Sex Is Comedy

2004 "Faking it has never been like this."
Sex Is Comedy
5.6| 1h34m| en| More Info
Released: 20 October 2004 Released
Producted By: ARTE France Cinéma
Country: France
Budget: 0
Revenue: 0
Official Website:
Synopsis

A director struggles with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant, she is hell-bent on getting the scene right without compromise.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

ARTE France Cinéma

Trailers & Images

Reviews

Jay Raskin This is only the second Breillat film that I've seen and I'm wondering which star from the heavens she dropped down from. What film has ever captured the filmmaking process so perfectly - maybe Truffaut's "Day for Night," or Tom Decillo's "Living In Oblivion?" Not better but as well. What film has ever spoken so truthfully about sex? None, simply none. Who has combined cinema and sexual discourse like this? Nobody. Not Bergman, not Allen, not even Bertolucci. Maybe Lina Wurtmuller to some degree. The first filmmaker was a woman - Alice Guy-Blaché The last filmmaker is a woman - Catherine Breillat. Performances are outstanding. Direction is outstanding.
bellygirl-80-964078 This is a comedy of actors' manners. Making-Of ? Film genre ? Pornography or Exhibitionism? Sex Is Comedy is a post modern film, with its script based on a film within the film. As an implosive story of a minimalist love scene, the film is built with a constant solidarity of the forms and the spirit, in which, Breillat keeps on breaking and analyzing the taboos. Using visual codes and certain sense of the formula, Catherine Breillat implement her clinical analysis of the sexuality as an isolated problem outside the society to be communicate by the door of the heart.Therefore, Grégoire Colin (Good Work, Nénette et Boni, Claire Denis, The Dreamlife of Angels, Eric Zonca) in the role of the Actor and Roxanne Mesquida (Fat girl, Catherine Breillat, Marie from the Bay of Angels, Manuel Prada), the Actress, are actors whom she invents, she does clarify in an interview. Breillat observes the man in front of him even, a chaste man. Then Breillat films the shame and the sexual mutilation, but also a big hope, a disturbing dimension of the ecstasy, a nudity of the feelings, the halving of the exhibitionism, playing to be one to be one. The Director is finally expected to lead the actors to give their feelings, their body and their soul. So arranged, facing the problem of the order of "who I am ", the actors of Breillat put on an inorganic vitality to merge in her work in progress. But, for what is a shape of incredible exorcism, for an actor, Breillat puts many questionings. Enduring at the same moment a big suffering, the actors appear to be the ones who look for this loving transport to be part of the eternity of their work.
FilmCriticLalitRao According to Catherine Breillat many people believe that by watching "making of" they can understand the intricacies of the actual shooting process. She opines that this is not quite the case and the real process of filming a feature film is unfortunately very complex,hard to follow and difficult to understand. She goes on to add that rather than simplifying the creative process these programs end up confusing the viewers. Keeping this particular idea in mind, she has filmed a unique,trend setting film which relies heavily on the whims and fancies of its principal characters. One can have a first hand experience of how difficult things are on a set when a film is being shot. Compared to other films by Catherine Breillat,sex is comedy is devoid of controversial elements. As a film director in this film Anne Parillaud looks a bit similar to Catherine Breillat.Gregoire Colin is fine too as the moody actor. As a final comment, I would like to remark that this film is very serene and an inattentive viewer might not know how quickly the film is getting over.
surbon514 I'd really have to rate "Sex is Comedy" as one of the worst pieces of dreck I have ever seen. The film inadvertedly showcases those which are the worst aspects of the French, or at least how they are stereotyped, narcissism, snobbery, and pseudo-intellectualism. I myself am French-Canadian and feel slightly ashamed that the creators of this film are from the same culture as me, that should give you an idea as to how bad this movie really was! One doesn't so much watch this film as undergo torture to it, there was a total lack of humour, and it seemed to me as if the entire film was a documentary interviewing people who were neither famous, nor talented, as if to celebrate something that has never happened to begin with. Instead, why not watch Auberge Espagnole, Happenstance, or Je t'aime... a la folie, three fantastic modern French films.