mark.waltz Why they can't even have a legitimate name. Mule, donkey, ass. But a horse is a horse of course, of course. Jewish peasants in Anavtevka argue over the trading of a horse, claiming that it was a mule. Their reputation has them as stubborn creatures, sitting defiantly when they don't intend to move. But in films, little farm boys love them, especially Mexican ones, so that says something about their sweetness. Troubled farmboy Lon McCallister seems able to handle the two mules that their new owner (and his employer) Tom Tully can't, so he agrees to pay $5 a month for them. Unbeknownst to McCallister, the arrogant Tully is in cahoots with his nasty stepbrother to prevent him from completing the payment, all because of a vendetta against stepmother Anne Revere whose nastiness drove Lon's father out of their own home to his death.This film is known as the debut of Marilyn Monroe in a brief talking part (on and off in a second), and shouldn't be viewed with seeing her in mind. The female lead is the pretty blonde June Haver who was the musical rival to Betty Grable, and she's photogenic, charming and likable, if not completely magical. As her younger sister, Natalie Wood is as precocious as usual, but can't steal the film from the mules or lovable drunk Walter Brennan. McCallister gives a sincere performance, while Tully digs deep to show the many aspects of his bitter farmer. In her few scenes, Revere shows the ugliness of her character who has no redeeming qualities. The mixture of family melodrama and light comedy makes this rural slice of life film an entertaining time filler.

bkoganbing This rustic film, something not usually made by 20th Century Fox has come down in screen legend as the debut of Marilyn Monroe. She's very briefly seen paddling a canoe after church. As it turns out she's not the only tragic legend in Scudda Hoo! Scudda Hay! Natalie Wood who plays June Haver's little sister and a little miss fixit is also here.Young Lon McCallister quits his home and hearth leaving it to mean stepmother Anne Revere and her lugnut of a son Robert Karnes. Almost on a whim he buys a pair of mules who won't work for anyone else but him. Still he's in debt to miserly Tom Tully for them. And Tully is not a man to give anyone a break even with daughter June Haver falling for McCallister.The man who teaches McCallister about how to work and the dignity of the mule is Walter Brennan playing another of his rustic old timers with lots of wisdom. He also has a nice taste for booze which nearly costs McCallister his mules.Except for the Francis series, Scudda Hoo! Scudda Hay! is the only film I know that's about mules. And McCallister's two don't have quite the talents that Francis had. Incidentally the title is what Walter Brennan teaches McCallister to say if he wants his mules to give that 110%.McCallister and Haver make a nice young couple. Not the greatest of films but a worthy debut for a legend.

moonspinner55 George Agnew Chamberlain's book about determined farm boy in rural small town America training two prize-winning mules to drive; pretty soon, he and the two stubborn creatures are hauling out logs from the forest and making fifteen dollars a day, which irks the man he bought them from as well as his own evil step-brother. Director F. Hugh Herbert, who also adapted the screenplay, does a terrific job setting the mood of the piece--frisky but also angst-ridden. Lon McCallister is the polite juvenile battling with his father's crude wife and her son for his dad's respect, later butting heads with farmer Tom Tully (in a convincingly angry, blow-hard performance). Although this is ostensibly a simple tale of a boy's love for two mules, there's a lot of busy melodrama going on. The scenario isn't overly-folksy, and the villains (including Anne Revere, in her least-sympathetic role ever) are surprisingly effective. The romance sub-plot between Tully's blonde, beautiful daughter June Haver and skinny McCallister doesn't quite work as well (she seems a bit out of his league); thankfully, little Natalie Wood is around a lot, spying on her neighbors and getting all the juicy gossip. Good contract-picture from Fox has an undeserved poor reputation (with its title causing most of the derision), but I was entertained from start to finish. Look fast for Marilyn Monroe as 'Betty' on the church steps. *** from ****

jeffhill1 "Scudda Hoo! Scudda Hay!" refers to calls the driver uses to direct his team of mules when out working on a job. After seeing the film on "The Late Show" as a teenager, I was a June Haver fan for a while, so I was thrilled when I saw and approached her in Restored Williamsburg, Virginia with her husband, Fred McMurray in the spring of 1962. Marilyn Monroe was to have a small part in Scudda Hoo! Scudda Hay! She was standing by a tree and when the character of Snug encountered her, she said, "Hello." But that part got cut out before the film went into the can. I think Scudda Hoo! Scudda Hay! is noteworthy in that it is the only film I can think of in which Walter Brennan plays something other than comedy relief or somebody's sidekick. Look it over when you have the chance and see if you don't think he is formulatin' the character of Grandpappy Amos of "The Real McCoys."