tenshi_ippikiookami "Haemoo" (or "Sea Fog" in its English title) is a movie that will be better enjoyed if you watch it without knowing anything about its plot. The story is surprising and full of nice (well, interesting) plot twists, and the viewer will not know at any moment what may happen next.There is an economic crisis in South Korea, and captain Kang Chul- joo decides to take a dangerous assignment: bring illegal immigrants from China into the country. He needs money and he doesn't want to lose his ship and his lifestyle. And then..."Haemoo" does a great job in being various things at the same time: a gripping thriller, an action movie, a critic of South Korea's society, an analysis of the situation of weakness illegal immigrants find themselves in..., and delivers a very strong story with great acting, amazing direction, and an ambiguous and threatening mood.The only points that could be criticized is some repetition of situations, and a couple of decisions the characters take that make not much sense (or better yet, are too fast too unexplained). An unnecessary (but not bad) short coda could also have been cut out.

TheFilmGuy1 Holy hell, Haemoo (or Sea Fog) knocks it out of the park. South Korea proves that it still has the ability to pump out some absolute gems.I'm not gonna say much about this except that it's about a crew of South Korean fishermen who take on a group of illegal Chinese immigrants on their boat. The film makes you think that it's going to be one way, and it does something completely different. That's all I will say because anything more will spoil the incredible surprise I experienced. If that core concept sounds interesting, see this film. Try to avoid other peoples comments and reviews, as they may not be as into the film as I am and find nothing wrong in spoiling things. Also, it's apparently based on real events, and I recommend you not look that up either, as it will obviously spoil it.Kim Yun-seok gives an incredible performance here. He really steals the show, but that's not to take away from the great performances that the rest of the cast gives. It's just that he is so great at portraying the character and the changes he goes through that he will blow you away.This film is so damn good. It really surprised me, and I would put it up there with all the rest of the must watch South Korean films. If it sounds interesting, or you like South Korean movies, check this out immediately.(Side note, that damn ending was so good.)

Kane Le-Petit This film BLEW all my expectations out of the water , I knew nothing about it going in and enjoyed every single second of this incredible piece of Korean Cinema.The intensity and tone of the film is one of the best things I can say about it , you could cut the tension with a knife and my hands were sweating the whole time ! The score and editing was impeccable , particularly the score being reminiscent of huge blockbusters (all though this is a lot more adult and brutal than an American blockbuster as usual with Korean Cinema). The cinematography was absolutely incredible , considering this took place on a boat , there was practically no shaky cam throughout the entire thing and instead the viewers are treated to some gorgeous visuals and beautiful smooth and steady shots. Only negative thing I have to say about Haemoo is the fact that a few times , it felt a little bit cliché with its character moments and plot decisions (very rarely) .I could not believe my eyes when I saw the ratings online , they deserve to be much , MUCH higher.

TribalWho (TIFF'14 Intro) Director Sung Bo Shim introduced the movie's afternoon screening and stuck around for Q&A session afterwards.(Review) I consider Snowpiercer to be one of the best films to come out of 2013, and Joon-ho Bong's co-scripting duties on Haemoo was what attracted me to Haemoo. While first time director, and co-script(er) Sung Bo Shim took over directorial duties for Haemoo, it is with Snowpiercer that the film will most draw comparisons. Although they couldn't be more different in terms of scripting, plot, or even the message they aim to get across, they are both a gritty, bleak look at humanity's darker side, and in both cases, play their conflicts out in locations that mirror the messages the films are trying to get across. As Snowpiercer traces a revolution that begins in the bleak lower classes back carriages of the last remaining train on Earth, moves through the empowered, and autonomous middle class cars and ends at the apathetic, electronically numb upper classes carriages, the audience are treated to a class warfare fueled journey through the entirely of our world.Bo Shim, here, plays his tale out on a small fishing vessel, and a desperate captain, who decides to transport human cargo when business runs slow. As in Snowpiercer, the fishing vessel, and the ocean it travels on, reflect the mental state of the crew. Clear waters and sunny oceans start their journey, dark stormy waters mark their arrival to pick up the new cargo and as the crew start breaking and coming to terms with what they've been forced to do, the Haemoo (sea fog) sets in, blinding our screens, and trapping the vessel in ethereal limbo. Bo Shim takes visual clues from Joon-ho Bong and dresses up the three areas of the ship according to their roles: the uppers decks are gray and steely, the fish hold (a very bad place) is dark and bleak, and the engine room, the only 'sanctuary' for a large part of the film, is decked in shades warm yellow and brown. The film looks stark and visceral, and everything, from the script to the acting, helps get that across.All the sights and sounds would be a waste without a solid script to back it up, and the movie does not disappoint. Haemoo throws average, ordinary, salt of the earth people into desperate situations that shatter, twist and test them. The movie's first act traces the lives of these fishermen, on and off land, and shows them going about their lives. The writing in these parts is so authentic that it's hard not to view them as real people, with real, crappy jobs by the time they head back off to sea. It is through these unremarkable and slow sequences (a charming little love story on the boat takes the better part of the first hour) that the script manages to put us at ease and catch us off guard when the s**t hits the fan. And it does hit the fan. I won't spoil anything for you, and while there's hardly any on screen violence, Haemoo was more effective as a horror movie than last night's screening of Rec 4. The final act culminates in one of the most haunting sequences you will see this year on the big screen, and ends with a perfect ending: unapologetic, chaotic, confusing, without closure. Real.Before the film began, one of the film's protagonists (also in attendance) said she hoped that the movie will stay with the audience long after it's over. I find it hard to imagine anyone walking away from this film unscathed. How could ordinary people do these acts? Was there something dark inside them all along? Perhaps the things they were forced to do shattered their minds? Perhaps there something dark and twisted in everyone? These are questions I should stop asking myself, but I can't. Haemoo is a masterpiece, and excels in getting under your skin and affecting you on a very primal level. This is a movie you need to watch, and with an excellent score to boot, one you should want to.