an orange-sepia for the interior/daylight sequences and a dark blue for the night/exterior sequences. This also is a very effective device that adds impact to the film, and successfully heightens the experience. (Especially compared to if the entire film were in standard black and white.) There is a significant amount of exposition present in the inter-title cards (which had to be translated from French back into English). This may be because much of Gillette's play had to be scaled back for the film adaptation.What of Gillette? His was the first performance that anyone ever saw of Sherlock Holmes. In general appearance he does seem to be cut almost directly out Sidney Pagent's original drawings for Holmes. At the time of filming he had been playing Holmes for decades and he does portray a rich and nuanced Holmes on screen. His characterization is both powerful and playful at times, displaying a wry sense of humor. While comparisons will be made to every other actor who has been Holmes on screen (particularly Basil Rathbone, his closest contemporary) his physical movement did remind this viewer a great deal of Jeremy Brett. His was a strong and sturdy Holmes and not a thin rail of a man.Other classic characters are, of course, present. Watson is used minimally, and not surprisingly, often for comic effect. However, it is done with care and he is an intelligent and believable character in the story. In general, the other performances (done by several of Gillette's stage company) are above par for films of the period, but do occasionally dip into Victorian clichés (as does the story now and then).The script was a pastiche of several Holmes stories and Gillette had Doyle's full permission to take liberties with the cannon, and he does. Audiences should keep this in mind, and note that during filming Sherlock Holmes was not the century-old icon that he is today. Overall, the film is still enjoyable and engaging even for contemporary audiences. Gillette's Sherlock Holmes has aged well, and happily can be enjoyed again by new generations of fans.